Legends II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1We Are the Champions
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
assistant producer and co-producer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar and guitar:
Brian May (Queen guitarist)
piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
recording of:
We Are the Champions
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen4.13:02
2Changes
recording engineer:
Ken Scott (UK record producer & engineer) (from 1971-07-09 until 1971-08-06)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
bass guitar:
Trevor Bolder (British bassist) (from 1971-07-09 until 1971-08-06)
drums (drum set):
Mick Woodmansey (British drummer) (from 1971-07-09 until 1971-08-06)
electric guitar:
Mick Ronson (British guitarist) (from 1971-07-09 until 1971-08-06)
piano:
Rick Wakeman (from 1971-07-09 until 1971-08-06)
saxophone and lead vocals:
David Bowie (English singer‐songwriter) (from 1971-07-09 until 1971-08-06)
background vocals:
David Bowie (English singer‐songwriter) (from 1971-07-09 until 1971-08-06) and Mick Ronson (British guitarist) (from 1971-07-09 until 1971-08-06)
orchestra:
BBC Symphony Orchestra (from 1971-07-09 until 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
strings arranger:
Mick Ronson (British guitarist)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1971-07-09 until 1971-08-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 127), Indie 88: Top 500 Indie Rock Songs (number: 201) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 200)
recording of:
Changes (David Bowie song) (from 1971-07-09 until 1971-08-06)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Daniel Licht
publisher:
Chrysalis Music Ltd. (music publisher) and Tintoretto Music
David Bowie4.53:34
3Don’t Stop
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac3:13
4Walk of Life
assistant recording engineer:
Steve Jackson (recording engineer)
engineer:
Neil Dorfsman
producer:
Neil Dorfsman and Mark Knopfler
assistant mixer:
David Greenberg (Rockin' Reel Studios engineer) and Bruce Lampcov
bass guitar:
John Illsley
drums (drum set):
Omar Hakim
guitar:
Mark Knopfler
keyboard:
Alan Clark (keyboardist) and Guy Fletcher (keyboards +)
background vocals:
Guy Fletcher (keyboards +) and John Illsley
vocals:
Mark Knopfler
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) and Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (from 1984-10 until 1985-02)
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Walk of Life
lyricist and composer:
Mark Knopfler
publisher:
Chariscourt Ltd. and Rondor Music (London) Ltd.
Dire Straits4.154:07
5Band on the Run
recording engineer:
Geoff Emerick (British recording engineer) (from 1973-09-01 until 1973-10)
assistant engineer:
Monday (engineer) (from 1973-09-01 until 1973-11) and Pete Swettenham (from 1973-09-01 until 1973-11)
producer:
Paul McCartney (The Beatles) (from 1973-09-01 until 1973-10)
mixer:
Geoff Emerick (British recording engineer) (from 1973-10 until 1973-11)
acoustic guitar and electric guitar:
Denny Laine (from 1973-09-01 until 1973-10) and Paul McCartney (The Beatles) (from 1973-09-01 until 1973-10)
bass guitar, drums (drum set), electric piano, synthesizer and lead vocals:
Paul McCartney (The Beatles) (from 1973-09-01 until 1973-10)
horn and strings:
Beaux Arts Orchestra (from 1973-09-01 until 1973-10)
Moog:
Linda McCartney (from 1973-09-01 until 1973-10)
background vocals:
Denny Laine (from 1973-09-01 until 1973-10), Linda McCartney (from 1973-09-01 until 1973-10) and Paul McCartney (The Beatles) (from 1973-09-01 until 1973-10)
orchestrator:
Tony Visconti
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-10)
mixed at:
Kingsway Studios in Camden, London (Greater London), England, United Kingdom (from 1973-10 until 1973-11)
recording of:
Band on the Run (from 1973-09-01 until 1973-10)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
ATV Music Corp. and McCartney Music, Inc.
Paul McCartney & Wings4.355:12
6The Joker
producer:
Steve Miller (leader of Steve Miller Band)
acoustic guitar, slide guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
bass:
Gerald Johnson
drums (drum set):
John King (drums)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc. and Warner Chappell Music, Inc.
Steve Miller Band4.14:27
7I Got You
engineer and producer:
David Tickle
recording of:
I Got You
lyricist and composer:
Neil Finn
Split Enz33:31
8Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.255:13
9Uptown Girl
assistant engineer:
Scott James (US recording engineer) and Mike Mairé
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
drums (drum set):
Liberty DeVitto (US drummer) (in 1983)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
electric guitar:
David Brown (guitarist for Billy Joel) (in 1983)
piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1983) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
Uptown Girl by Billy Joel (American singer-songwriter and pianist)
recording of:
Uptown Girl (in 1983)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, CBS Songs Ltd. (in 1983) and Joelsongs (in 1983)
Billy Joel4.253:16
10When Tomorrow Comes
engineer:
Jon Bavin and Emmanuel Guiot (engineer)
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
remaster of:
When Tomorrow Comes by Eurythmics
recording of:
When Tomorrow Comes
orchestrator:
Michael Kamen (American score composer)
lyricist and composer:
