# | Title | Artist | Rating | Length |
---|
1 | Cue 1-1: Arrival: Rover (Timpani and Base) | Robert Farnon | | 1:15 |
2 | Cue 1-2: Arrival: Theme One (Timp and Piano Strings) | Robert Farnon | | 1:36 |
3 | Cue 1-3: Arrival: Big Brother (Singing Timpani) | Robert Farnon | | 1:04 |
4 | Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed) | Robert Farnon | | 0:27 |
5 | Cue 1-5: Arrival: Screams (Siren Whistle) | Robert Farnon | | 0:55 |
6 | Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed) | Robert Farnon | | 0:32 |
7 | Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano) | Robert Farnon | | 1:16 |
8 | Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc) | Robert Farnon | | 1:00 |
9 | Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc) | Robert Farnon | | 1:25 |
10 | Cue 1-10: Arrival: Secondary Theme - Jazz Slow Tempo | Robert Farnon | | 1:08 |
11 | Cue 1-11: Arrival: Secondary Theme - Jazz Fast Tempo | Robert Farnon | | 0:52 |
12 | Cue 1-12: Arrival: "Pop Goes the Weasel" (Most Orchestrated) | Robert Farnon | | 1:06 |
13 | Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas) | Robert Farnon | | 1:18 |
14 | Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office | Robert Farnon | | 0:42 |
15 | Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village | Robert Farnon | | 0:41 |
16 | Cue A1M1C-3: Arrival: Commercial Break in and Out | Robert Farnon | | 0:09 |
17 | Cue A3M2-2: Arrival: Birth of Rover | Robert Farnon | | 0:28 |
18 | Cue A6M6-5: Arrival: Open Act | Robert Farnon | | 0:09 |
19 | Cue A6M7-4: Arrival: End Act | Robert Farnon | | 0:11 |
20 | Cue A6M5-1: Arrival: End Credits | Robert Farnon | | 1:04 |
21 | Cue A2M2-2: Arrival: Sup/Imp Section | Robert Farnon | | 0:11 |
22 | Cue WT-1: Arrival: Drum FX - 1, Low Timp - Slow | Robert Farnon | | 0:29 |
23 | Cue WT-2: Arrival: Drum More Menace | Robert Farnon | | 0:29 |
24 | Cue WT-3: Arrival: Small Timp - Slow | Robert Farnon | | 0:28 |
25 | Cue WT-4: Arrival: Small Timp - More Menace | Robert Farnon | | 0:30 |
26 | Cue WT-5: Arrival: Large Timp - Single Beats | Robert Farnon | | 0:50 |
27 | Cue WT-2: Arrival: Piano and Triangle Constant | Robert Farnon | | 0:17 |
28 | Cue WT-3: Arrival: Cymbal Various | Robert Farnon | | 0:45 |
29 | Cue A4M2-1: Arrival: All Drums at End | Robert Farnon | | 2:23 |
30 | Cue A4M2-3: Arrival: P. Out of House Etc | Robert Farnon | | 2:24 |
31 | Cue A6M3A-6: Arrival: No. 2 Orders, Take Over of Helicopter | Robert Farnon | | 1:15 |
32 | Cue N/A: Arrival: Extra Drum | Robert Farnon | | 0:12 |
33 | Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P. | Robert Farnon | | 1:46 |
34 | Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" | Robert Farnon | | 0:10 |
35 | Cue A6M1-4: Arrival: P. About to Enter No.2's House for First Time | Robert Farnon | | 0:37 |
36 | Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P. | Robert Farnon | | 0:45 |
37 | Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play" | Robert Farnon | | 0:18 |
