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Annotation

8d10d80b 11 150 54161 100947 120678 135721 169603 206372 219318 241169 253627 278364 4314

Annotation last modified on 2011-06-06 09:28 UTC.

Tracklist

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▼ CD 1
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1Canon and Gigue, for 3 Violins & Continuo in D Major, T. 337: Canon
orchestra:
Stuttgart Chamber Orchestra
conductor:
Bernhard Güller (German conductor)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:48
2Orchestral Suite No. 3 in D major, BWV 1068: Air
orchestra:
Stuttgarter Kammerorchester
conductor:
Bernhard Güller (German conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1994 to present)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach4:59
3Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum
baritone vocals:
Manfred Ackermann (baritone)
choir vocals:
Stuttgarter Hymnus-Chorknaben
tenor vocals:
Wolfgang Isenhardt (tenor)
treble vocals:
Thomas Schulze
conductor:
Gerhard Wilhelm (choir master)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:12
4Thaïs, opera in 3 acts: Meditation
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Christian Rainer (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:20
5Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46: The Morning
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:55
6Cantata No. 147, 'Herz und Mund und Tat und Leben,' BWV 147 (BC A174): Choral. Jesu bleibet meine Freude
organ:
Wolfgang Rübsam
trumpet:
Wolfgang Basch
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:36
7The Swan (from 'Carnival of the Animals'), original (for 2 pianos & ensemble) and arrangements
orchestra:
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:
Gerhard Becker (conductor)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:10
8Divertimento (Feldparthie) for 2 oboes, 2 horns, 3 bassoons & serpent in B flat major ('Chorale St. Antoni'), H. 2/46: 2. Chorale St.
wind instruments:
Stuttgart Quintet of Wind Instruments
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
recording of:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
composer:
Joseph Haydn (composer)
part of:
Divertimento in B-flat major, Hob. II:46
Joseph Haydn2:42
9Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2: 2. Allegretto
piano:
Josef Bulva (pianist)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven2:43
10Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Georges Bizet4:12
11Nabucco, opera (Nabucodonosor): Prisoner's Choir
choir vocals:
Hor Beogradske Opere (Choir of the Belgrad National Opera)
conductor:
Marko Munih (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:20
12Minuet in A major, arrangement (after String Quintet in E major, Op.11/5 [aka Op. 13/5], G. 275)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Bernhard Güller (German conductor)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:50
13Kinderszenen No. 7 ('Träumerei'), for piano, Op. 15/7
piano:
Silvia Čápová (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann3:14
14Violin Concerto in D major, Op. 77: 2. Adagio
orchestra:
Tiroler Symphonieorchester Innsbruck
conductor:
Robert Wagner (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77
Johannes Brahms8:59
15Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): 2. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:37
16Les Patineurs Valse ('Skater's Waltz'), Op. 183
orchestra:
Berlin Symphony Orchestra (Berliner Sinfonie-Orchester prior to 2006) and Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
conductor:
Gerhard Becker (conductor)
recording of:
Les Patineurs, op. 183
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel8:40
▼ CD 2
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1Piano Concerto No. 1 in B flat minor, Op. 23: [Excerpt]
orchestra:
Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Bystrík Režucha (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Peter Ilich Tchaikovsky3:25
2Andante spianato and Grande Polonaise for piano & orchestra, Op. 22: 1. Andante spianato
orchestra:
Polska Filharmonia Kameralna
conductor:
Wojciech Rajski (conductor)
recording of:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: I. Andante spianato
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22
Fryderyk Chopin4:49
3String Quartet No. 62 in C major ('Emperor'), Op. 76/3, H. 3/77: 2. Poco Adagio cantabile 'God Save Francis the Emperor'
string quartet:
Bamberger Streichquartett
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn8:18
4Ave verum Corpus, motet for chorus, strings & organ, K. 618
choir vocals:
Berliner Mozartchor
soprano vocals:
Lisa Otto (soprano)
conductor:
Erich Steffen (Conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart2:57
5Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni)
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR
conductor:
Luis Antonio García Navarro (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni8:03
6Agnus Dei, for voice & piano (or orchestra) (Intermezzo from L'arlésienne Suite No. 2/6, arranged by Ernest Guirard)
