| # | Title | Artist | Rating | Length |
|---|
| 1 | I Heard It Through the Grapevine | Marvin Gaye | 3.9 | 3:16 |
| 2 | Chain of Fools- recorded in:
- New York, New York, United States
- recording engineer and mixer:
- Tom Dowd
- producer:
- Jerry Wexler
- bass guitar:
- Tommy Cogbill (on 1967-06-23)
- drums (drum set):
- Roger Hawkins (on 1967-06-23)
- electric piano:
- Spooner Oldham (on 1967-06-23)
- guitar:
- Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
- piano:
- Aretha Franklin (on 1967-06-23)
- choir vocals:
- Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
- vocals:
- Aretha Franklin (on 1967-06-23)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 249) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 306)
- recording of:
- Chain of Fools (on 1967-06-23)
- lyricist and composer:
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
| Aretha Franklin | 4.25 | 2:46 |
| 3 | I Wish It Would Rain | The Temptations | | 2:48 |
| 4 | Soulful Strut | Young–Holt Unlimited | 4.5 | 2:56 |
| 5 | Tighten Up | Archie Bell & the Drells | | 3:11 |
| 6 | I Thank You | Sam & Dave | | 2:52 |
| 7 | Love Makes a Woman | Barbara Acklin | | 2:58 |
| 8 | Slip Away | Clarence Carter | 4.5 | 2:34 |
| 9 | (Sittin’ on) the Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:42 |
| 10 | Take Time to Know Her | Percy Sledge | | 3:00 |
| 11 | La-La Means I Love You | The Delfonics | 5 | 3:19 |
| 12 | Since You’ve Been Gone- recorded in:
- New York, New York, United States
- recording engineer:
- Tom Dowd
- producer:
- Jerry Wexler
- baritone saxophone:
- Henry Haywood (from 1967-12-16 until 1967-12-17)
- bass guitar:
- Tommy Cogbill (from 1967-12-16 until 1967-12-17)
- bass trombone:
- Tony Studd (from 1967-12-16 until 1967-12-17)
- drums (drum set):
- Roger Hawkins (from 1967-12-16 until 1967-12-17)
- electric piano:
- Spooner Oldham (from 1967-12-16 until 1967-12-17)
- guitar:
- Jimmy Johnson (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
- tenor saxophone:
- King Curtis (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
- trumpet:
- Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (from 1967-12-16 until 1967-12-17)
- choir vocals:
- Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
- vocals:
- Aretha Franklin (from 1967-12-16 until 1967-12-17)
- horn arranger:
- Arif Mardin
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
- cover recording of:
- (Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
- writer:
- Aretha Franklin and Ted White
- publisher:
- 14th Hour Music, Cotillion Music Inc. , EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部
| Aretha Franklin | 4.35 | 2:24 |
| 13 | I Second That Emotion | Smokey Robinson | 4 | 2:47 |
| 14 | The Horse | Cliff Nobles & Co. | | 2:41 |
| 15 | We’re a Winner | The Impressions | 4 | 2:23 |
| 16 | You're All I Need to Get By | Marvin Gaye & Tammi Terrell | 4.5 | 2:51 |
| 17 | Hey, Western Union Man | Jerry Butler | | 2:44 |
| 18 | Who’s Making Love | Johnnie Taylor | | 2:50 |
| 19 | Girl Watcher | The O'kaysions | | 2:35 |
| 20 | Lover’s Holiday | Peggy Scott & Jo Jo Benson | | 2:40 |
| 21 | Grazing in the Grass | Hugh Masekela | 5 | 2:37 |
| 22 | Stay in My Corner | The Dells | | 6:06 |
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