The Complete Albums Collection 1954-57

~ Release by Thelonious Monk (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Disc 1
#TitleRatingLength
1’round About Midnight
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:14
2Off Minor
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Off Minor (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
3:03
3Ruby, My Dear
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Ruby, My Dear (on 1947-10-24)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
3:08
4I Mean You
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
I Mean You (on 1948-07-02)
composer:
Coleman Hawkins and Thelonious Monk
52:45
5April in Paris
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
April in Paris (on 1947-10-24)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:21
6In Walked Bud
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
In Walked Bud (on 1947-11-21)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
2:58
7Thelonious
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Thelonious (on 1947-10-15)
composer:
Thelonious Monk
3:02
8Epistrophy
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Gigi Gryce (on 1957-06-26)
bass:
Wilbur Ware (on 1957-06-26)
double bass:
John Simmons (bassist) (on 1948-07-02) and Wilbur Ware (on 1957-06-26)
drums (drum set):
Shadow Wilson (on 1948-07-02) and Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1948-07-02, on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
vibraphone:
Milt Jackson (on 1948-07-02)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1948-07-02)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
3:06
9Misterioso
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02) and Milton Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
3:23
10Well, You Needn’t
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Well, You Needn’t (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:59
11Introspection
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Introspection (on 1947-10-24)
composer:
Thelonious Monk
3:14
12Humph
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Humph (on 1947-10-15)
composer:
Thelonious Monk
2:53
13Carolina Moon
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
Carolina Moon (1928 song) (on 1952-05-30)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
recording of:
Carolina Moon (1928 song) (on 1952-05-30)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
3:29
14Hornin’ In
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Hornin’ In (on 1952-05-30)
composer:
Thelonious Monk
3:15
15Skippy
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Skippy (on 1952-05-30)
composer:
Thelonious Monk
3:02
16Let’s Cool One
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Let’s Cool One (on 1952-05-30)
composer:
Thelonious Monk
3:49
17Suburban Eyes
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Suburban Eyes (on 1947-10-15)
composer:
Ike Quebec
3:03
18Evonce
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Eugene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone [tenor sax]:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Evonce (on 1947-10-15)
composer:
Ike Quebec and Idrees Sulieman
3:05
19Straight, No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
3:00
20Four in One
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Four in One (on 1951-07-23)
composer:
Thelonious Monk
3:31
21Nice Work
bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
Nice Work If You Can Get It (on 1947-10-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
3:03
22Monk’s Mood
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Monk’s Mood (on 1947-11-21)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
3:09
23Who Knows
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Who Knows (on 1947-11-21)
composer:
Thelonious Monk
2:42
24Ask Me Now
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Ask Me Now (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (Publisher, affiliated to BMI.)
3:18
▼ CD 2: Disc 2
#TitleRatingLength
1Blue Monk
recording engineer:
Rudy van Gelder (on 1954-09-22)
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey (on 1954-09-22)
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-09-22)
recording of:
Blue Monk (on 1954-09-22)
publisher:
Thelonious Monk
composer:
Thelonious Monk
7:39
2Just a Gigolo
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-09-22)
instrumental cover recording of:
Just a Gigolo (English version) (on 1954-09-22)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
3:00
3Bemsha Swing
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-12-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (, on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Bemsha Swing (instrumental) (on 1952-12-18)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
3:10
4Reflections
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-12-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Reflections (on 1952-12-18)
composer:
Thelonious Monk
2:48
5Little Rootie Tootie
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (, on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Little Rootie Tootie (on 1952-10-15)
composer:
Thelonious Monk
3:06
6Sweet and Lovely
recorded in:
New York, New York, United States (on 1952-10-15)
double bass [bass]:
Gary Mapp (Jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
instrumental recording of:
Sweet and Lovely (on 1952-10-15)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
3:33
7Bye-Ya
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (Jazz double bassist)
drums (drum set):
Art Blakey (, on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Bye-Ya (on 1952-10-15)
composer:
Thelonious Monk
2:46
8Monk’s Dream
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (, on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Monk’s Dream (on 1952-10-15)
composer:
Thelonious Monk
3:07
9Trinkle Tinkle
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (Jazz double bassist)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Trinkle Tinkle (on 1952-12-18)
composer:
Thelonious Monk (in 1952)
publisher:
Thelonious Music
2:49
10These Foolish Things
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (Jazz double bassist)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
instrumental cover recording of:
These Foolish Things (Remind Me of You) (on 1952-12-18)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
2:46
11We See
bass:
Curley Russell (on 1954-05-11)
drums (drum set):
Art Blakey (on 1954-05-11)
piano:
Thelonious Monk (on 1954-05-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-11)
trumpet:
Ray Copeland (on 1954-05-11)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-05-11)
recording of:
We See (on 1954-05-11)
composer:
Thelonious Monk
5:17
12Smoke Gets in Your Eyes
bass:
Curley Russell (on 1954-05-11)
drums (drum set):
Art Blakey (on 1954-05-11)
piano:
Thelonious Monk (on 1954-05-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-11)
trumpet:
Ray Copeland (on 1954-05-11)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-05-11)
recording of:
Smoke Gets in Your Eyes (on 1954-05-11)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
translated version of:
Sen jag mötte dig
part of:
Roberta
4:32
13Locomotive
bass:
Curley Russell (on 1954-05-11)
drums (drum set):
Art Blakey (on 1954-05-11)
piano:
Thelonious Monk (on 1954-05-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-11)
trumpet:
Ray Copeland (on 1954-05-11)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-05-11)
recording of:
Locomotive (on 1954-05-11)
composer:
Thelonious Monk
6:23
14Hackensack
bass:
Curley Russell (on 1954-05-11)
drums (drum set):
Art Blakey (on 1954-05-11)
piano:
Thelonious Monk (on 1954-05-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-11)
trumpet:
Ray Copeland (on 1954-05-11)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-05-11)
recording of:
Hackensack (on 1954-05-11)
composer:
Thelonious Monk
5:12
15Let’s Call This
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Let’s Call This (on 1953-11-13)
composer:
Thelonious Monk
5:07
16Think of One
recorded in:
New York, New York, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:46
17Think of One (retake)
recorded in:
New York, New York, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:40
▼ CD 3: Disc 3
#TitleRatingLength
1The Way You Look Tonight
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-10-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
5:15
2I Want to Be Happy
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
bass and double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental cover recording of:
I Want to Be Happy (No, No, Nanette) (on 1954-10-25)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
cover recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
7:44
3Work
recorded in:
New York, New York, United States (on 1954-09-22)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey (on 1954-09-22)
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
recording of:
Work (on 1954-09-22)
composer:
Thelonious Monk
5:18
4Nutty
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-09-22)
recording of:
Nutty (on 1954-09-22)
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
5:17
5Friday the 13th
recorded in:
New Jersey, United States (on 1953-11-13)
recording engineer:
Rudy van Gelder
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13) and Willie Jones III (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
10:34
6It Don’t Mean a Thing If It Ain’t Got That Swing
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:42
7Sophisticated Lady
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Sophisticated Lady (from 1955-07-21 until 1955-07-27)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:31
8I Got It Bad and That Ain’t Good
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
I Got It Bad (and That Ain’t Good) (from 1955-07-21 until 1955-07-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:56
9Black and Tan Fantasy
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Black and Tan Fantasy (from 1955-07-21 until 1955-07-27)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
recording of:
Black and Tan Fantasy
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
3:28
10Mood Indigo
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Mood Indigo (1930 jazz composition and song) (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:16
11I Let a Song Go Out of My Heart
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
I Let a Song Go Out of My Heart (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:43
12Solitude
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
(In My) Solitude (from 1955-07-21 until 1955-07-27)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:45
13Caravan
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Caravan (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
5:56
▼ CD 4: Disc 4
#TitleRatingLength
1Liza
3:13
2Memories of You
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Memories of You (on 1956-03-17)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
4:16
3Honeysuckle Rose
recorded in:
New York, New York, United States (on 1956-04-03)
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental cover recording of:
Honeysuckle Rose (on 1956-04-03)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
5:33
4Darn That Dream
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental recording of:
Darn That Dream (on 1956-04-03)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
6:30
5Tea for Two
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1956-04-03)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
5:54
6You Are Too Beautiful
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
You Are Too Beautiful (on 1956-03-17)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
4:55
7Just You, Just Me
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Just You, Just Me (on 1956-03-17)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
7:57
8Brilliant Corners
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-15)
double bass:
Oscar Pettiford (on 1956-10-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-15)
piano:
Thelonious Monk (on 1956-10-15)
tenor saxophone:
Sonny Rollins (on 1956-10-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-15)
recording of:
Brilliant Corners (on 1956-10-15)
composer:
Thelonious Monk
7:44
9Ba-Lue Bolivar Ba-Lues-Are
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
piano:
Thelonious Monk (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
edit of:
Ba-lue Bolivar Ba-lues-are (studio, 1956-10-09; quintet version for Riverside, with piano intro) by Thelonious Monk
recording of:
Ba‐lue Bolivar Ba‐lues‐are (on 1956-10-09)
composer:
Thelonious Monk
13:06
10Pannonica
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
celesta and piano:
Thelonious Monk (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
recording of:
Pannonica (on 1956-10-09)
composer:
Thelonious Monk
8:49
11I Surrender, Dear
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
instrumental recording of:
I Surrender Dear (on 1956-12-07)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
5:26
12Bemsha Swing
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Thelonious Monk (on 1956-12-07)
tenor saxophone:
Sonny Rollins (on 1956-12-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
recording of:
Bemsha Swing (instrumental) (on 1956-12-07)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
7:40
▼ CD 5: Disc 5
#TitleRatingLength
1Abide With Me
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
arranger:
Thelonious Monk
publisher:
Thelonious Music
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
instrumental recording of:
Abide With Me (Set to tune ‘Eventide’) (on 1957-06-26)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
0:54
2Well, You Needn’t
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Well, You Needn’t (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
11:25
3Ruby, My Dear
recorded in:
New York, New York, United States (on 1957-06-26)
bass and double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
Coleman Hawkins (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Ruby, My Dear (on 1957-06-26)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
5:25
4Off Minor
recorded in:
New York, New York, United States
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trombone:
Ray Copeland
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Off Minor (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
5:08
5Epistrophy
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
10:45
6Crepuscle With Nellie
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass and double bass [bass]:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recording of:
Crepuscule With Nellie (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Thelonious Music
4:40
7Round Midnight
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
recording of:
’Round Midnight (on 1957-08-13)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
8:29
8Rhythm-a-ning
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
Rhythm-a-ning (on 1957-08-12)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
5:19
9Sweet and Lovely
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
instrumental recording of:
Sweet and Lovely (on 1957-08-13)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
7:17
10Decidedly
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
5:53
11Straight, No Chaser
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
Straight, No Chaser (on 1957-08-12)
composer:
Thelonious Monk
publisher:
Thelonious Music
7:00
12I Mean You
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
I Mean You (on 1957-08-12)
composer:
Coleman Hawkins and Thelonious Monk
6:53