Jazz & the City

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

similar to https://www.discogs.com/release/5217711

Annotation last modified on 2019-09-16 06:54 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
Good Music Limited and Planetary Nom (London) Ltd.
Sarah Vaughan4:03
2Time After Time
producer:
Richard Bock (record producer)
celesta and piano:
Russ Freeman (pianist) (on 1954-02-15)
double bass:
Jimmy Bond (on 1954-02-15) and Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman (on 1954-02-15), Lawrence Marable (on 1954-02-15) and Bob Neel (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
recording of:
Time After Time (on 1954-02-15)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
Chet Baker2:47
3I Only Have Eyes for You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Billie Holiday2:56
4In the Wee Small Hours of the Morning
producer:
Voyle Gilmore
trumpet:
Harry “Sweets” Edison (on 1955-02-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra3:02
5I’ve Got You Under My Skin
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (on 1953-04-30)
recording of:
I’ve Got You Under My Skin (on 1953-04-30)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Peggy Lee2:32
6Unforgettable
recorded in:
Los Angeles, California, United States (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
guitar:
Irving Ashby (on 1951-08-17)
piano:
Nat King Cole (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra and performer:
Nelson Riddle and His Orchestra (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:14
7New York, Chicago and Los Angeles
recording of:
New York, Chicago and Los Angeles (Dinah Washington song composed by "Mitchell")
writer:
Mitchell
Dinah Washington1:59
8Penthouse Serenade
bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-26)
guitar:
Oscar Moore (on 1945-05-26)
piano:
Nat King Cole (on 1945-05-26)
vocals:
Anita O’Day (on 1945-05-26)
performer:
The Nat King Cole Trio
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1945-05-26)
cover recording of:
Penthouse Serenade (on 1945-05-26)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
Anita O’Day3:09
9A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:04
10It Might as Well Be Spring
recorded in:
New York, New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
C’est le printemps (from 1956-09-11 until 1956-09-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
translator:
Jean Geiringer and Jean Sablon (French actor, songwriter, jazz singer)
Blossom Dearie3:13
11Sugar in My Bowl
cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist), Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist), Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist), Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:43
12I Could Write a Book
recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
Betty Carter2:41
13Gimme a Pigfoot (and a Bottle of Beer)
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Bobby Short2:14
14’S Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Helen Merrill3:16
15Tenderly
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Billy Eckstine3:45
16Chicago
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
performer:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
cover recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Tony Bennett42:09
17Send In the Clowns
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
Carmen McRae4:40
18Sophisticated Lady
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Al Jarreau4:19
19I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Ella Fitzgerald5:01
20Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (composer) (in 1936)
Morgana King3:09
21Lulu’s Back in Town
recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
Mel Tormé3:05
▼ CD 2
#TitleArtistRatingLength
1I Left My Heart in San Francisco
cover recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett2:41
2Autumn in Rome
recording of:
Autumn in Rome (from film "Indiscretion of an American Wife")
additional writer:
Sammy Cahn
additional composer:
Paul Weston
composer:
Alessandro Cicognini
Johnny Mathis3:58
3Our Love Is Here to Stay
cover recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
Dinah Washington3:45
4They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra2:00
5Moonlight in Vermont
double bass:
Wendell Marshall (in 1955-05)
drums (drum set):
Jo Jones (US jazz drummer) (in 1955-05)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (in 1955-05)
saxophone:
Jerome Richardson (in 1955-05)
vocals:
Betty Carter (in 1955-05)
recording of:
Moonlight in Vermont (in 1955-05)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
cover recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Betty Carter3:28
6It Don’t Mean a Thing (if It Ain’t Got That Swing)
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1956-01-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Rosemary Clooney2:52
7April in Paris
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong4.56:36
8Whatever Lola Wants
vocals:
Sarah Vaughan (on 1955-03-17)
conductor:
Hugo Peretti (on 1955-03-17)
arranger:
Hugo Peretti
cover recording of:
Whatever Lola Wants (Damn Yankees) (on 1955-03-17)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
part of:
Damn Yankees (1955 musical)
Sarah Vaughan2:40
9A Foggy Day
recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Mel Tormé2:57
10But Not for Me
