Seven Classic Albums

~ Release by Ben Webster (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: King of the Tenors / Coleman Hawkins Encounters Ben Webster
#TitleArtistRatingLength
1Tenderly
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz
editor:
Peter Pullman
alto saxophone:
Benny Carter (on 1953-12-08)
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
drums (drum set):
Alvin Stoller and J.C. Heard (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
instrumental recording of:
Tenderly (on 1953-12-08)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Ben Webster3:05
2Jive At Six
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz
editor:
Peter Pullman
alto saxophone:
Benny Carter (on 1953-12-08)
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
drums (drum set):
Alvin Stoller and J.C. Heard (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
Ben Webster4:14
3Don't Get Around Much Anymore
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz
editor:
Peter Pullman
alto saxophone:
Benny Carter (on 1953-12-08)
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
drums (drum set):
Alvin Stoller and J.C. Heard (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
cover recording of:
Never No Lament (on 1953-12-08)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Ben Webster3:09
4That's All
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz (on 1953-12-08)
editor:
Peter Pullman
alto saxophone:
Benny Carter (on 1953-12-08)
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-08)
drums (drum set):
J.C. Heard (on 1953-12-08) and Alvin Stoller (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) (on 1953-12-08) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
instrumental recording of:
That’s All (on 1953-12-08)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
Ben Webster3:50
5Bounce Blues
recorded in:
New York, New York, United States (on 1953-05-21)
producer:
Norman Granz
editor:
Peter Pullman
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-05-21)
drums (drum set):
J.C. Heard and Alvin Stoller (on 1953-05-21)
guitar:
Barney Kessel and Herb Ellis (jazz guitarist) (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
tenor saxophone:
Ben Webster (on 1953-05-21)
Ben Webster4:35
6Pennies From Heaven
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz
editor:
Peter Pullman
alto saxophone:
Benny Carter (on 1953-12-08)
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
drums (drum set):
Alvin Stoller and J.C. Heard (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
instrumental recording of:
Pennies From Heaven (on 1953-12-08)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Ben Webster2:51
7Cottontail
recorded in:
New York, New York, United States (on 1953-05-21)
producer:
Norman Granz
editor:
Peter Pullman
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-05-21)
drums (drum set):
J.C. Heard and Alvin Stoller (on 1953-05-21)
guitar:
Barney Kessel and Herb Ellis (jazz guitarist) (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
tenor saxophone:
Ben Webster (on 1953-05-21)
recording of:
Cotton Tail (on 1953-05-21)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Ben Webster3:23
8Danny Boy
recorded in:
New York, New York, United States (on 1953-05-21)
producer:
Norman Granz
editor:
Peter Pullman
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-05-21)
drums (drum set):
J.C. Heard and Alvin Stoller (on 1953-05-21)
guitar:
Barney Kessel and Herb Ellis (jazz guitarist) (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
tenor saxophone:
Ben Webster (on 1953-05-21)
recording of:
Danny Boy (on 1953-05-21)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
Ben Webster3:38
9Blues For Yolande
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recording of:
Blues for Yolande (on 1957-10-16)
composer:
Coleman Hawkins
Coleman Hawkins & Ben Webster6:46
10It Never Entered My Mind
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
It Never Entered My Mind (on 1957-10-16)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Coleman Hawkins & Ben Webster5:48
11La Rosita
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recording of:
Rosita (on 1957-10-16)
composer:
Walter G. Haenschen
Coleman Hawkins & Ben Webster5:04
12You'd Be So Nice To Come Home To
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-10-16)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Coleman Hawkins & Ben Webster4:17
13Prisoner Of Love
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
Prisoner of Love (on 1957-10-16)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
Coleman Hawkins & Ben Webster4:15
14Tangerine
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
instrumental recording of:
Tangerine (1941 song) (on 1957-10-16)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Coleman Hawkins & Ben Webster5:22
15Shine On Harvest Moon
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
instrumental recording of:
Shine On, Harvest Moon (on 1957-10-16)
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
Coleman Hawkins & Ben Webster4:48
▼ CD 2: Soulville / Ben Webster Meets Oscar Peterson
#TitleArtistRatingLength
1Soulville
Ben Webster8:06
2Late Date
Ben Webster7:15
3Time On My Hands
Ben Webster4:19
4Lover Come Back To Me
Ben Webster8:29
5Where Are You
Ben Webster4:44
6Makin' Whoopee
Ben Webster4:32
7Ill Wind
Ben Webster3:34
8The Touch Of Your Lips
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
The Touch of Your Lips (on 1959-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Ben Webster & Oscar Peterson6:20
9When Your Lover Has Gone
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
When Your Lover Has Gone (on 1959-11-06)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Ben Webster & Oscar Peterson4:00
10Bye-Bye Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Ben Webster & Oscar Peterson6:46
11How Deep Is The Ocean?
