Das Alte Werk

~ Release by Harnoncourt, Il giardino armonico, Leonhardt, Brüggen, Chanticleer, Tachezi, Tragicomedia, van Asperen, St. James’s Baroque Players, Bylsma, Schröder … (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Gloria in excelsis
assistant engineer:
Wolfram Nehls and Ruodlieb Neubauer
engineer:
Michael Brammann
producer:
Helmut Mühle
editor:
Gudrun Maurer
choir vocals:
Arnold Schoenberg Chor (in 1991-12)
orchestra:
Concentus Musicus Wien (in 1991-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1991-12)
recorded at:
Casino Zögernitz in Wien, Austria (in 1991-12)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1991-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:13
2Stabat mater dolorosa
assistant engineer:
Wolfram Nehls and Ruodlieb Neubauer
engineer:
Michael Brammann
producer:
Helmut Mühle
editor:
Gudrun Maurer
contralto vocals:
Marjana Lipovšek (mezzo soprano) (in 1993-10)
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano)
soprano vocals:
Eva Mei (soprano) (in 1993-10)
orchestra:
Concentus Musicus Wien (in 1993-10)
conductor:
Nikolaus Harnoncourt (conductor) (in 1993-10)
recorded at:
Casino Zögernitz in Wien, Austria (in 1993-10)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1993-10)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:01
3Concerto RV 558 in C major: Allegro molto
mandolin:
Duilio Galfetti and Wolfgang Paul
orchestra:
Il Giardino Armonico (Italian baroque ensemble)
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Concerto “con molti stromenti” in C major, RV 558: I. Allegro molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in C major, RV 558, “con molti stromenti” (2 violins in tromba marina, 2 recorders, 2 trumpets, 2 mandolines, 2 chalumeaux, 2 theorboes, cello, strings)
Antonio Vivaldi4:45
4Concerto no. 7, G 480, in G major: Adagio
cello:
Anner Bylsma (cellist)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Cello Concerto no. 7 in G major, G. 480: II. Adagio
composer:
Luigi Boccherini (composer)
part of:
Cello Concerto no. 7 in G major, G. 480
Luigi Boccherini4:12
5Concerto no. 4 in F minor, op 8 no. 4 “L’inverno”: Largo
solo violin:
Alice Harnoncourt (violinist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi1:17
6Sonata in A minor: Allegro
recorded in:
Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1967-02)
cello:
Anner Bylsma (cellist) (in 1967-02)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1967-02)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1967-02)
recording of:
Sonata in A minor: IV. Allegro (in 1967-02)
composer:
Diogenio Bigaglia
part of:
Sonata in A minor
Diogenio Bigaglia2:05
7Samson: The Holy One of Israel Be Thy Guide
countertenor vocals:
Jochen Kowalski (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
George Frideric Handel1:27
8Samson: To Fame Immortal Go
choir vocals:
Arnold Schoenberg Chor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
George Frideric Handel0:54
9Les nations: Gigue
orchestra:
Chanticleer
recording of:
Les Nations : Premier Ordre, « La Francoise » : VI. Gigue
composer:
François Couperin (French composer of the Baroque era)
part of:
Les Nations : Premier Ordre, « La Francoise »
François Couperin1:24
10L’incoronazione di Poppea: A Dio, Roma
soprano vocals:
Cathy Berberian (mezzo‐soprano)
orchestra and performer:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
partial recording of:
L’incoronazione di Poppea, SV 308
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Giovanni Francesco Busenello
part of:
Stattkus-Verzeichnis (number: SV 308)
Claudio Monteverdi3:58
11Concerto no.2 in G minor RV 104 “La notte”: Allegro
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (in 1990-11)
conductor:
Giovanni Antonini (conductor and flautist) (in 1990-11)
performer:
Il Giardino Armonico (Italian baroque ensemble)
recorded at:
Radio Televisione della Svizzera Italiana: Studio 1 in Lugano, Ticino, Switzerland (in 1990-11)
recording of:
Concerto in Sol minore, RV 104 "La Notte": VII. Allegro (in 1990-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1716)
part of:
Concerto, op. 10 no. 2 in G minor RV 104 'La Notte' for recorder, two violins, bassoon and basso continuo
Antonio Vivaldi2:35
12A secret love
lute:
Christopher Wilson (lute and theorbo player)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
Thomas Campion2:07
13Overture in D major TWV 55: DI 5 Harlequinade
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Ouverture in D-Dur, TWV 55:D15: V. Harlequinade
