The Aaron Copland Collection

~ Release by Aaron Copland (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: El Salon Mexico · Billy the Kid · Quiet City · Fanfare for the Common Man and more
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1El Salon Mexico
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recording of:
El salón México (on 1972-05-31)
composer:
Aaron Copland (composer) (from 1932 until 1936)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
11:28
2An Outdoor Overture
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
recording of:
An Outdoor Overture
composer:
Aaron Copland (composer)
9:01
3Billy the Kid Suite: Introduction, The Open Prairie
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Billy the Kid: I. Introduction: The Open Prairie (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
3:22
4Billy the Kid Suite: Street in a Frontier Town
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recording of:
Billy the Kid: II. Street in a Frontier Town (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
6:37
5Billy the Kid Suite: Prairie Night (Card game at night)
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recording of:
Billy the Kid: IV. Prairie Night (Card Game at Night) (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
3:08
6Billy the Kid Suite: Gun Battle
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recording of:
Billy the Kid: V. Gun Battle (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
2:29
7Billy the Kid Suite: Celebration (after Billy's capture)
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Billy the Kid: VI. Celebration (After Billy’s Capture) (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
2:15
8Billy the Kid Suite: Billy's Death
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Billy the Kid: VII. Billy’s Death (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
1:28
9Billy the Kid Suite: The Open Prairie Again
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Billy the Kid: VIII. The Open Prairie Again (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
1:49
10Quiet City
solo cor anglais:
Michael Winfield (on 1969-11-06)
solo trumpet:
William Lang (trumpet) (on 1969-11-06)
orchestra:
London Symphony Orchestra (on 1969-11-06)
conductor:
Aaron Copland (composer) (on 1969-11-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1969-11-06)
recording of:
Quiet City (for English horn, trumpet and strings) (on 1969-11-06)
composer:
Aaron Copland (composer) (in 1940)
is based on:
Quiet City (incidental music)
9:52
11John Henry
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
recording of:
John Henry: A Railroad Ballad for Orchestra
composer:
Aaron Copland (composer) (in 1940)
publisher:
Boosey & Hawkes Music Publishers, Ltd
4:03
12Our Town
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
recording of:
Our Town (suite based on music from the soundtrack of the 1940 film)
composer:
Aaron Copland (composer) (from 1940 until 1944)
is based on:
Our Town
11:05
13Las Agachadas (The Shake-down Song)
choir vocals:
New England Conservatory Chorus
conductor:
Aaron Copland (composer)
recording of:
Las agachadas
composer:
Aaron Copland (composer) (in 1942)
3:08
14Fanfare for the Common Man
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1968-10)
conductor:
Aaron Copland (composer) (in 1968-10)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Fanfare for the Common Man (in 1968-10)
composer:
Aaron Copland (composer) (in 1942)
3:16
▼ CD 2: 4 Dance Episodes from Rodeo · Appalachian Spring · Danzón Cubano
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1Dance episodes from Rodeo: I. Buckaroo Holiday
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: I. Buckaroo Holiday (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
7:47
2Dance episodes from Rodeo: II. Corral Nocturne
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: II. Corral Nocturne (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (symphonic version)
3:50
3Dance episodes from Rodeo: III. Saturday Night Waltz
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: III. Saturday Night Waltz (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
4:43
4Dance episodes from Rodeo: IV. Hoedown
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: IV. Hoedown (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte's Retreat
part of:
Rodeo (symphonic version)
3:33
5Music for Movies: New England Countryside from "The City"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: I. New England Countryside (originally from the 1939 documentary "The City")
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
6:13
6Music for Movies: Barley Wagons from "Of Mice and Men"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: II. Barley Wagons (originally from the 1939 film "Of Mice and Men")
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
2:34
7Music for Movies: Sunday Traffic from "The City"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: III. Sunday Traffic (originally from the 1939 documentary "The City")
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
2:43
8Music for Movies: Grovers Corners from "Our Town"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town")
composer:
Aaron Copland (composer) (in 1940)
part of:
Music for Movies Suite
3:10
9Music for Movies: Threshing Machines from "Of Mice and Men"
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: V. Threshing Machines (originally from the 1939 film "Of Mice and Men")
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
3:05
10Appalachian Spring: Very Slowly
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: I. Very Slowly (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:46
11Appalachian Spring: Allegro
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: II. Allegro (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:03
12Appalachian Spring: Moderato
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:37
13Appalachian Spring: Quite fast
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:30
14Appalachian Spring: Subito allegro
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
4:05
15Appalachian Spring: As At First (Slowly)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: VI. As at First (Slowly) (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
1:07
16Appalachian Spring: Doppio movimento
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:12
17Appalachian Spring: Andante (Very Calm)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: VIII. Moderato: Coda (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:25
18Letter From Home
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
recording of:
Letter from Home
composer:
Aaron Copland (composer) (in 1944)
7:22
19Danzón Cubano (orchestral version)
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
