America's Musical Landscape, Sixth Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1John Henry
vocals:
Arthur Bell
[traditional]2:57
2Yeibichai Chant Song
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
[traditional]0:59
3Sioux Grass Dance
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
[traditional]0:59
4El corrido de Gregorio Cortez
performer:
Los Hermanos Banda
[traditional]2:46
5Barbara Allen
vocals:
Pete Seeger
[traditional]2:50
6Shenandoah
vocals:
Pete Seeger
recording of:
Shenandoah
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 324)
[traditional]1:50
7Field Holler
performer:
Annie Grace Horn Dodson
[traditional]1:17
8Father's Field Call
performer:
Annie Grace Horn Dodson
[traditional]0:25
9Hammer, Ring
vocals:
Jesse Bradley
[traditional]2:39
10No More Auction Block for Me
vocals:
Odetta (American singer Odetta Holmes)
recording of:
No More Auction Block
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France and Special Rider Music
[traditional]2:11
11Old Hundred
vocals:
Gregg Smith Singers
Louis Bourgeois0:26
12Tis the Gift to Be Simple
vocals:
United Society of Shakers
recording of:
The Gift to be Simple
composer:
Joseph Brackett (in 1848)
Joseph Backett Jr.1:11
13Chester
vocals:
Gregg Smith Singers
recording of:
Chester
composer:
William Billings (18th century composer) (in 1770)
revised by:
William Billings (18th century composer) (in 1778)
William Billings1:30
14When Jesus Wept
vocals:
Gregg Smith Singers
recording of:
When Jesus Wept
composer:
William Billings (18th century composer)
William Billings1:19
15Sherburne
vocals:
Old Sturbridge Singers
recording of:
Sherburne ("While Shepherds Watched")
composer:
Daniel Read
is based on:
Song of the Angels, at the Nativity of Our Blessed Saviour
Daniel Read0:59
16Yankee Doodle
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
[traditional]0:50
17There'll Be Joy, Joy, Joy
vocals:
The Carter Family (the original Carter Family, 1927–1943)
The Carter Family1:41
18Amazing Grace
vocals:
Judy Collins
[traditional]4:19
19Nobody Knows the Trouble I've Seen
bass-baritone vocals:
Paul Robeson (American bass baritone)
[traditional]2:01
20Nearer, My God, to Thee
choir vocals:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir) and The Vocal Majority (Barbershop Chorus)
recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) and Skyhill Music (in 1971)
part of:
Roud Folk Song Index (number: 28881)
Lowell Mason4:22
21(I Wish I Was in) Dixie's Land
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Daniel Decatur Emmett3:33
22I Dream of Jeanie With the Light Brown Hair
vocals:
Gregg Smith Singers
Stephen Foster3:19
23Oh! Susanna
vocals:
Pete Seeger
Stephen Foster1:16
24The Anacreontic Song (Anacreon in Heaven)
vocals:
The Hilliard Ensemble (British male vocal quartet)
recording of:
The Anacreontic Song
written in:
London (Greater London), England, United Kingdom
lyricist:
Ralph Tomlinson
composer:
John Stafford Smith
John Stafford Smith4:28
25Get Off the Track
choir vocals:
Eastman Chorale (part of Eastman school of Music, University of Rochester)
performer:
Eastman Ensemble
[traditional]2:51
26Le Bananier
piano:
Eugene List (pianist)
recording of:
Le Bananier, op. 5
composer:
Louis Moreau Gottschalk (in 1845)
part of:
Works of Louis Moreau Gottschalk by opus number (number: op. 5)
Louis Moreau Gottschalk2:50
27Fuga Giocosa, op. 41 no. 3
piano:
Malcolm Frager (pianist)
recording of:
Fuga giocosa, op. 41 no. 3
composer:
John Knowles Paine (in 1884)
part of:
3 Piano Pieces, op. 41
John Knowles Paine1:30
28Symphony in E minor (Gaelic): II.
