Tracklist

CD 1
# Title Artist Rating Length
1 Toccata und Fuge d-moll, BWV 565
Johann Sebastian Bach 8:52
2 Fantasie und Fuge g-moll, BWV 542
Johann Sebastian Bach 12:34
3 Orgelkonzert Nr. 4 C-dur, BWV 595
Johann Sebastian Bach 4:04
4 Toccata und Fuge d-moll, BWV 538 "Dorische": I. Toccata
Johann Sebastian Bach 6:21
5 Toccata und Fuge d-moll, BWV 538 "Dorische": II. Fuge
Johann Sebastian Bach 9:19
6 Choralvorspiele "Wachet auf, ruft uns die Stimme", BWV 645
Johann Sebastian Bach 5:53
7 Choralvorspiele "Kommst du nun, Jesus, vom Himmel herunter", BWV 650
Johann Sebastian Bach 3:38
8 Orgelkonzert Nr. 2 a-moll, BWV 593: I. (ohne Satzbezeichnung)
Johann Sebastian Bach 4:13
9 Orgelkonzert Nr. 2 a-moll, BWV 593: II. Adagio. Senza Pedale a due Clav.
Johann Sebastian Bach 3:21
10 Orgelkonzert Nr. 2 a-moll, BWV 593: III. Allegro
Johann Sebastian Bach 4:11

Credits

CD 1

organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (tracks 1–7)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1973-09) (tracks 8–10)
balance engineer:
Wolfgang Mitlehner (tracks 8–10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 3–8, 8–9, 9–10, 10)
Antonio Vivaldi (tracks 8, 8–9, 9–10, 10)
Johann Sebastian Bach (German Baroque period composer & musician) (1720 – 1725) (track 2)
engineer:
Heinz Wildhagen (tracks 1–2)
producer:
Gerd Ploebsch (tracks 8–10)
engineered at:
Jægersborg Kirke (Jaegersborg church near Copenhagen) in Gentofte Municipality, Capital Region of Denmark, Denmark (track 2)
recorded at:
Freiberger Dom in Freiberg, Sachsen, Germany (tracks 4–5)
Jægersborg Kirke (Jaegersborg church near Copenhagen) in Gentofte Municipality, Capital Region of Denmark, Denmark (tracks 1–2, 6–7)
compilation of:
part of:
Bach-Werke-Verzeichnis (number: BWV 542) (track 2)
Bach-Werke-Verzeichnis (number: BWV 565) (track 1)
Bach-Werke-Verzeichnis (number: BWV 595) (track 3)
Bach-Werke-Verzeichnis (number: BWV 645) (track 6)
Bach-Werke-Verzeichnis (number: BWV 650) (track 7)
arrangements:
Fantasie und Fuge g-Moll, BWV 542 (catch all for arrangements) (track 2)
Fantasy and Fugue in G minor, S. 463/1 (BWV 542) (for solo piano, Liszt - early version) (track 2)
Fantasy and Fugue in G minor, S. 463/2 (BWV 542) (for solo piano, Liszt) (track 2)
Kommst du nun, Jesu, vom Himmel herunter, BWV 650 (for piano, Feinberg) (track 7)
Morning Song, BWV 645 (for piano, Friedman) (track 6)
Synkkä yö maan peitti aivan (translated) (track 6)
Toccata and Fugue in D minor (arr. Mike Batt) (track 1)
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (catch all for arrangements) (track 4)
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (for piano solo, d'Albert) (track 4)
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (for piano solo, Kabalevsky) (track 4)
Toccata and Fugue in D minor "Dorian", BWV 538: II. Fugue (for piano solo, d'Albert) (track 5)
Toccata and Fugue in D minor "Dorian", BWV 538: II. Fugue (for piano solo, Kabalevsky) (track 5)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 1)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 1)
Wachet auf, ruft uns die Stimme, BWV 645 (for piano, Bantock) (track 6)
is based on:
is the basis for:
The Real Thing (track 1)
Toccata (track 1)
orchestrations:
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 1)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 1)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 1)
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration) (track 6)
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (track 6)
part of:
Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593 (movement) (tracks 8, 8–9, 9–10, 10)
Sechs Choräle von verschiedener Art (part of collection) (tracks 6–7)
parts:
recording of:
Fantasie und Fuge g-Moll, BWV 542 (1964-01) (track 2)
Toccata und Fuge d-Moll, BWV 565 (1964-01) (track 1)
referred to in medleys:

Release

part of: Eloquence (Deutsche Grammophon/Decca/Philips Classics)
ASIN: DE: B000026KXB [info]
Discogs: https://www.discogs.com/release/5063542 [info]
other databases: https://www.musik-sammler.de/media/34616/ [info]