composer:
Georg Philipp Telemann (composer)
part of:
Overture-Suite for 3 Oboes, Strings and Continuo in D major TWV 55:D15
Georg Philipp Telemann2:11
14Missa in C, “Credo”, K. 257: II. “Gloria”
recording engineer:
Michael Brammann (in 1991-07)
producer:
Helmut Mühle (in 1991-07)
choir vocals:
Arnold Schoenberg Chor (in 1991-07)
orchestra:
Concentus Musicus Wien (in 1991-07)
conductor:
Nikolaus Harnoncourt (conductor) (in 1991-07)
chorus master:
Erwin Ortner (in 1991-07)
recorded at:
Pfarrkirche Stainz in Stainz, Steiermark, Austria (in 1991-07)
recording of:
Missa in C, K. 257 “Credo”: II. Gloria (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in C, K. 257 “Credo”
Wolfgang Amadeus Mozart3:19
15Dido and Aeneas: Thy hand, Belinda - When I am laid
orchestra:
St. James’ Baroque (from 1989-06 until 1989-07)
conductor:
Ivor Bolton (conductor and harpsichordist) (from 1989-06 until 1989-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1989-06 until 1989-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1989-06 until 1989-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:30
16Prussian Sonata no. 4 in C minor: Presto
Carl Philipp Emanuel Bach2:55
17Symphony no. 69 in C major, “London”: Finale, Presto
recording engineer:
Michael Brammann
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1990-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1990-06)
recorded at:
Casino Zögernitz in Wien, Austria (in 1990-06)
recording of:
Symphony no. 69 in C major, Hob. I:69 "Laudon": IV. Finale. Presto (in 1990-06)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 69 in C major, Hob. I:69 "Laudon"
Joseph Haydn3:49
18O Ewigkeit du Donnerwort from Notenbüchlein für Anna Magdalena Bach
recording engineer, producer and editor:
John Hadden (in 1991-04)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals:
Harvey Brough (composer, arranger and performer)
bass vocals:
Richard Wistreich (British bass vocalist)
soprano vocals:
Emily Van Evera (soprano)
tenor vocals:
John Potter (tenor)
orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 513)
Johann Sebastian Bach1:25
19Concerto op. 7, no. 4: Allegro
bassoon:
Milan Turković (bassoonist and conductor) (in 1975-02)
cello:
Nikolaus Harnoncourt (conductor) (in 1975-02) and Friedrich Hiller (classical cellist) (in 1975-02)
harpsichord:
Johann Sonnleitner (organist and harpsichordist) (in 1975-02)
oboe:
Paul Hailperin (classical oboe player) (in 1975-02) and Jürg Schaeftlein (oboist) (in 1975-02)
organ:
Herbert Tachezi (in 1975-02)
viola:
Kurt Theiner (in 1975-02)
viola [Violetta]:
Josef de Sordi (in 1975-02)
violin:
Alice Harnoncourt (violinist) (in 1975-02), Wilhelm Mergl (classical violinist) (in 1975-02), Peter Schoberwalter (in 1975-02) and Walter Pfeiffer (violinist) (in 1975-02)
violone:
Eduard Hruza (in 1975-02)
orchestra:
Concentus Musicus Wien (in 1975-02)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-02)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-02)
recording of:
Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro così così (in 1975-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto in D minor, op. 7 no. 4, HWV 309
George Frideric Handel4:07
20Violin Concerto op. 7, no. 5 in A minor: Allegro assai
violin:
Jaap Schröder (Dutch violinist and conductor)
orchestra:
Concerto Amsterdam
concertmaster:
Jaap Schröder (Dutch violinist and conductor)
Jean‐Marie Leclair5:25
21Symphony no. 12 in G minor K. 110 (75b): Allegro
recording engineer:
Michael Brammann
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (from 1991-07-11 until 1991-07-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1991-07-11 until 1991-07-12)
recorded at:
Casino Zögernitz in Wien, Austria (from 1991-07-11 until 1991-07-12)
recording of:
Symphony no. 12 in G major, K. 75b/110: IV. Allegro (from 1991-07-11 until 1991-07-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Symphony no. 12 in G major, K. 75b/110
Wolfgang Amadeus Mozart2:00
22Halt im Gedächtnis Jesum Christ
choir vocals:
Collegium Vocale Gent (from 1976-06-10 until 1976-06-16) and Knabenchor Hannover (German boys choir) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach3:12
23Suite in C major: Rondeau
recorder [recorders]:
Quadro Hotteterre
Marin Marais1:41
24Celebren, publiquen
Manuel de Zumaya6:53
25Hallelujah from Messiah
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
vocals and performer:
Concentus Musicus Wien
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:40