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Chet Baker3:05
11You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Anita O’Day2:29
12Lush Life
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
orchestra:
Pete Rugolo and His Orchestra (on 1949-03-29)
conductor:
Pete Rugolo (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
recording of:
Lush Life (on 1949-03-29)
lyricist:
Billy Strayhorn (from 1933 until 1938)
composer:
Gary Fuhrmann and Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and Tempo Music Inc (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole3:19
13How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3:18
14Alright, Okay, You Win
recording of:
Alright, Okay, You Win
writer:
Mayme Watts and Sid Wyche
Joe Williams3:06
15I Cover the Waterfront
recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Billie Holiday3:26
16West End Blues
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-12-20)
double bass and double bass [bass]:
Arvell Shaw (on 1955-12-20)
drums (drum set):
Barrett Deems (on 1955-12-20)
piano:
Billy Kyle (on 1955-12-20)
trombone:
Trummy Young (on 1955-12-20)
trumpet:
Louis Armstrong (on 1955-12-20)
live recording of:
West End Blues (Armstrong recording) (on 1955-12-20)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong4:21
17Cloudburst
recording of:
Cloudburst
lyricist:
Jon Hendricks
composer:
Jimmy Harris and Leroy Kirkland
publisher:
Eastwick Music Co., Hendricks Music Inc. and 大洋音楽
Lambert, Hendricks & Ross2:42
18Something Cool
recording of:
Something Cool
lyricist and composer:
Billy Barnes (composer and lyricist)
June Christy4:21
19I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
Oscar Peterson2:31
20Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
Good Music Limited and Planetary Nom (London) Ltd.
Blue Stars2:51
21New York State of Mind
recording of:
New York State of Mind
lyricist and composer:
Billy Joel (American singer-songwriter and pianist) (in 1975)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Ltd., Home Grown Music (formerly Home Grown Music Network), Impulsive Music, Tin Pan Tunes, Joelsongs (from 1975 until 1976) and CBS Songs Ltd. (in 1976)
sub-publisher:
ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Carmen McRae5:04
▼ CD 3
#TitleArtistRatingLength
1Manhattan
recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Lee Wiley3:27
2Sand in My Shoes
recording of:
Sand in My Shoes
lyricist:
Frank Loesser
composer:
Victor Schertzinger
Bobby Short3:24
3Cabaret
cover recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb
composer:
John Kander
part of:
Cabaret (musical)
Louis Armstrong4:03
4In Other Words (Fly Me to the Moon)
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Johnny Mathis3:57
5Mad About the Boy
bass:
Keter Betts (on 1952-03-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1952-03-24)
piano:
Wynton Kelly (on 1952-03-24)
vocals:
Dinah Washington (on 1952-03-24)
orchestra:
Walter Rodell and His Orchestra (on 1952-03-24)
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington4.53:02
6Lullaby of Broadway
cover recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 8)
part of:
42nd Street (full musical)
Tony Bennett2:56
7Autumn in New York
recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Oscar Peterson4:01
8The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Mel Tormé2:26
9God Bless the Child
recording of:
God Bless the Child
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:12
10I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Chris Connor1:54
11My Funny Valentine
bass:
Jimmy Bond
celesta:
Russ Freeman (pianist)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman, Lawrence Marable and Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:20
12Lover, Come Back to Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (The New Moon) (on 1953-01-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Nat King Cole2:33
13Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:51
14You’d Be So Nice to Come Home To
producer:
Quincy Jones
baritone saxophone and bass clarinet:
Danny Bank (reeds) (on 1954-12-22)
bass:
Milt Hinton (on 1954-12-22)
guitar:
Barry Galbraith (on 1954-12-22)
instruments:
Osie Johnson (on 1954-12-22)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-22)
trumpet:
Clifford Brown (trumpet) (on 1954-12-22)
lead vocals:
Helen Merrill (on 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (on 1954-12-22)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:22
15Caravan
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Billy Eckstine2:53
16I Won’t Dance
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Blossom Dearie2:48
17Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
18One Note Samba
recording of:
One Note Samba
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, Volume I)
Al Jarreau4:32
19Lover Man
cover recording of:
Lover Man
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:19
20Secret Love
recording of:
Secret Love (song from “Calamity Jane”)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
Carmen McRae4:14
21One for My Baby (and One More for the Road)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra3:03

Credits

Release

distributed by:Universal Music Polska
copyrighted (©) by and phonographic copyright (℗) by:My Music Sp.z o.o. Nagrania Muzyczne (not for release label use, for copyrights use only) (in 2008)
ASIN:DE: B008Y8Z22G [info]