Annotation

SubOptimalCredits

suboptimal relationship mappings (MB relationship -> on release):


miscellaneous support -> Location Technical Supervisor: Graham Kirkby
miscellaneous support -> Music Editor: Gary Schultz
design/illustration -> Cover design: Robert Felsenstein
manufactured in -> Made in Austria
engineer -> Location Engineer & Sony Tape Operator: Peter Jones
editor -> Editing Engineer: John Johnson
??? -> Organ: The Aeolian-Skinner Organ in Symphony Hall, Boston, Massachusetts
??? -> Cover photo: Stadtarchiv Landeshauptstadt München

Annotation last modified on 2018-02-28 14:52 UTC.

Tracklist

| |
CD 1: Part I: Hymnus: Veni, Creator Spiritus
#TitleArtistRatingLength
1Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 1. "Veni, Creator Spiritus!"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:35
2Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 2. "Imple superna gratia"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler4:47
3Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 3. "Infirma nostri corporis"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler2:11
4Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 4. Tempo I. (Allegro, etwas hasig.)
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:53
5Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 5. "Infirma nostri corporis"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler3:01
6Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 6. "Accende lumen sensibus"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler6:39
7Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 7. "Qui Paraclitus diceris"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler3:36
8Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 8. "Gloria Patri Domino"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler3:03
CD 2: Part II: Schluß-Szene aus "Faust"
#TitleArtistRatingLength
1Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 1. Poco adagio
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:46
2Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 2. Più mosso. (Allegro moderato.)
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:41
3Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 3. "Waldung, sie scheankt heran"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:48
4Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 4. "Ewiger Wonnebrand"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo baritone vocals [Pater Ecstaticus]:
Sigmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:52
5Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 5. "Wie Felsenabgrund mir zu Füßen"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo bass vocals [Pater Profundus]:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:25
6Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 6. "Gerettet ist das edle Glied"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:33
7Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 7. "Jene Rosen, aus den Händen"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:28
8Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 8. "Uns bleibt ein Erdenrest"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:14
9Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 9. "Ich spür’ soeben"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:33
10Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 10. "Hier ist die Aussicht frei"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo tenor vocals [Doctor Marianus]:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:47
11Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 11. "Höchste Herrscherin der Welt"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
solo tenor vocals [Doctor Marianus]:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:24
12Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 12. "Jungfrau, rein im schönsten Sinne"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
solo tenor vocals [Doctor Marianus]:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:19
13Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 13. Äußerst langsam. Adagissimo
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:18
14Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 14. "Dir, der Unberührbaren"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Una Poenitentium]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:56
15Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 15. "Bei der Liebe, die den Füßen"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo soprano vocals [Magna Peccatrix]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix) (Magna Peccatrix only) (from 1989-06-19 until 1989-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:07
16Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 16. "Bei dem Bronn, zu dem schon weiland"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo alto vocals [Mulier Samaritana]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana) (Mulier Samaritana only) (from 1989-06-19 until 1989-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler2:03
17Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 17. "Bei dem hochgeweihten Orte"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo alto vocals [Maria Aegyptiaca]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca) (Maria Aegyptiaca only) (from 1989-06-19 until 1989-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:22
18Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 18. "Die du großen Sünderinnen"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo alto vocals [Maria Aegyptiaca]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Mulier Samaritana]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Magna Peccatrix]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1989-06-19 until 1989-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:48
19Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 19. "Neige, neige, du Ohnegleiche"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
solo soprano vocals [Una Poenitentium]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:57
20Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 20. "Er überwächst uns schon"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:32
21Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 21. "Vom edlen Geisterchor umgeben"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Una Poenitentium]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:20
22Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 22. "Komm! Komm! Hebe dich zu höheren Sphären!"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Mater Gloriosa]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:10
23Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 23. "Blicket auf zum Retterblick"
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo tenor vocals [Doctor Marianus]:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:32
24Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 24. "Alles Vergängliche
miscellaneous support:
Graham Kirkby (engineer) and Gary Schultz (composer, arranger, sound engineer, and producer)
assistant engineer:
Ashley Alexander (Big Band brass, music educator, engineer) and Tetsuo Baba (engineer)
engineer:
Peter Jones (Sony engineer for classical records)
producer:
Steven Epstein (classical music producer)
editor:
John A. Johnson (engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1989-06-19 until 1989-06-24), ORF-Chor (Austrian Broadcasting Corporation Choir) (from 1989-06-19 until 1989-06-24) and Arnold Schoenberg Chor (from 1989-06-19 until 1989-06-24)
choir vocals [childrens' choir]:
Wiener Sängerknaben (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto I]:
Florence Quivar (mezzo soprano) (from 1989-06-19 until 1989-06-24)
solo alto vocals [Alto II]:
Brigitte Fassbaender (mezzo-soprano) (from 1989-06-19 until 1989-06-24)
solo baritone vocals:
Siegmund Nimsgern (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo bass vocals:
Simon Estes (bass-baritone) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano I]:
Sharon Sweet (soprano) (from 1989-06-19 until 1989-06-24)
solo soprano vocals [Soprano II]:
Pamela Coburn (soprano) (from 1989-06-19 until 1989-06-24)
solo tenor vocals:
Richard Leech (operatic tenor) (from 1989-06-19 until 1989-06-24)
orchestra:
Wiener Philharmoniker (from 1989-06-19 until 1989-06-24)
conductor:
Lorin Maazel (conductor) (from 1989-06-19 until 1989-06-24)
balance engineer:
Bud Graham (classical sound engineer)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
recorded at:
Musikvereinssaal, Vienna in Innere Stadt, Wien, Austria (from 1989-06-19 until 1989-06-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1989-06-19 until 1989-06-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler5:57

Credits

Release

manufactured in:Austria
photography:Susesch Bayat (photographer)
pipe organ [Organ]:Wolfram Koloseus (organist) (in 1989)
design:Robert Felsenstein (Designer)
manufactured by:CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
distributed by:CBS Records (manufacturer/distributor, not for release label use!)
copyrighted (©) by:Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1990)
Discogs:https://www.discogs.com/release/1212411 [info]