A Grande Música: Chopin

~ Release by Frédéric Chopin (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Concerto para Piano e Orquestra No. 1 em Mi menor op. 11: I. Allegro Maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (in 1968-02)
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
18:53
2Concerto para Piano e Orquestra No. 1 em Mi menor op. 11: II. Romanza. Larghetto
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (in 1968-02)
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
9:54
3Concerto para Piano e Orquestra No. 1 em Mi menor op. 11: III. Rondó. Vivace
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (in 1968-02)
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
9:05
4Prelúdios op. 28, No. 1 em Dó maior: Agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
0:35
5Prelúdios op. 28, No. 3 em Sol maior: Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:53
6Prelúdios op. 28, No. 6 em Si maior: Lento assai
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:48
7Prelúdios op. 28, No. 10 em Dó sustenido menor: Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 10 in C-sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:28
8Prelúdios op. 28, No. 15 em Ré bemol maior: Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
4:51
9Prelúdios op. 28, No. 16 em Si bemol menor: Presto con fuoco
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 16 in B-flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
1:00
10Prelúdios op. 28, No. 17 em Lá bemol maior: Allegretto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 17 in A-flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
2:49
11Prelúdios op. 28, No. 20 em Dó menor: Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:33
12Prelúdios op. 28, No. 21 em Si bemol maior: Cantabile
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 21 in B-flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:37
13Prelúdios op. 28, No. 24 em Ré menor: Allegro appassionato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
2:24
14Barcarola em Fá sustenido maior op. 60: Allegretto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961) and Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Barcarolle in F-sharp major, op. 60 (in 1960-07)
composer:
Fryderyk Chopin (composer) (from 1845 until 1846)
dedicated to:
Madame la Baronne de Stockhausen
publisher:
Brandus & Cie. (Paris) (in 1846), Breitkopf & Härtel (in 1846) and Wessel & Co (London) (in 1846)
part of:
Works of Fryderyk Chopin by opus number (number: op. 60)
8:15
15Scherzo No. 3 em Dó sustenido menor, op. 39: Presto con fuoco
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Scherzo no. 3 in C-sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39)
6:28