The Moldau / The Bartered Bride / Serenade for Strings

~ Release by Smetana, Dvořák; Philharmonia Slavonica, Henry Adolph, Münchner Symphoniker, Alberto Lizzio (see all versions of this release, 1 available)

Annotation

Imported from freedb (http://freedb2.org/index.html?fDisc/57821) with comment
Philharmonie Slavonica Dirigent / Conductor: Henry Adolph --> Smetana
Münchener Symphonieorchester Dirigent / Conductor: Alberto Lizzio --> Dvorák

Annotation last modified on 2017-12-09 15:40 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Mein Vaterland - Die Moldau
orchestra:
Philharmonisches Staatsorchester Hamburg (aka Philharmoniker Hamburg), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym), The Vienna Symphony Orchestra (Alfred Scholz related) and Wiener Symphoniker
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alfred Scholz, George Ralph Warren and Yuri Ahronovich (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:58
2Die verkaufte Braut - Polka
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die verkaufte Braut: I. Polka
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana4:34
3Die verkaufte Braut - Furiant
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die verkaufte Braut: II. Furiant
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana2:02
4Die verkaufte Braut - Skocná
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die verkaufte Braut: III. Komödiantenszene
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana4:52
5Serenade für Streicher E-Dur, Op. 22: I. Moderato
orchestra:
Camerata Romana (an Alfred Scholz pseudonym), Camerata Salzburg (Austrian chamber orchestra), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), Münchner Symphonieorkester (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Pro Arte Orchester
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Wolfgang Müller (conductor) and Kurt Redel (German flautist and conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák4:59
6Serenade für Streicher E-Dur, Op. 22: II. Tempo di Valse
orchestra:
Camerata Romana (an Alfred Scholz pseudonym), Camerata Salzburg (Austrian chamber orchestra), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), Münchner Symphonieorkester (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Pro Arte Orchester
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Wolfgang Müller (conductor) and Kurt Redel (German flautist and conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák6:40
7Serenade für Streicher E-Dur, Op. 22: III. Vivace
orchestra:
Camerata Romana (an Alfred Scholz pseudonym), Camerata Salzburg (Austrian chamber orchestra), Kammerorchester Pro Arte München, Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)) and Münchner Symphonieorkester (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Wolfgang Müller (conductor) and Kurt Redel (German flautist and conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: III. Scherzo. Vivace
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák6:00
8Serenade für Streicher E-Dur, Op. 22: IV. Larghetto
orchestra:
Camerata Romana (an Alfred Scholz pseudonym), Camerata Salzburg (Austrian chamber orchestra), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), Münchner Symphonieorkester (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Pro Arte Orchester
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Wolfgang Müller (conductor) and Kurt Redel (German flautist and conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Serenade for Strings in E major, op. 22, B. 52: IV. Larghetto
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák5:43
9Serenade für Streicher E-Dur, Op. 22: V. Allegro vivace
orchestra:
Camerata Romana (an Alfred Scholz pseudonym), Camerata Salzburg (Austrian chamber orchestra), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), Münchner Symphonieorkester (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Pro Arte Orchester
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Wolfgang Müller (conductor) and Kurt Redel (German flautist and conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Serenade for Strings in E major, op. 22, B. 52: V. Finale. Allegro vivace
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák6:31

Credits