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
How Deep Is the Ocean? (on 1959-11-06)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Ben Webster & Oscar Peterson2:36
▼ CD 3: Ben Webster Meets Oscar Peterson (cont.) / Ben Webster & Associates / Gerry Mulligan Meets Ben Webster
#TitleArtistRatingLength
1In The Wee, Small Hours Of The Morning
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
In the Wee Small Hours of the Morning (on 1959-11-06)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Ben Webster & Oscar Peterson3:13
2Sunday
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1959-11-06)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd.
Ben Webster & Oscar Peterson3:58
3This Can't Be Love
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
This Can’t Be Love (on 1959-11-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
Ben Webster & Oscar Peterson9:51
4In A Mellow Tone
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Coleman Hawkins (on 1959-04-09), Budd Johnson (on 1959-04-09) and Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
instrumental recording of:
In a Mellow Tone (on 1959-04-09)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins
Ben Webster20:26
5De-Dar
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Coleman Hawkins (on 1959-04-09), Budd Johnson (on 1959-04-09) and Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
Ben Webster4:43
6Young Bean
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Coleman Hawkins (on 1959-04-09), Budd Johnson (on 1959-04-09) and Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
Ben Webster6:07
7Time After Time
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
instrumental recording of:
Time After Time (on 1959-04-09)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
Ben Webster4:38
8Budd Johnson
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Coleman Hawkins (on 1959-04-09), Budd Johnson (on 1959-04-09) and Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
Ben Webster9:11
9Chelsea Bridge
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
double bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
cover recording of:
Chelsea Bridge (from 1959-11-03 until 1959-12-02)
composer:
Billy Strayhorn (in 1941)
arranger:
Joe Henderson (US jazz tenor saxophonist)
Gerry Mulligan & Ben Webster7:18
10The Cat Walk
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
Gerry Mulligan & Ben Webster5:42
▼ CD 4: Gerry Mulligan Meets Ben Webster (cont.) / The Warm Moods
#TitleArtistRatingLength
1Sunday
Gerry Mulligan & Ben Webster7:22
2Who's Got Rhythm?
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
Gerry Mulligan & Ben Webster7:36
3Tell Me When
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
double bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
recording of:
Tell Me When (from 1959-11-03 until 1959-12-02)
composer:
Gerry Mulligan
Gerry Mulligan & Ben Webster5:03
4Go Home
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
Gerry Mulligan & Ben Webster10:00
5The Sweetheart Of Sigma Chi
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
Sweetheart of Sigma Chi (from 1960-01-18 until 1960-01-19)
lyricist:
Byron D. Stokes (in 1911)
composer:
F. Dudleigh Vernor (in 1911)
Ben Webster2:27
6Stella By Starlight
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
Stella by Starlight (from 1960-01-18 until 1960-01-19)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ben Webster3:02
7With Every Breath I Take
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
With Every Breath I Take (writers Robin/Rainger) (from 1960-01-18 until 1960-01-19)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
Ben Webster3:05
8Accent On Youth
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
Ben Webster3:00
9But Beautiful
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
But Beautiful (from 1960-01-18 until 1960-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Ben Webster2:53
10Time After Time
Ben Webster3:10
11Nancy
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
Nancy (With the Laughing Face) (from 1960-01-18 until 1960-01-19)
lyricist:
Phil Silvers
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Ben Webster3:12
12I'm Beginning To See The Light
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
I’m Beginning to See the Light (from 1960-01-18 until 1960-01-19)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Ben Webster2:47
13It Was So Beautiful
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
It Was So Beautiful (from 1960-01-18 until 1960-01-19)
lyricist:
Arthur Freed (in 1932)
composer:
Harry Barris (in 1932)
Ben Webster3:24
14The Whiffenpoof Song
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
The Whiffenpoof Song (from 1960-01-18 until 1960-01-19)
lyricist:
Meade Minnigerode (American writer) and George S Pomeroy (American lyricist)
composer:
Tod B Galloway (American composer and songwriter)
Ben Webster2:26
15It's Easy To Remember
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
It’s Easy to Remember (and So Hard to Forget) (from 1960-01-18 until 1960-01-19)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Ben Webster3:11
16There's No You
recording engineer:
Dave Weichman (from 1960-01-18 until 1960-01-19)
bass:
Don Bagley (from 1960-01-18 until 1960-01-19)
cello:
Armand Kaproff (from 1960-01-18 until 1960-01-19)
drums (drum set) [drums]:
Frank Capp (from 1960-01-18 until 1960-01-19)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (from 1960-01-18 until 1960-01-19)
tenor saxophone:
Ben Webster (from 1960-01-18 until 1960-01-19)
viola:
Cecil Figelski (from 1960-01-18 until 1960-01-19)
violin:
Alfred Lustgarten (from 1960-01-18 until 1960-01-19) and Lisa Minghetti (from 1960-01-18 until 1960-01-19)
conductor:
Johnny Richards (from 1960-01-18 until 1960-01-19)
arranger:
Johnny Richards
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1960-01-18 until 1960-01-19)
instrumental recording of:
There’s No You (from 1960-01-18 until 1960-01-19)
lyricist:
Thomas Montgomery Adair
composer:
Hal Hopper
publisher:
Barton Music Corp.
Ben Webster3:17