tenor vocals:
Ricardo Casinelli (Alfred Scholz related)
orchestra:
Orchestra of the Württemberg State Opera (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:21
7Liebeslieder waltz No. 3 for piano, 4 hands in B flat major, Op. 52a/3
piano:
Helmuth Rilling (conductor)
conductor:
Helmuth Rilling (conductor)
Johannes Brahms1:14
8Liebeslieder waltz No. 15 for piano, 4 hands in A flat major, Op. 52a/15
piano:
Helmuth Rilling (conductor)
conductor:
Helmuth Rilling (conductor)
Johannes Brahms1:03
9Abendständchen ('Hör, es klagt die Flöte wieder'), for chorus, Op. 42/1
choir vocals:
Nuremberg Mastersingers
conductor:
Bernd Dietrich (German songwriter and producer)
recording of:
3 Gesänge, op. 42: Nr. 1. Abendständchen
lyricist:
Clemens Brentano (German poet, † 1842)
composer:
Johannes Brahms (German composer) (from 1859 until 1861)
part of:
3 Gesänge, op. 42
Johannes Brahms1:52
10Serenade for string orchestra in E major, B. 52 (Op. 22): 2. Tempo de Valse
orchestra:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Stuttgarter Kammerorchester
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz and Martin Sieghart (Austrian conductor and cellist)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák6:45
11Piano Concerto in F minor: 1. Lento - Allegro
orchestra:
Stuttgarter Philharmoniker
conductor:
Matthias Kuntzsch (conductor)
recording of:
Piano Concerto in F minor: I. Lento - Allegro
composer:
Édouard Lalo (composer)
part of:
Piano Concerto in F minor
Édouard Lalo6:54
12Variations on a Theme by Frank Bridge, for strings, Op. 10: Aria Italiana
orchestra:
Stuttgarter Kammerorchester
conductor:
Bernhard Güller (German conductor)
recording of:
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:24
13The Seasons, for piano, Op. 37: June. Barcarole
piano:
Silvia Čápová (pianist)
recording of:
The Seasons, op. 37a: VI. June “Barcarolle”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Peter Ilich Tchaikovsky4:01
14Piano Concerto No. 1 in D major, Op. 17: 2. Andante sostenuto quasi adagio
piano:
Gabriel Tacchino (pianist)
orchestra:
Orchestra of Radio Luxembourg (Luxembourg Philharmonic Orchestra)
conductor:
Louis de Froment (conductor)
recording of:
Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio
composer:
Camille Saint‐Saëns (composer) (in 1858)
part of:
Piano Concerto no. 1 in D major, op. 17
Camille Saint‐Saëns8:03
15Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46
piano:
Yuri Rozum (pianist)
recording of:
Fantaisie-impromptu in C-sharp minor, op. 66
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Works of Fryderyk Chopin by opus number (number: op. 66)
Fryderyk Chopin4:57
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1Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2
orchestra:
Česká filharmonie (Czech Philharmonic; formerly Czech Philharmonic Orchestra)
conductor:
Libor Pešek (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:00
2Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 2. Romance. Larghetto
piano:
Silvia Čápová (pianist), Dieter Goldmann (pianist, Alfred Scholz related) and Yossi Shomer (pianist)
orchestra:
Nürnberger Symphoniker (the real orchestra), Slovenská filharmónia (Slovak Philharmonic, Bratislava), Štátna filharmónia Košice (Slovak State Philharmonic, Košice) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Ernesto Delgrado (an Alfred Scholz pseudonym), Hans Zanatelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) and Libor Pešek (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin10:23
3Liebesträume, notturno for piano No. 3 in A flat major ('O Lieb, so lang du lieben kannst'), S. 541/3 (LW A103/3)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:23
4Les contes d'Hoffmann, opera in 4 acts: Barcarolle
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist) and Christian Rainer (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Les Contes d’Hoffmann: Barcarolle (catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:20
5String Quartet No. 2 in D major: 3. Notturno: Andante
strings:
International String Quartet New York
orchestra:
International String Quartet
recording of:
String Quartet no. 2 in D major: III. Notturno. Andante
composer:
Alexander Borodin (Russian composer) (in 1881)
part of:
String Quartet no. 2 in D major
Alexander Borodin7:31
6Lohengrin, opera, WWV 75: Bridal Chorus
choir vocals:
Bavarian Festival Chorus, Belgrade National Opera Chorus (Choir of the Belgrad National Opera) and Chor des Slowenischen Rundfunks (RTV Slovenia Chamber Choir)
orchestra:
Bavarian Festival Orchestra and Symphonieorchester des Slowenischen Rundfunks (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner8:10
7Song Without Words for piano No. 12 in F sharp minor ('Venetianisches Gondellied'), Op. 30/6
piano:
Peter Schmalfuss (pianist)
recording of:
Lied ohne Worte fis-Moll, op. 30 Nr. 6 (Venetianisches Gondellied)
composer:
Felix Mendelssohn (composer) (from 1833 until 1834)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 110)
