Cantatas, BWV 119–121

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

Digital Media 1
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1Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: I. Coro “Preise, Jerusalem, den Herrn”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach6:57
2Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: II. Recitativo (Tenor) “Gesegnet Land! glückselge Stadt”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:23
3Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: III. Aria (Tenor) “Wohl dir, du Volk der Linden”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach3:09
4Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: IV. Recitativo (Bass) “So herrlich stehst du, liebe Stadt”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:57
5Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: V. Aria (Alt) “Die Obrigkeit ist Gottes Gabe”
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach2:49
6Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: VI. Recitativo (Sopran) “Nun! Wir erkennen es und bringen dir”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:03
7Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: VII. Coro “Der Herr hat Guts an uns getan”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach6:23
8Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: VIII. Recitativo (Alt) “Zuletzt! Da du uns Herr, zu deinem Volk gesetzt”
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:47
9Kantate, BWV 119 “Preise, Jerusalem, den Herrn”: IX. Choral “Hilf deinem Volk, Herr Jesu Christ”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ" (from 1978-01 until 1978-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1723-08-30)
part of:
Breitkopf 389 Choralgesänge (number: 134)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:58
10Kantate, BWV 120 “Gott, man lobet dich in der Stille”: I. Aria (Alt) “Gott, man lobet dich in der Stille”
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille"
Johann Sebastian Bach5:41
11Kantate, BWV 120 “Gott, man lobet dich in der Stille”: II. Coro “Jauchzet, ihr erfreuten Stimmen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille"
Johann Sebastian Bach7:15
12Kantate, BWV 120 “Gott, man lobet dich in der Stille”: III. Recitativo (Bass) “Auf, du geliebte Lindenstadt”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille"
Johann Sebastian Bach1:27
13Kantate, BWV 120 “Gott, man lobet dich in der Stille”: IV. Aria (Sopran) “Heil und Segen”
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille"
Johann Sebastian Bach5:56
14Kantate, BWV 120 “Gott, man lobet dich in der Stille”: V. Recitativo (Tenor) “Nun, Herr, so weihe selbst”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille"
Johann Sebastian Bach0:56
15Kantate, BWV 120 “Gott, man lobet dich in der Stille”: VI. Choral “Nun hilf uns, Herr, den Dienern dein”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (in 1529)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Breitkopf 389 Choralgesänge (number: 135)
part of:
Kantate, BWV 120 "Gott, man lobet dich in der Stille"
Johann Sebastian Bach1:10
16Kantate, BWV 121 “Christum wir sollen loben schon”: I. Coro “Christum wir sollen loben schon”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach3:32
17Kantate, BWV 121 “Christum wir sollen loben schon”: II. Aria (Tenor) “O du von Gott erhöhte Kreatur”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:15
18Kantate, BWV 121 “Christum wir sollen loben schon”: III. Recitativo (Alt) “Der Gnad unermeßlichs Wesen”
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:22
19Kantate, BWV 121 “Christum wir sollen loben schon”: IV. Aria (Bass) “Johannis freudenvolles Springen”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach8:09
20Kantate, BWV 121 “Christum wir sollen loben schon”: V. Recitativo (Sopran) “Doch wie erblickt es dich in deiner Krippen”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:17
21Kantate, BWV 121 “Christum wir sollen loben schon”: VI. Choral “Lob, Ehr und Dank sei dir gesagt”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1980-02 until 1980-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:11

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 38) (order: 38)