recording of:
Danzón cubano (for orchestra)
orchestrator:
Aaron Copland (composer) (in 1946)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
orchestration of:
Danzón cubano (for two pianos)
7:11
▼ CD 3: Lincoln Portrait · Symphony NO. 3 · 3 Concerto for Clarinet, Strings, Harp & Piano
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1Lincoln Portrait: Lento
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
partial recording of:
Lincoln Portrait
composer:
Aaron Copland (composer) (in 1942)
4:17
2Lincoln Portrait: Subito allegro
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
partial recording of:
Lincoln Portrait
composer:
Aaron Copland (composer) (in 1942)
3:29
3Lincoln Portrait: "Fellow citizens, we cannot escape history..."
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
spoken vocals:
Henry Fonda (US actor)
orchestra:
London Symphony Orchestra
conductor:
Aaron Copland (composer)
partial recording of:
Lincoln Portrait
composer:
Aaron Copland (composer) (in 1942)
7:22
4Symphony No. 3: I. Molto moderato - with simple expression
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Symphony no. 3: I. Molto moderato - with simple expression
composer:
Aaron Copland (composer) (in 1946)
part of:
Symphony no. 3
10:24
5Symphony No. 3: II. Allegro molto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Symphony no. 3: II. Allegro molto
composer:
Aaron Copland (composer) (in 1946)
part of:
Symphony no. 3
8:49
6Symphony No. 3: III. Andantino quasi allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Symphony no. 3: III. Andantino quasi allegretto
composer:
Aaron Copland (composer) (in 1946)
part of:
Symphony no. 3
9:55
7Symphony No. 3: IV. Molto deliberato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Aaron Copland (composer)
recording of:
Symphony no. 3: IV. Molto deliberato (Fanfare) - Allegro risoluto
composer:
Aaron Copland (composer) (in 1946)
part of:
Symphony no. 3
14:50
8Concerto For Clarinet, Strings, Harp And Piano
engineer:
Larry Keyes (engineer)
producer:
John McClure (recording engineer and record producer)
clarinet:
Benny Goodman (clarinetist and bandleader)
harp:
Laura Newell (harpist)
piano:
Abba Bogin
orchestra:
Columbia Symphony Orchestra
conductor:
Aaron Copland (composer)
recording of:
Clarinet Concerto
composer:
Aaron Copland (composer) (from 1947 until 1949)
was commissioned by:
Benny Goodman (clarinetist and bandleader) (in 1947)
16:55
▼ CD 4: The Complete Music for Solo Piano I
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1Scherzo Humoristique: The Cat and the Mouse (1920)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
The Cat and the Mouse
composer:
Aaron Copland (composer) (in 1920)
3:47
2Piano Variations (1930)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Piano Variations
composer:
Aaron Copland (composer) (in 1930)
11:54
3In Evening Air (1966)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
In Evening Air
composer:
Aaron Copland (composer) (in 1966)
2:55
4Passacaglia (1922)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Passacaglia
composer:
Aaron Copland (composer) (in 1922)
6:41
5I. Molto moderato
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Piano Sonata: I. Molto moderato
composer:
Aaron Copland (composer) (from 1939 until 1941)
part of:
Piano Sonata
8:14
6II. Vivace
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Piano Sonata: II. Vivace
composer:
Aaron Copland (composer) (from 1939 until 1941)
part of:
Piano Sonata
4:46
7III. Andante sostenuto
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Piano Sonata: III. Andante sostenuto
composer:
Aaron Copland (composer) (from 1939 until 1941)
part of:
Piano Sonata
10:01
81. Midday Thoughts
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Midday Thoughts
composer:
Aaron Copland (composer) (in 1944)
revised by:
Aaron Copland (composer) (in 1982)
3:24
92. Proclamation
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Proclamation
composer:
Aaron Copland (composer) (in 1973)
revised by:
Aaron Copland (composer) (in 1982)
2:41
101. embittered
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Three Moods: No. 1. Embittered
composer:
Aaron Copland (composer) (in 1921)
part of:
Three Moods
1:16
112. wistful
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Three Moods: No. 2. Wistful
composer:
Aaron Copland (composer) (in 1921)
part of:
Three Moods
2:13
123. jazzy
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Three Moods: No. 3. Jazzy
composer:
Aaron Copland (composer) (in 1921)
part of:
Three Moods
1:28
▼ CD 5: The Complete Music for Solo Piano II
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1Petite Portrait (1921)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Petite Portrait (ABE)
composer:
Aaron Copland (composer) (in 1921)
1:48
2Sentimental Melody (1926)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Sentimental Melody
composer:
Aaron Copland (composer) (in 1926)
1:45
3Piano Fantasy (1955-57)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Piano Fantasy
composer:
Aaron Copland (composer) (from 1955 until 1957)
31:23
41. Freely Poetic (for Leo Smit)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Four Piano Blues: I. For Leo Smit. Freely poetic
composer:
Aaron Copland (composer) (in 1947)
part of:
Four Piano Blues
2:10
52. Soft and Languid (for Andor Foldes)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Four Piano Blues: II. For Andor Foldes. Soft and languid
composer:
Aaron Copland (composer) (in 1934)
part of:
Four Piano Blues
2:28
63. Muted and Sensuous (for William Kapell)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Four Piano Blues: III. For William Kapell. Muted and sensuous
composer:
Aaron Copland (composer) (in 1948)
part of:
Four Piano Blues
2:36
74. With Bounce (for John Kirkpatrick)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Four Piano Blues: IV. For John Kirkpatrick. With bounce
composer:
Aaron Copland (composer) (in 1926)
part of:
Four Piano Blues
1:08
8Midsummer Nocturne (1947)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Midsummer Nocturne
composer:
Aaron Copland (composer) (in 1947)
dedicated to:
Phillip Ramey
2:01
9The Young Pioneers (1936)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
The Young Pioneers
composer:
Aaron Copland (composer) (in 1935)
1:01
10Sunday Afternoon Music (1936)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Sunday Afternoon Music
composer:
Aaron Copland (composer) (in 1935)
2:00
11Down A Country Lane (1962)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Down a Country Lane (for piano)
composer:
Aaron Copland (composer) (in 1962)
2:08
12Night Thoughts (Homage to Ives) (1972)
piano:
Leo Smit (American composer, 1921-1999)
recording of:
Night Thoughts (Hommage to Ives)
composer:
Aaron Copland (composer) (in 1972)
7:51

Credits

Release

ASIN:UK: B00EC0VWYW [info]