part of:
Lieder ohne Worte, op. 30
Felix Mendelssohn2:52
8A Midsummer Night's Dream, incidental music, Op. 61: Wedding March
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn4:51
9The Swan Lake, suite, Op. 20a: 1. Scene (Lake in the Moonlight)
orchestra:
Београдска филхармонија
conductor:
Igor Markevitch (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Peter Ilich Tchaikovsky2:46
10String Quartet No.1, TN ii/30 (Romance & Scherzo, other 2 mvts. lost): Romance. Andante espressivo in G minor
orchestra:
Stuttgart Chamber Orchestra
conductor:
Bernhard Güller (German conductor)
recording of:
String Quartet no. 1, TN ii/30: II. Romance in G minor
composer:
Сергей Рахманинов (Russian composer) (in 1889)
part of:
String Quartet no. 1, TN ii/30
Sergey Rachmaninov5:29
11An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314)
orchestra:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II410:02
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1Overture: Ruslan and Ludmilla, G. xivov
orchestra:
Большой симфонический оркестр имени П. И. Чайковского (bso.ru, founded 1930, not Mikhailov's 1978 orch.)
conductor:
Klaus-Peter Hahn (cellist/conductor)
recording of:
Руслан и Людмила: Увертюра
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила
Михаил Иванович Глинка5:23
2Coppélia, suite for orchestra: [Excerpt]
orchestra:
Orchester der Wiener Volksoper
conductor:
Josef Leo Gruber (conductor)
partial recording of:
Coppélia : Ballet Suite
composer:
Léo Delibes (composer)
is based on:
Coppélia
Léo Delibes9:25
3Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 1. Allegro
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Libor Pešek (conductor)
phonographic copyright (℗) by:
Madacy Entertainment Group, Inc. (do not use as a release label! later renamed Madacy Lifestyle Marketing, read annotations for sub-label to use) (in 2006)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart7:54
4Ständchen, Leise flehen meine Lieder, transcription for piano (after Schubert D. 957), S. 560/7 (LW A49/7)
piano:
Yuri Rozum (pianist)
recording of:
Ständchen von Shakespeare, S. 558 Nr. 9 (for piano solo, Liszt)
composer:
Franz Schubert (composer) (in 1826)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838)
arrangement of:
Ständchen ("Horch, horch, die Lerche"), D. 889
part of:
12 Lieder von Franz Schubert, S. 558
Franz Liszt6:14
5Erlkönig (II), transcription for piano (after Schubert, D. 328d), S. 558/4 (LW A42/4)
piano:
Yuri Rozum (pianist)
recording of:
Erlkönig, S. 558 Nr. 4 (for piano solo, Liszt)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838)
arrangement of:
Erlkönig, D. 328
part of:
12 Lieder von Franz Schubert, S. 558
Franz Liszt4:13
6Ave Maria, transcription for piano (after Schubert), S. 558/12 (LW A42/12)
piano:
Yuri Rozum (pianist)
recording of:
Ellens dritter Gesang (Ave Maria), S. 558 Nr. 12 (for solo piano, Liszt, second version)
composer:
Franz Schubert (composer) (in 1825)
arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
part of:
12 Lieder von Franz Schubert, S. 558
revision of:
Ave Maria (Ellens dritter Gesang), S. 557d (for solo piano, Liszt, first version)
Franz Liszt6:03
7Melodies (2) for piano, Op. 3: 1. Melody in F
piano:
Michael Ponti (pianist)
recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
composer:
Антон Рубинштейн (Russian composer Anton Rubinstein) (in 1852)
part of:
2 Mélodies, op. 3
Anton Rubinstein3:42
8Cello Concerto in B minor, B. 191 (Op. 104): 2. Adagio ma non troppo
cello:
Cornelia Baumann and Jörg Metzger (cellist)
orchestra:
Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)) and Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Othmar Mága (conductor) and Wolfgang Müller (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák10:42
9Gymnopedie No. 1
bass drum:
N. Schmitt
percussion:
Franz Bach
orchestra:
Stuttgarter Kammerorchester
conductor:
Dennis Russell Davies (conductor and pianist)
recording of:
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie: Lent et douloureux
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie4:08
10Gymnopedie No. 2
bass drum:
N. Schmitt
percussion:
Franz Bach
orchestra:
Stuttgarter Kammerorchester
conductor:
Dennis Russell Davies (conductor and pianist)
orchestrator:
Renaud Gagneux (composer)
Erik Satie3:08
11Gymnopedie No. 3
bass drum:
N. Schmitt
percussion:
Franz Bach
orchestra:
Stuttgarter Kammerorchester
conductor:
Dennis Russell Davies (conductor and pianist)
recording of:
Gymnopédies: I. Lent et grave (Satie: Gymnopédie no. 3 orchestrated by Debussy)
orchestrator:
Claude Debussy (composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie: Lent et grave
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:51
12Nutcracker, ballet, Op. 71: Dance of the Sugar Plum Fairy
piano:
Yuri Rozum (pianist)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Peter Ilich Tchaikovsky1:56
13Nutcracker, ballet, Op. 71: Pas de deux: Intrada
piano:
Yuri Rozum (pianist)
Peter Ilich Tchaikovsky5:13

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ASIN:US: B0012RLXB0 [info]