Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858, sung in german)

~ Release by Offenbach; RothenbergerDallapozzaLindnerKuscheWilly Mattes (see all versions of this release, 1 available)

Annotation

Deutsche Libretto-Fassung Ludwig Kalisch

Annotation last modified on 2020-12-02 21:35 UTC.

Tracklist

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CD 1: Akt I, Szene 1: Der Tod der Eurydike / Szene 2: Der Olymp
#TitleArtistRatingLength
1Orpheus in der Unterwelt: Ouvertüre
producer:
Christfried Bickenbach
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orphée aux enfers : Ouverture (from 1977-09-26 until 1977-09-30)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach8:54
2Orpheus in der Unterwelt: Akt I. Einleitungsszene: Wer bin ich?
producer:
Christfried Bickenbach
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Einleitungsszene „Wer ich bin?” (Die öffentliche Meinung) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 1 - Chœur des bergers et scène du conseil municipal : « Voici la douzième heure » (Chœur, Le Licteur, L'Opinion publique)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach1:13
3Orpheus in der Unterwelt: Akt I. Chanson: Ein Weib, das Lieb' und Sehnsucht plagen
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Chanson: „Ein Weib, das Lieb' und Sehnsucht plagen” (Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 2 - Couplets du berger joli : « La femme dont le cœur rêve » (Eurydice)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach3:12
4Orpheus in der Unterwelt: Akt I. Dialog
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog „Ach, schade …” (Eurydike, Orpheus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. Dialogue : « Que vois-je ? » (Orphée, Eurydice)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach2:00
5Orpheus in der Unterwelt: Akt I. Duett: So ist's gemeint?
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Duett „So ist's gemeint?” (Orpheus, Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 3 - Duo du concerto : « Ah c'est ainsi ! » (Eurydice, Orphée)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach6:52
6Orpheus in der Unterwelt: Akt I. Dialog
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Aristeus]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog „Oh Venus, befreie mich von diesem Mann” (Eurydike, Orpheus, Aristeus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach1:43
7Orpheus in der Unterwelt: Akt I. Hirtengesang: Hört, Aristeus bin ich, der seine Lämmer weidet
producer:
Christfried Bickenbach
tenor vocals [Aristeus]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Hirtengesang „Hört, Aristeus bin ich, der seine Lämmer weidet” (Aristeus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach4:54
8Orpheus in der Unterwelt: Akt I. Dialog mit Melodram
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Aristeus]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog mit Melodram „Ein wenig idyllisch, ein wenig sentimental ” (Aristeus, Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach1:31
9Orpheus in der Unterwelt: Akt I. Couplets: Der Tod will mir als Freund erscheinen
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Couplets „Der Tod will mir als Freund erscheinen” (Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 6 - Invocation à la mort : « La mort m'apparaît » (Eurydice)
part of:
Orpheus in der Unterwelt: Akt I
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach2:07
10Orpheus in der Unterwelt: Akt I. Dialog mit Melodram
producer:
Christfried Bickenbach
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog mit Melodram „Bevor wir aber in meine Unterwelt entfliehen” (Pluto, Eurydike, Orpheus, Die öffentliche Meinung) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach1:52
11Orpheus in der Unterwelt: Akt I. Duett: Komm, komm, folg' der Ehre
producer:
Christfried Bickenbach
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Duett „Komm, komm, folg' der Ehre” (Die öffentliche Meinung, Orpheus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
Jacques Offenbach2:54
12Orpheus in der Unterwelt: Akt I. Entr'acte und Ensemble: O Seligkeit, im Schlaf zu liegen! Cupido bin ich - Die Venus bin ich - Vor Gram und Schmerz muß ich vergehen
producer:
Christfried Bickenbach
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
orchestra: