Tracklist

CD 1
# Title Artist Rating Length
1 Cello Suite no. 5: Sarabande
Johann Sebastian Bach 2:47
2 Take Five
Dave Brubeck 5 5:28
3 J’ai qu’a l’regarder
Édith Piaf 3:15
4 Violin Concerto no. 3 in G, Second Movement
Wolfgang Amadeus Mozart 7:36
5 Hallucinations
Bobby McFerrin 2:22
6 Milonga del ángel
Astor Piazzolla 6:32
7 Limerock
Mark O’Connor & Edgar Meyer 2:23
8 Concerto for Piano and Orchestra no. 4 in G, Second Movement
Ludwig van Beethoven 5:11
9 An die Musik
Franz Schubert 2:22
10 Liza (All the Clouds’ll Roll Away)
Stéphane Grappelli 2:55
11 String Quartet no. 4: First Movement
Béla Bartók 5:48
12 Bei Männern, welche Liebe fühlen
Wolfgang Amadeus Mozart 3:13
13 Symphonie espagnole for Violin and Orchestra: Third Movement
Édouard Lalo 6:31
14 Mona
James Taylor 2:53
15 Sonata in A minor for Cello and Piano “Arpeggione”: First Movement
Franz Schubert 7:59
16 Goldberg Variations: Aria
Johann Sebastian Bach 5 1:55

Credits

CD 1

recorded in:
Paris, Île-de-France, France (1939-06-14 – 1939-06-15) (track 1)
New York, New York, United States (1959-07-01) (track 2)
violin:
Stéphane Grappelli (track 10)
Isaac Stern (track 13)
Mark O’Connor (US bluegrass, country and classical fiddler/composer) (track 7)
Arthur Grumiaux (Belgian violinist) (1961-11-28 – 1961-11-29) (track 4)
cello:
Leonard Rose (cellist) (track 15)
Pau Casals (cellist, aka. Pablo Casals) (1939-06-14 – 1939-06-15) (track 1)
drums:
Joe Morello (1959-07-01) (track 2)
double bass:
Edgar Meyer (track 7)
Eugene Wright (1959-07-01) (track 2)
alto saxophone:
Paul Desmond (1959-07-01) (track 2)
piano:
Leon Fleisher (track 8)
Leonid Hambro (track 15)
Glenn Gould (pianist) (1955-06-10 – 1955-06-16) (track 16)
Dave Brubeck (1959-07-01) (track 2)
Hubert Giesen (1966-07) (track 9)
arranger:
Edgar Meyer (track 7)
Mark O’Connor (US bluegrass, country and classical fiddler/composer) (track 7)
balance engineer:
Helmut Krauel (1961-11-28 – 1961-11-29) (track 4)
Heinz Wildhagen (1966-07) (track 9)
baritone vocals:
Wolfgang Brendel (baritone) (track 12)
composer:
Johann Sebastian Bach (tracks 1, 16)
Paul Desmond (track 2)
Bud Powell (track 5)
Alec Siniavine (track 3)
[traditional] (Special Purpose Artist) (track 7)
Wolfgang Amadeus Mozart (classical composer) (1775-04 – 1775-12) (track 4)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 12)
Franz Schubert (Austrian composer Franz Peter Schubert) (1817-03) (track 9)
Franz Schubert (Austrian composer Franz Peter Schubert) (1824-11) (track 15)
Édouard Lalo (1874) (track 13)
Béla Bartók (composer) (1928) (track 11)
Astor Piazzolla (1965) (track 6)
conductor:
Paul Durand (French composer and conductor) (track 3)
Bernard Haitink (track 12)
Sir Colin Davis (1961-11-28 – 1961-11-29) (track 4)
engineer:
M. Cailly (engineer) (track 1)
librettist:
Emanuel Schikaneder (track 12)
lyricist:
Édith Piaf (track 3)
Franz von Schober (track 9)
orchestra:
London Symphony Orchestra (1961-11-28 – 1961-11-29) (track 4)
producer:
Helmut Krauel (track 4)
Hans Ritter (track 9)
Howard H. Scott (classical music producer) (track 16)
solo tenor vocals:
Fritz Wunderlich (operatic tenor) (1966-07) (track 9)
soprano vocals:
Lucia Popp (soprano) (track 12)
tenor vocals:
Fritz Wunderlich (operatic tenor) (track 9)
vocals:
Édith Piaf (track 3)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1966) (track 9)
publisher:
recorded at:
CBS 30th Street Studio in New York, New York, United States (1955-06-10 – 1955-06-16) (track 16)
Walthamstow Assembly Hall in London, England, United Kingdom (1961-11-28 – 1961-11-29) (track 4)
Austrian Academy of Sciences (Wien) in Wien, Austria (1966-07) (track 9)
mash-ups:
sampled by:
Red Mullet by Jega (track 2)
part of:
arrangements:
Concierto del ángel: II. Milonga del ángel (for violin, bandoneon, double bass, piano and string orchestra) (track 6)
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (track 16)
Sonata in A minor, D. 821: I. Allegro moderato (catch-all for arrangements) (track 15)
Sonata in A minor, D. 821: I. Allegro moderato (for flute and piano, Galway) (track 15)
Suite no. 5 c-Moll, BWV 1011: IV. Sarabande (catch-all for arrangements) (track 1)
Suite no. 5 in C minor, BWV 1011: IV. Sarabande (arr. Joachim Raff for piano) (track 1)
Suite no. 5 in C minor, BWV 1011: IV. Sarabande (for viola, arr. Rowland-Jones) (track 1)
is the basis for:
Budo (track 5)
Prisca "Five" (track 2)
later versions:
Take Five (song version) (track 2)
orchestrations:
part of:
recording of:
Hallucinations (track 5)
Limerock (track 7)
Milonga del ángel (track 6)
J’ai qu’à l’regarder (1942) (track 3)
Goldberg-Variationen, BWV 988: Aria (1955-06-10 – 1955-06-16) (track 16)
Take Five (original instrumental version) (1959-07-01) (track 2)
An die Musik, D. 547 (1966-07) (track 9)

Release Group

part of: Artist’s Choice™