Hooked on Classics Collection (30th Anniversary Edition)

~ Release by Royal Philharmonic Orchestra, Louis Clark (see all versions of this release, 3 available)

Tracklist

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CD 1: Hooked on Classics
#TitleRatingLength
1Hooked on Classics, Parts 1 & 2
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
medley including a recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley including a recording of:
Concerto in A minor for Piano and Orchestra, op. 16
premiered in:
Copenhagen, Capital Region of Denmark, Denmark (on 1869-04-03)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Works of Edvard Grieg by opus number (number: op. 16)
medley including a recording of:
Guillaume Tell: Overture (catch-all for arrangements)
composer:
Gioachino Rossini (composer)
arrangement of:
Guillaume Tell : Ouverture
recording of:
Hooked on Classics, Parts 1 & 2
arranger:
Louis Clark
medley of:
Symphony no. 5 in C minor, op. 67
medley of:
Karelia-sarja, op. 11
medley of:
Guillaume Tell : Ouverture
medley of:
Rhapsody in Blue (standard 1942 orchestration)
medley of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
medley of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley of:
Concerto in A minor for Piano and Orchestra, op. 16
medley of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
medley of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
medley of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
medley of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
medley of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
medley of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley of:
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata
medley including a recording of:
Karelia-sarja, op. 11
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Works of Jean Sibelius by opus number (number: op. 11)
is based on:
Karelia Music, JS 115
medley including a recording of:
Le nozze di Figaro, K. 492
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Köchelverzeichnis (original numbering) (number: 492) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 492)
is based on:
Harmoniemusik on Mozart’s “Le nozze di Figaro”
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
medley including a recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
medley including a recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley including a recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
medley including a recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley including a recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
medley including a recording of:
The Year 1812, Festival Overture in E‐flat major (catch‐all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
arrangement of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley including a recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
medley including a recording of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
5:06
2Hooked on Romance
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
medley including a recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Hooked on Romance
arranger:
Louis Clark
medley of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
medley of:
Liebesträume, S. 541
medley of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
medley of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley of:
Concerto for Clarinet in A major, K. 622: II. Adagio
medley of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
medley of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley including a recording of:
Liebesträume, S. 541
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 541)
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley including a recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley including a recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
medley including a recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Two Piano Sonatas, op. 27
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
6:42
3Hooked on Classics, Part 3
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
3 Marches militaires, op. 51, D. 733
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 733)
medley including a recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 21 in A major: Amoroso – Presto
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
medley including a recording of:
Die Hebriden, op. 26 (Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
medley including a recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Hooked on Classics, Part 3
arranger:
Louis Clark
medley of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
medley of:
Radetzky‐Marsch, op. 228
medley of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
medley of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
medley of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
medley of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 21 in A major: Amoroso – Presto
medley of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
medley of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
medley of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
medley of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
medley of:
Die Hebriden, op. 26 (Fingal's Cave)
medley of:
3 Marches militaires, op. 51, D. 733
medley of:
Chopiniana, op. 46: I. Polonaise
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
medley of:
Lohengrin, WWV 75: Akt III. Vorspiel
medley of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
medley of:
Pictures at an Exhibition: Promenade (unspecified promenade)
medley including a recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
medley including a recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
medley including a recording of:
Pictures at an Exhibition: Promenade (unspecified promenade)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
medley including a recording of:
Polonaise in A major, op. 40 no. 1 “Military”
composer:
Fryderyk Chopin (composer) (in 1838)
part of:
Polonaises, op. 40
medley including a recording of:
Radetzky‐Marsch, op. 228
composer:
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien, Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
medley including a recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
medley including a recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
medley including a recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
medley including a instrumental recording of:
The Cradle Song (Brahms’ Lullaby)
composer:
Johannes Brahms (German composer)
translator:
Natalia Macfarren
translated version of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
medley including a recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
6:02
4Hooked on Bach
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
miscellaneous support:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
medley including a recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
medley including a recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
medley including a recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816
recording of:
Hooked on Bach
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Louis Clark
medley of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
medley of:
Marche in D major, BWV Anh. 122, H. 1/1
medley of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
medley of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
medley of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
medley of:
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration)
medley of:
Ave Maria (Bach/Gounod)
medley of:
Minuet in G major, BWV Anh. 114 (for keyboard)
medley of:
Musette in D major, BWV Anh. 126
medley of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
medley of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
medley including a recording of:
March
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Menuet in G major, BWV Anh. 114 (catch all for arrangements)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
medley including a recording of:
Musette in D major, BWV Anh. 126 (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
medley including a recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II
medley including a recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
medley including a instrumental recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
6:00
5Hooked on Tchaikovsky5:29
6Hooked on a Song5:11
7Hooked on Mozart4:09
8Hooked on Mendelssohn
solo violin:
Barry Griffiths (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
medley including a recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
4:25
9Hooked on a Can-Can4:57
CD 2: Can't Stop the Classics
#TitleRatingLength
1Can't Stop the Classics5:50
2Hooked on America
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
recording of:
Hooked on America
arranger:
Louis Clark
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto
medley of:
Poor Old Joe
medley of:
Battle Hymn of the Republic
medley of:
Rhapsody in Blue (standard 1942 orchestration)
medley of:
Camptown Races
medley of:
An American in Paris
medley of:
Dixie
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco
4:08
3Hooked on Romance, Part 2
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
medley including a recording of:
Aranjuez, mon amour (french lyrics)
lyricist:
Guy Bontempelli
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
is based on:
Concierto de Aranjuez
is based on:
Concierto de Aranjuez: II. Adagio
medley including a recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
medley including a recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
medley including a recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (composer) (in 1832)
part of:
Études, op. 10
recording of:
Hooked on Romance, Part 2
arranger:
Louis Clark
medley of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
medley of:
Canon and Gigue in D major, T. 377: I. Canon
medley of:
Aranjuez, mon amour (french lyrics)
medley of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
medley of:
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose
medley of:
Spartacus: Adagio of Spartacus & Phrygia (catch-all for arrangements)
medley of:
Warsaw Concerto (Dangerous Moonlight)
medley of:
Cavalleria rusticana: Intermezzo
medley of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
medley including a recording of:
Piano Concerto no. 2 in C minor, op. 18
premiered in:
Moscow, Russia (on 1901-11-09)
composer:
Сергей Рахманинов (Russian composer) (from 1900-10 until 1901-04)
dedicated to:
Nikolai Dahl
premiered at:
[Philharmonic Society Concert] (1901-11-09)
publisher:
A. Gutheil (in 1901)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 18)
medley including a recording of:
Second Suite from the ballet "Spartacus" for orchestra, op. 82B
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1955)
part of:
Compositions of Aram Khachaturian (number: op. 82b)
is based on:
Spartacus, op. 82
medley including a recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
medley including a recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Dangerous Moonlight (film soundtrack)
6:41
4Can't Stop the Classics, Part 26:32
5A Night at the Opera
choir vocals:
Royal Choral Society
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Carmen : « Votre toast » (Air du toréador) (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
medley including a recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
medley including a recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
medley including a recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rule, Britannia!