orchestra:
Royal Philharmonic Orchestra
recording of:
Symphony in E minor, op. 32 "Gaelic": II. Alla siciliana - Allegro vivace
composer:
Amy Beach (composer and pianist) (in 1896)
part of:
Symphony in E minor, op. 32 "Gaelic"
Amy Beach8:25
29The Stars and Stripes Forever
performer:
Columbia All-Star Band
recording of:
The Stars and Stripes Forever
composer:
John Philip Sousa (conductor and composer) (in 1896)
John Philip Sousa3:11
30Maple Leaf Rag
piano:
William Bolcom (composer)
recording of:
Maple Leaf Rag (piano rag)
composer:
Scott Joplin (composer and pianist) (in 1899)
Scott Joplin3:04
31Rose (A Ring to the Name of Rose)
choir vocals:
Phoenicians Chorus
George M. Cohan2:28
32Alexander's Ragtime Band
vocals:
Bessie Smith (Tennessee blues singer)
recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
Irving Berlin2:59
▼ CD 2
#TitleArtistRatingLength
1Night and Day
recorded in:
New York, New York, United States (on 1933-06-22)
vocals:
Fred Astaire (on 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1933-06-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter3:14
2Hellhound on My Trail
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
recording of:
Hellhound on My Trail (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
Robert Johnson42:37
3Lost Your Head Blues
cornet:
Joe Smith (American jazz trumpeter/cornetist) (on 1926-05-04)
piano:
Fletcher Henderson (on 1926-05-04)
vocals:
Bessie Smith (Tennessee blues singer) (on 1926-05-04)
recording of:
Lost Your Head Blues (on 1926-05-04)
writer:
Bessie Smith (Tennessee blues singer)
Bessie Smith2:57
4St. Louis Blues
vocals:
Bessie Smith (Tennessee blues singer)
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
W.C. Handy3:12
5Hotter Than That
performer:
Louis Armstrong and His Hot Five
recording of:
Hotter Than That
composer:
Lil Hardin Armstrong
Louis Armstrong1:33
6Carolina Shout
piano:
James P. Johnson
James P. Johnson2:47
7Taxi War Dance
orchestra:
Count Basie and His Orchestra
recording of:
Taxi War Dance
writer:
Lester Young (saxophonist)
Count Basie & Lester Young2:52
8Mood Indigo
orchestra:
Duke Ellington and His Orchestra
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington3:06
9Koko
orchestra:
Charlie Parker’s Ree Boppers (on 1945-11-26)
recording of:
Ko Ko (on 1945-11-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:56
10Concerto for Cootie
performer:
Blanton-Webster Big Band and Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Concerto for Cootie
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington3:20
11Take Five
performer:
The Dave Brubeck Quartet
Paul Desmond5:24
12Boplicity
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Boplicity
composer:
Gil Evans and Cleo Henry
publisher:
Sophisticated Music
Miles Davis3:02
13Blue Yodel No. 9
recorded in:
Hollywood, Los Angeles, California, United States (on 1930-07-16)
piano:
Lillian Hardin Armstrong (on 1930-07-16)
trumpet:
Louis Armstrong (on 1930-07-16)
vocals:
Jimmie Rodgers (country music pioneer, died in 1933) (on 1930-07-16)
recording of:
Blue Yodel No. 9 (Standin’ on the Corner) (on 1930-07-16)
writer:
Jimmie Rodgers (country music pioneer, died in 1933)
part of:
Blue Yodels by Jimmie Rodgers
Jimmie Rodgers32:39
14The Ballad of Casey Jones
vocals:
Johnny Cash (country music legend)
Johnny Cash3:02
15Earl's Breakdown
performer:
Lester Flatt and Earl Scruggs
Earl Scruggs3:03
16Mele of My Tutu E
vocals:
The Pahinui Brothers
Danny Ku3:00
17Cajun Two-Step
performer:
Nathan Abshire (US singer & accordionist from Louisiana) and The Balfa Brothers
[traditional]1:02
18Ojos [Eyes]
engineer:
Jon Fausty
producer:
Willie Colón
vocals:
Rubén Blades
performer:
Willie Colón
recording of:
Ojos
composer:
Johnny Ortiz
Johnny Ortiz4:52
19Desafinado [Off Key]
vocals:
Stan Getz and João Gilberto (Brazilian bossa nova guitarist, singer, and composer)
Antonio Carlos Jobim4:15
20School Day
producer:
Leonard & Phil Chess (Legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15) and Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
vocals:
Chuck Berry
phonographic copyright (℗) by:
N2K and Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
Chuck Berry4.252:36
21Stop! In the Name of Love
vocals:
The Supremes (60s/70s Motown singing group)
recording of:
Stop! In the Name of Love
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Lamont Dozier, Brian Holland & Eddie Holland2:55
22Down by the Riverside
bass guitar and double bass:
Billy Taylor Sr. (jazz bassist) (on 1948-12-02)
drums (drum set):
Herbert Cowans (jazz drummer) (on 1948-12-02)
guitar and lead vocals:
Sister Rosetta Tharpe (on 1948-12-02)
piano:
Sammy Price (jazz/blues/boogie pianist) (on 1948-12-02)
choir vocals:
The Dependable Boys (on 1948-12-02)
arranger:
Sister Rosetta Tharpe (in 1948-12)
recording of:
Down by the Riverside (on 1948-12-02)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]2:31
23Papa's Got a Brand New Bag
producer:
James Brown (“The Godfather of Soul”)
alto saxophone and organ:
Nat Jones (in 1965-02)
baritone saxophone and tenor trombone:
Maceo Parker (US funk/jazz saxophonist) (in 1965-02)
bass:
Bernard Odum (in 1965-02) and Sam Thomas (US rockabilly artist) (in 1965-02)
guitar:
Jimmy Nolen (in 1965-02)
membranophone:
Melvin Parker (in 1965-02)
tenor saxophone:
Al Brisco Clark (in 1965-02), St. Clair Pinckney (in 1965-02) and Eldee Williams (in 1965-02)
trombone:
Wilmer Milton (in 1965-02) and Levi Rasbury (in 1965-02)
trumpet:
Joe Dupars (in 1965-02) and Ron Tooley (in 1965-02)
lead vocals:
James Brown (“The Godfather of Soul”) (in 1965-02)
performer:
The James Brown Band
recorded at:
Arthur Smith Studios in Charlotte, North Carolina, United States (in 1965-02)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 34) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 72)
partial recording of:
Papa’s Got a Brand New Bag (in 1965-02)
lyricist and composer:
James Brown (“The Godfather of Soul”)
recording of:
Papa’s Got a Brand New Bag
lyricist and composer:
James Brown (“The Godfather of Soul”)
James Brown3.652:08
24Mr. Tambourine Man
performer:
The Byrds (American rock band)
recording of:
Mr. Tambourine Man
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Bob Dylan2:31
25A Love Supreme, Part 1: Acknowledgement
performer:
John Coltrane Quartet
recording of:
A Love Supreme, Part 1: Acknowledgement
composer:
John Coltrane
part of:
A Love Supreme
John Coltrane4:35
▼ CD 3
#TitleArtistRatingLength
1Rapper's Delight
vocals:
The Sugarhill Gang
recording of:
Rapper’s Delight
writer:
Bernard Edwards, Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3:24
2Give My Regards to Broadway (from "Little Johnny Jones")
vocals:
Al Jolson
recording of:
Give My Regards to Broadway (Little Johnny Jones)
lyricist and composer:
George M. Cohan
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
George M. Cohan2:41
3Ol' Man River (from "Show Boat")
bass-baritone vocals:
William Warfield (bass-baritone)
recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Jerome Kern3:33
4Tonight (from "West Side Story")
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
Leonard Bernstein3:40
5Every Day a Little Death (from "a Little Night Music")
vocals:
Patricia Elliott (actress) (on 1973-03-18) and Victoria Mallory (actress) (on 1973-03-18)
conductor:
Harold Hastings (on 1973-03-18)
orchestrator:
Jonathan Tunick
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1973-03-18)
recording of:
Every Day a Little Death (A Little Night Music) (on 1973-03-18)
lyricist and composer:
Stephen Sondheim (in 1973)
part of:
A Little Night Music (musical)
Stephen Sondheim2:28
6The Murder (from "Psycho")
orchestra:
Los Angeles Philharmonic
Bernard Herrmann1:11
7Star Wars Main Title
orchestra:
Skywalker Symphony Orchestra