38 | Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play" | Robert Farnon | | 0:36 |
39 | Cue A1M1A-4: Arrival: Main Titles, Part 1: Westminster Bridge to Boss's Door | Wilfred Josephs | | 0:44 |
40 | Cue A1M1B-1: Arrival: Main Titles, Part 2: Boss's Door to Gassing | Wilfred Josephs | | 1:19 |
41 | Cue A6M5-4: Arrival: End Credits | Wilfred Josephs | | 1:05 |
42 | Cue A1M2-2: Arrival: From P. Wake From Gassing to Taxi Girl | Wilfred Josephs | | 3:04 |
43 | Cue A6M3-1: Arrival: Take Over of Helicopter | Wilfred Josephs | | 1:11 |
44 | Cue A6M4-2: Arrival: P. Out Helicopter, Rover, "Residents Only" | Wilfred Josephs | | 0:39 |
45 | Cue A1M7-1: Arrival: "Welcome Home" Card | Wilfred Josephs | | 0:29 |
46 | Cue A5M3-2: Arrival: Radezky March | Wilfred Josephs | | 1:49 |
47 | Cue A2M2-1: Arrival: P. Goes Into No.2's Office First Time | Wilfred Josephs | | 0:35 |
48 | Cue A3M4-1: Arrival: P. Smashes Toy After Tests in Labour Exchange | Wilfred Josephs | | 0:19 |
49 | Cue A3M2-2: Arrival: Birth of Rover | Wilfred Josephs | | 0:26 |
50 | Cue A4M2-4: Arrival: P. Out, Gardener, Rover, TV, Beach | Wilfred Josephs | | 2:23 |
51 | Cue A5M1-1: Arrival: Through Alarm Bell "Cobb Dead" | Wilfred Josephs | | 0:10 |
52 | Cue A5M2-2: Arrival: P. Out Hospital, Cards, Taxi, No.2's Office | Wilfred Josephs | | 0:57 |
53 | Cue A6M2-4: Arrival: P. Leaves Girl, Gets to Helicopter | Wilfred Josephs | | 1:52 |
54 | Cue A4M4-1: Arrival: W.J Version "Boys and Girls" | Wilfred Josephs | | 0:37 |
55 | Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" | Wilfred Josephs | | 0:08 |
56 | Cue WT-1: Arrival: High Whine Violin | Wilfred Josephs | | 0:32 |
57 | Cue WT-2: Arrival: Celeste Theme and Chords | Wilfred Josephs | | 1:13 |
58 | Cue WT-3: Arrival: Celeste Chords | Wilfred Josephs | | 0:46 |
59 | Cue WT-4: Arrival: Flexatone | Wilfred Josephs | | 0:30 |
60 | Cue N/A: Arrival: Flexatone | Wilfred Josephs | | 0:32 |
61 | Cue WT-5: Arrival: Bass Drums FX | Wilfred Josephs | | 0:43 |
62 | Cue N/A: Themes: The Age of Elegance | Ron Grainer | | 1:51 |
63 | Cue N/A: Themes: The Age of Elegance, Part 2 | Ron Grainer | | 1:19 |
64 | Cue A1M1-1: Themes: "Arrival" (take 1) | Ron Grainer | | 0:50 |
65 | Cue A1M1-2: Themes: "Arrival" (take 2) | Ron Grainer | | 0:59 |
66 | Cue A1M1-3: Themes: "Arrival" (take 3) | Ron Grainer | | 0:13 |
67 | Cue A1M1-4: Themes: "Arrival" (take 4) | Ron Grainer | | 2:15 |
68 | Cue A1M1-5: Themes: "Arrival" (take 5) | Ron Grainer | | 0:28 |
69 | Cue A1M1-6: Themes: "Arrival" (take 6) | Ron Grainer | | 2:12 |
70 | Cue A1M2-4: Themes: "Arrival" Opening | Ron Grainer | | 1:49 |
71 | Cue B1M1-5: Themes: Standard Titles (take 5) | Ron Grainer | | 0:10 |
72 | Cue B1M1-7: Themes: Standard Titles (take 7) | Ron Grainer | | 1:49 |
73 | Cue B1M2-2: Themes: Episode Opening | Ron Grainer | | 1:17 |
74 | Cue A6MX-3: Themes: End Titles | Ron Grainer | | 1:06 |
75 | Cue N/A: Themes: Ins and Outs | Ron Grainer | | 0:16 |
76 | Cue N/A: Themes: Twangs on Guitar | Ron Grainer | | 0:08 |