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer)
part of:
Alfred: Act III
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley including a recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Pirates of Penzance: Act II
6:05
6Tales of the Vienna Waltz
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
medley including a recording of:
Die Fledermaus: Ouvertüre
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
medley including a recording of:
Geschichten aus dem Wienerwald, op. 325
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 325)
medley including a recording of:
Künstlerleben, op. 316
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 316)
medley including a recording of:
Morgenblätter, op. 279
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 279)
medley including a recording of:
Rosen aus dem Süden, op. 388
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 388)
medley including a recording of:
Wiener Blut, op. 354 (waltz)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 354)
4:06
7Hooked on Baroque
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
medley including a recording of:
Concerto for Flute, Strings and Continuo in G major: I. Spiritoso
composer:
Giovanni Battista Pergolesi (composer)
part of:
Concerto for Flute, Strings and Continuo in G major
medley including a recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
medley including a recording of:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
arrangement of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
medley including a recording of:
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (catch‐all for arrangements)
medley including a recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
medley including a recording of:
Flute Concerto in G major
composer:
Giuseppe Tartini
medley including a recording of:
Recorder Sonata in C major, HWV 365, op. 1 no. 7: IV. A tempo di gavotta
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Recorder Sonata in C major, op. 1 no. 7, HWV 365
medley including a recording of:
Sonata for Flute and Basso Continuo in D major
composer:
Leonardo Vinci (Italian opera composer)
medley including a recording of:
Sonata for Flute and Continuo in E minor, BWV 1034
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Bach-Werke-Verzeichnis (number: BWV 1034)
medley including a recording of:
Sonate für Violine und Klavier c-Moll, BWV 1017
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1017)
medley including a recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
medley including a recording of:
Suite in A minor for Recorder, Strings & Continuo, TWV 50:A3: I. Ouverture
composer:
Georg Philipp Telemann (composer)
part of:
Suite in A minor for Recorder, Strings & Continuo, TWV 50:A3
4:24
8If You Knew Sousa
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Blaze Away
composer:
Abraham Holzmann (in 1901)
medley including a recording of:
Blaze Away
composer:
Abraham Holzmann (in 1901)
medley including a recording of:
Semper Fidelis
composer:
John Philip Sousa (conductor and composer) (in 1888)
medley including a recording of:
The Liberty Bell
composer:
John Philip Sousa (conductor and composer) (in 1893)
medley including a recording of:
The Liberty Bell
composer:
John Philip Sousa (conductor and composer) (in 1893)
medley including a recording of:
The Washington Post
composer:
John Philip Sousa (conductor and composer) (in 1889)
arrangement of:
Washington Post
3:33
9If You Knew Sousa (and Friends)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Colonel Bogey
composer:
Malcolm Arnold (composer) and Kenneth J. Alford (in 1914)
medley including a recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
medley including a recording of:
Royal Air Force March Past
composer:
Sir Henry Walford Davies
medley including a recording of:
The Dam Busters March
composer:
Eric Coates (composer) (in 1955)
publisher:
Chappell & Co.
medley including a recording of:
The Stars and Stripes Forever
composer:
John Philip Sousa (conductor and composer) (in 1896)
medley including a recording of:
Vjezd gladiátorů, op. 68
composer:
Julius Fučík (Czech composer) (in 1897)
3:07
CD 3: Journey Through the Classics
#TitleRatingLength
1Also sprach Zarathustra (excerpts)
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
1:14
2Journey Through the Classics
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
Concerto for Horn no. 3 in E-flat major, K. 447
writer and composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 447) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 447)
medley including a recording of:
Concerto in D major
writer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
medley including a recording of:
Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
medley including a recording of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
medley including a recording of:
Finlandia, op. 26 (for orchestra)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
medley including a recording of:
Samson et Dalila : Acte III, scène 2. Bacchanale
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
medley including a recording of:
Symphony no. 7 in A major, op. 92: III. Presto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
medley including a recording of:
Trumpet tune, ZT. 698 (catch-all for arrangements)
composer:
Henry Purcell (baroque composer)
arrangement of:
Trumpet tune, ZT. 698
3:53
3Hooked on Haydn2:55
4Hooked on Romance (Opus 3)
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K‐tel (international budget record label) (in 1983)
recording of:
Hooked on Romance (Opus 3)
composer:
Alexander Borodin (Russian composer), Johannes Brahms (German composer), Fryderyk Chopin (composer), Louis Clark, Camille Saint‐Saëns (composer), Erik Satie (French composer), Jean Sibelius (Finnish composer) and Francisco Tárrega (Spanish composer and guitarist)
medley of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
medley of:
Recuerdos de la Alhambra
medley of:
Deuxième Gymnopédie: Lent et triste
medley of:
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (catch-all for arrangements)
medley of:
String Quartet no. 2 in D major: III. Notturno. Andante
medley of:
Siciliana
medley of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
medley of:
Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato
4:20
5Viva Vivaldi
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
Concerto for 2 Oboes and Strings in A minor, RV 536
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. VII/8) and Ryom-Verzeichnis (number: RV 536)
medley including a recording of:
Concerto in C major, RV 558, “con molti stromenti” (2 violins in tromba marina, 2 recorders, 2 trumpets, 2 mandolines, 2 chalumeaux, 2 theorboes, cello, strings)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. XII/37) and Ryom-Verzeichnis (number: RV 558)
medley including a recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. V/2) and Ryom-Verzeichnis (number: RV 532)
medley including a recording of:
Concerto per la solennità di S Lorenzo in C major, RV 556
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. XII/14) and Ryom-Verzeichnis (number: RV 556)
medley including a recording of:
Violin Concerto in D major, op. 7 no. 11, RV 208a
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 208a) and Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/206)
part of:
12 concerti, op. 7
4:04
6Dance of the Furies
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/23) and Ryom-Verzeichnis (number: RV 315)
part of:
Il cimento dell’armonia e dell’inventione, op. 8
part of:
Le quattro stagioni (“The Four Seasons”)
medley including a recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
3:31
7Scotland the Brave
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
bagpipe [bagpipes]:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
choir vocals:
Royal Choral Society
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
chorus master:
Eugene Danks
arranger:
Louis Clark
medley including a recording of:
Amazing Grace (popular hymn first published 1779, catch‐all)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist and writer:
John Newton (English poet) (in 1779)
additional composer:
Edwin Othello Excell
composer:
[anonymous] (special purpose artist) and [traditional] (special purpose artist)
publisher:
Carlin Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Patterdale Music Ltd., Rokstone Music Ltd., Universal Classics & Jazz (Japanese label division - read the annotation before using!), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), イーエムアイ音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Viisikielinen (Song book of "Viides herätysliike") (number: 94)
medley including a recording of:
Ben Glen Bay
composer:
[traditional] (special purpose artist)
medley including a instrumental recording of:
Bonnie Dundy (Bonnie Dundee)
lyricist and arranger:
Sir Walter Scott (19th-century Scottish author)
composer:
[traditional] (special purpose artist)
medley including a instrumental recording of:
Charlie Is My Darlin’ (Traditional scottish song)
lyricist:
Robert Burns (18th century Scottish poet/lyricist)
composer:
[traditional] (special purpose artist)
medley including a recording of:
Cock o’ the North
writer:
[traditional] (special purpose artist)
medley including a instrumental recording of:
Loch Lomond (Scottish folk song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 9598)
medley including a instrumental recording of:
Roxburgh Castle
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
medley including a recording of:
Scotland the Brave (instrumental)
composer:
[traditional] (special purpose artist)
medley including a instrumental recording of:
The Hundred Pipers
lyricist and composer:
Carolina Nairne
medley including a instrumental recording of:
The Keel Row (folksong)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3059)
3:54
8Journey Through the Classics, Part 2
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
Die lustigen Weiber von Windsor: Ouvertüre
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor
medley including a recording of:
Die verkaufte Braut: III. Komödiantenszene
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
medley including a instrumental recording of:
Il barbiere di Siviglia: “Largo al factotum” (Figaro) (catch-all for arrangements)
composer:
Gioachino Rossini (composer)
arrangement of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
medley including a recording of:
Karelia-sarja, op. 11: III. Alla marcia (for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11
medley including a recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: IV. Finale. Vivace
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
medley including a recording of:
Suite from “The Snow Maiden”: IV. Dance of the Tumblers
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1895)
part of:
Suite from “The Snow Maiden”
medley including a recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
3:59
9Journey Through America
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a instrumental recording of:
Blue Tail Fly ("Jimmy Crack Corn")
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 1274)
medley including a instrumental recording of:
Deep in the Heart of Texas
lyricist and composer:
June Hershey (in 1941) and Don Swander (in 1941)
medley including a recording of:
Marching Through Georgia
lyricist and composer:
Henry Clay Work
medley including a instrumental recording of:
Oh! Susanna
lyricist and composer:
Stephen Foster (composer)
part of:
Roud Folk Song Index (number: 11745)
medley including a instrumental recording of:
Short’nin’ Bread (traditional song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4209)
medley including a instrumental recording of:
The Caissons Go Rolling Along
lyricist and composer:
Edmund Louis Gruber (in 1908-03)
medley including a instrumental recording of:
The Star‐Spangled Banner
anthem of:
USA (from 1931-03-03 to present)
lyricist:
Francis Scott Key (in 1814-09)
composer:
John Stafford Smith (in 1780)
is based on:
The Anacreontic Song
medley including a instrumental recording of:
The Yellow Rose of Texas
lyricist:
[traditional] (special purpose artist) and Don George (US songwriter/composer, 1909–1987)
composer:
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
medley including a instrumental recording of:
When Johnny Comes Marching Home
lyricist:
Patrick Sarsfield Gilmore
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6637)
medley including a instrumental recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
medley including a instrumental recording of:
Yankee Doodle
anthem of:
Connecticut, United States
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4501)
3:28
10Hooked on Marching
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
Cavalry of the Clouds
composer:
Kenneth J. Alford
medley including a recording of:
Imperial Echoes (march for band, Hume)
composer:
Arnold Safroni (in 1913)
arranger:
James Ord Hume (in 1928)
arrangement of:
Imperial Echoes
medley including a recording of:
King Cotton
composer:
John Philip Sousa (conductor and composer) (in 1895)
medley including a recording of:
Officer of the Day
composer:
Robert Browne Hall (brass band composer)
medley including a recording of:
The British Grenadiers
composer:
[traditional] (special purpose artist)
medley including a recording of:
The Stars and Stripes Forever
composer:
John Philip Sousa (conductor and composer) (in 1896)
medley including a recording of:
Unter dem Doppeladler, op. 159
composer:
J. F. Wagner (in 1893)
medley including a recording of:
Unter dem Doppeladler, op. 159
composer:
J. F. Wagner (in 1893)
3:14
11Symphony of the Seas
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
A Life on the Ocean Wave
lyricist:
Epes Sargent (in 1838)
composer:
Henry Russell (composer)
medley including a recording of:
Anchors Aweigh
lyricist:
Alfred Hart Miles (in 1906)
composer:
Charles A. Zimmerman (in 1906)
medley including a recording of:
Blow the Man Down
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 2624)
medley including a recording of:
Portsmouth
writer:
[traditional] (special purpose artist)
part of:
English Dancing Master (book)
medley including a recording of:
The Sailor’s Hornpipe (traditional hornpipe melody)
composer:
[traditional] (special purpose artist)
part of:
Tubular Bells, Part Two
medley including a recording of:
What Shall We Do With a Drunken Sailor?
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Lugan Music
part of:
Roud Folk Song Index (number: 322)
2:49
12Hooked on Rodgers & Hammerstein
engineer:
Mike Jarratt
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
choir vocals:
Royal Choral Society
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
chorus master:
Eugene Danks
arranger:
Louis Clark
medley including a instrumental recording of:
Do‐Re‐Mi (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
The Sound of Music (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
June Is Bustin’ Out All Over (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Carousel (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
Oklahoma
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
Oklahoma
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
The Farmer and the Cowman
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
There Is Nothing Like a Dame (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
3:41