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer) (from 2014-12 until 2015-11)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:50
8Bess, You Is My Woman Now (from "Porgy and Bess")
bass-baritone vocals:
Lawrence Winters (operatic bass-baritone)
soprano vocals:
Camilla Williams (operatic soprano)
recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
George Gershwin5:16
9Spaceship (from "Einstein on the Beach")
performer:
Philip Glass Ensemble
Philip Glass3:57
10General Putnam's Camp (from "Three Places in New England")
orchestra:
The Philadelphia Orchestra
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut
composer:
Charles Ives (composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives5:39
11At the River
performer:
Dalton Baldwin (American pianist) and William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer)
recording of:
At the River, S. 214
lyricist:
Robert Lowry (1826-1899) (in 1865)
composer:
Charles Ives (composer) (in 1916)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 214)
Charles Ives1:21
12The Banshee
piano:
Henry Cowell
recording of:
The Banshee
composer:
Henry Cowell
Henry Cowell1:45
13Gamelan Gong Kebjar: Hudjan Mas (Golden Rain)
gamelan:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
[traditional]1:05
14Sonata V (from "Sonatas and Interludes for Prepared Piano")
piano:
Robert Miller (pianist)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 5
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage1:23
15Fanfare for the Common Man
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1968-10)
conductor:
Aaron Copland (composer) (in 1968-10)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Fanfare for the Common Man (in 1968-10)
composer:
Aaron Copland (composer) (in 1942)
Aaron Copland3:16
16Hoedown (from "Rodeo")
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: IV. Hoedown (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte's Retreat
part of:
Rodeo (symphonic version)
Aaron Copland3:32
17Adagio for Strings
producer:
Thomas Z. Shepard
orchestra:
New York Philharmonic (from 1965-02-02 until 1965-02-09)
conductor:
Thomas Schippers (conductor and composer) (from 1965-02-02 until 1965-02-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1965-02-02 until 1965-02-09)
recording of:
Adagio for Strings (from 1965-02-02 until 1965-02-09)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber9:03
18Afro-Americon Symphony: III. Humor
orchestra:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
compilation of:
Symphony no. 1 “Afro‐American”: III. Animato, Part 1 by London Symphony Orchestra, Paul Freeman (classical conductor), Symphony no. 1 “Afro‐American”: III. Animato, Part 2 by London Symphony Orchestra, Paul Freeman (classical conductor) and Symphony no. 1 “Afro‐American”: III. Animato, Part 3 by London Symphony Orchestra, Paul Freeman (classical conductor)
recording of:
Symphony no. 1 “Afro-American”: III. Animato
composer:
William Grant Still (in 1930)
part of:
Symphony no. 1 “Afro-American”
William Grant Still3:26
19Ensembles for Synthesizer
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Milton Babbitt2:04
20Sound Patterns
choir vocals:
Brandeis New Music Chorale
recording of:
Sound Patterns
composer:
Pauline Oliveros (American composer and improviser) (in 1961)
Pauline Oliveros4:03
21New England Tryptich: III. "Chester"
recorded in:
New York, New York, United States (on 1958-03-16)
orchestra:
New York Philharmonic
conductor:
André Kostelanetz (conductor)
recording of:
New England Triptych: III. Chester
composer:
William Schuman (in 1956)
part of:
New England Triptych
William Schuman2:52
22Maggie and Millie and Molly and May (from "Though Love Be a Day")
performer:
John O’Brien (Celtic artist, tin whistle/uillean pipes), Jay Pierson and Louise Toppin
Gwyneth Walker1:09

Credits

Release

ASIN:US: 0077240316 [info]