Dave Stewart (UK guitarist/singer for Eurythmics), Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Patrick Seymour (British songwriter & keyboardist, Eurythmics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and RCA Music Ltd. (publisher)
Eurythmics3.654:18
11Wild World
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (UK) (in 1970) and Universal Island Records Ltd. (not for release label use! UK record company) (in 1970)
recording of:
Wild World (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher - NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
translated version of:
En hård värld
Cat Stevens3.953:21
12What a Fool BelievesThe Doobie Brothers3:45
13You Got It
engineer:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Jeff Lynne
acoustic guitar:
Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
bass guitar, electric guitar, keyboard and piano:
Jeff Lynne (in 1988-04)
drums (drum set) and percussion:
Phil Jones (Percussionist) (in 1988-04)
background vocals:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
lead vocals:
Roy Orbison (in 1988-04)
phonographic copyright (℗) by:
Roys Boy’s, LLC (in 1989, in 2014) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988-04), M.C. Studios in Los Angeles, California, United States (in 1988-04) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1988-04)
recording of:
You Got It (in 1988-04)
writer:
Jeff Lynne, Roy Orbison and Tom Petty
Roy Orbison4.553:32
14Just Like a Woman
recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
Bob Dylan4:42
15ReminiscingLittle River Band54:12
16It’s Too LateCarole King43:55
17He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:14
18Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2001)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Simon & Garfunkel44:54
CD 2
#TitleArtistRatingLength
1Woman
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese-American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部
John Lennon43:27
2Better Be Home Soon
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour
guitar and lead vocals:
Neil Finn
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
publisher:
Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
3A Whiter Shade of PaleProcol Harum4.13:59
4Sister Golden Hair
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Sister Golden Hair
lyricist and composer:
Gerald Beckley
America4.23:16
5Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.33:04
6Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Beach Boys4.42:26
7We’ve Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Animals3.753:16
8In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
drum machine, drums (drum set), Rhodes piano, synthesizer and vocoder:
Phil Collins (of Genesis) (in 1980)
guitar:
Daryl Stuermer (in 1980)
violin:
Sharokav (in 1980)
lead vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4.35:30
9Daydream Believer
producer:
Chip Douglas
bass:
Chip Douglas
bass trombone:
Richard Leith (trombonist) and Phil Teele
drums (drum set):
Eddie Hoh
guitar:
Michael Nesmith
percussion:
William E. Martin
piano:
Peter Tork
trombone:
Richard Noel (trombonist)
trumpet:
Pete Candoli, Al Porcino and Manuel Stevens
violin:
Nathan Kaproff, George Kast, Alex Murray (violinist) and Erno Neufeld
background vocals:
Micky Dolenz
lead vocals:
Davy Jones (The Monkees member)
horn and strings arranger:
Shorty Rogers (trumpet)
music videos:
Daydream Believer by The Monkees
part of:
TV Cream: Real 100 Best Singles Ever (number: 39)
recording of:
Daydream Believer (from 1967-06-14 until 1967-08-09)
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees52:58
10Who Can It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher)
Men at Work4.43:22
11The Tide Is High
assistant engineer:
Gary Boatner (Engineer) and Doug Schwartz
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:43
12Sweet Talkin’ Woman
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (in 1977)
violin:
Mik Kaminski (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Germany
recording of:
Sweet Talkin’ Woman (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Jet Music Inc. (in 1977) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra4.453:51
13Stuck in the Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel4.053:27
14DownheartedAustralian Crawl3:09
15Ain’t No Sunshine
recording engineer:
Bill Halverson and Bill Lazarus
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
lead vocals:
Bill Withers
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.452:07
16I’m Not in Love
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1975)
recording of:
I’m Not in Love
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!), Schubert Music Publishing, St. Anne's Music, St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1975)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
10cc5:54
17You’ve Lost That Lovin’ Feelin’
engineer:
Larry Levine
producer:
Jerry Bruckheimer, Don Simpson (American film producer, screenwriter, and actor) and Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer) and Gene Page
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1964-08 until 1964-11)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 34)
recording of:
You’ve Lost That Lovin’ Feelin’ (from 1964-08 until 1964-11)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Righteous Brothers33:44
18With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (from 1967 to present) and Northern Songs Ltd. (in 1967)
Joe Cocker3.65:13

Credits

Release

ASIN:DE: B0000D8HKM [info]