La Fille du régiment

~ Release by Gaetano Donizetti; Beverly Sills, Fernando Corena, Grayson Hirst, Roland Gagnon (see all versions of this release, 1 available)

Annotation

Live concert performance at Carnegie Hall, 13 February 1970

Conductor Roland Gagnon
Orchestra - American Opera Society
Chorus - American Opera Society

Marie - Beverly Sills
Tonio - Grayson Hirst
Sulpice - Fernando Corena
La Marquise - Muriel Costa-Greenspon
Hortensius - John Ostendorf
La Duchesse - N Dova

Annotation last modified on 2020-02-12 20:49 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1La Fille du régiment : Overture
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La fille du régiment: Overture (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment
Gaetano Donizetti7:15
2La Fille du régiment : Acte I. “L'ennemi s'avance”
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 1. “L’ennemi s’avance” – “Sainte Madone” (Chœur, Hortensius, La Marquise de Berkenfield, un paysan) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti3:54
3La Fille du régiment : Acte I. “Pour une femme de mon nom”
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 1. “Pour une femme de mon nom” (La Marquise de Berkenfield, Hortensius, un paysan, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:14
4La Fille du régiment : Acte I. “Les voilà loin, que votre frayeur cesse!”
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 1. “Les voilà loin, que votre frayeur cesse !” – “Allons, plus d'alarmes” (Chœur, La Marquise de Berkenfield, Un paysan, Hortensius) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:14
5La Fille du régiment : Acte I. “Sacré nom d'une pipe!”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 2. “Sacré nom d’une pipe !” (Sulpice, Marie) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:01
6La Fille du régiment : Acte I. “Au bruit de la guerre”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 3. “Au bruit de la guerre” (Marie, Sulpice) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:44
7La Fille du régiment : Acte I. “Quel beau jour, quand la providence“
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 3. “Quel beau jour, quand la providence“ (Marie, Sulpice) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti5:27
8La Fille du régiment : Acte I. “Allons, allons, march', march'”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 4. “Allons, allons, march’, march’” (Marie, Sulpice, Tonio, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti4:01
9La Fille du régiment : Acte I. “La, la, la...”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 4. “La, la, la…” (Tonio, Marie, Sulpice, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti3:46
10La Fille du régiment : Acte I. “C'est l'instant ou dans mes bras“
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live partial recording of:
La Fille du régiment : Acte I, Scène 5. “Quoi ! vous m’aimez ?” (Marie, Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:53
11La Fille du régiment : Acte I. “Ils l'ont emmené brutalement”
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 5. “Ils l’ont emmené brutalement” (Marie, Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:32
12La Fille du régiment : Acte I. “Depuis l'instant ou dans mes bras”
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live partial recording of:
La Fille du régiment : Acte I, Scène 5. “Quoi ! vous m’aimez ?” (Marie, Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:39
13La Fille du régiment : Acte I. “De cet aveu si tendre”
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live partial recording of:
La Fille du régiment : Acte I, Scène 5. “Quoi ! vous m’aimez ?” (Marie, Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti1:49
14La Fille du régiment : Acte I. “Longtemps coquette, heureuse et vive”
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live partial recording of:
La Fille du régiment : Acte I, Scène 5. “Quoi ! vous m’aimez ?” (Marie, Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:59
15La Fille du régiment : Acte I. “Pardonnez-moi, messieurs!“
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 8. “Pardonnez-moi, messieurs!“ (Sulpice, La Marquise de Berkenfield, Hortensius) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:28
16La Fille du régiment : Acte I. “Rataplan... Vive la guerre et ses alarmes!”
choir vocals:
American Opera Society Chorus (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 10. Final “Rataplan, rataplan, rataplan” (Le Caporal, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti2:07
▼ CD 2
#TitleArtistRatingLength
1La Fille du régiment : Acte I. “Ah! mes amis, quel jour de fête !”
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti7:14
2La Fille du régiment : Acte I. “Je suis soldat”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 12. Final “Je suis soldat” (Marie, Tonio, Hortensius, Sulpice, Le Caporal, La Marquise de Berkenfield, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti0:50
3La Fille du régiment : Acte I. “Il faut partir”
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 12. Final “Il faut partir” (Marie) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti6:56
4La Fille du régiment : Acte I. “Ah! si vous nous quittez”
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte I, Scène 12. Final “Ah! si vous nous quittez” (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti3:03
5La Fille du régiment : Acte II. Entr'acte “Enfin la voilà marieé a l'un”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 2. “Enfin la voilà mariée !” (La Marquise de Berkenfield, Sulpice) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti3:33
6La Fille du régiment : Acte II. “Le jour naissait dans le bocage”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 3. Trio “Le jour naissait dans le bocage” (Sulpice, La Marquise de Berkenfield, Marie) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti9:14
7La Fille du régiment : Acte II. “C'en est donc fait... Par le rang et par l'opulence”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 6. “C’en est donc fait” (Sulpice, Marie, Tonio, Hortensius, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti5:23
8La Fille du régiment : Acte II. “Pour ce contrat fatal”
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 6. “Pour ce contrat fatal” … “Salut à la France” (Marie) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti4:33
9La Fille du régiment : Acte II. “Tous les trois réunis”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 10. “Tous les trois réunis” (Sulpice, Marie, Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti2:35
10La Fille du régiment : Acte II. “Qu'ai-je vu ? Un soldat ici !”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 11. “Qu’ai-je vu ? Un soldat ici !” (La Marquise de Berkenfield, Tonio, Sulpice, Marie) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti1:26
11La Fille du régiment : Acte II. “Pour me rapprocher de Marie”
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 11. “Écoutez-moi de grâce ” – Romance “Pour me rapprocher de Marie” (Tonio) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti4:12
12La Fille du régiment : Acte II. “Madame la duchesse de Krakentorp!”
mezzo-soprano vocals [La Duchesse de Krakentorp]:
N. Dova (operatic mezzo-soprano) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
live recording of:
La Fille du régiment : Acte II, Scène 14. “Madame la duchesse de Krakentorp!” (La Marquise de Berkenfield, La Duchesse de Krakentorp, Un notaire) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti1:26
13La Fille du régiment : Acte II. “Ah ! c'est elle !”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Duchesse de Krakentorp]:
N. Dova (operatic mezzo-soprano) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
recording of:
La Fille du régiment : Acte II, Scène 17. “Ah ! c’est elle !” (Sulpice, La Marquise de Berkenfield, La Duchesse de Krakentorp, Tonio, Marie, Hortensius, Le Caporal, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti2:07
14La Fille du régiment : Acte II. “Quand le destin, au milieu de la guerre”
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Duchesse de Krakentorp]:
N. Dova (operatic mezzo-soprano) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
recording of:
La Fille du régiment : Acte II, Scène 18. Final “Oui ! quand le destin, au milieu de la guerre” (Sulpice, La Marquise de Berkenfield, La Duchesse de Krakentorp, Tonio, Marie, Hortensius, Le Caporal, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti1:45
15La Fille du régiment : Acte II. “Vous savez tout, faut-il que je signe“
bass vocals [Sulpice]:
Fernando Corena (operatic bass) (on 1970-02-13)
bass-baritone vocals [Hortensius]:
John Ostendorf (Bass-baritone, producer) (on 1970-02-13)
choir vocals:
American Opera Society Chorus (on 1970-02-13)
mezzo-soprano vocals [La Duchesse de Krakentorp]:
N. Dova (operatic mezzo-soprano) (on 1970-02-13)
mezzo-soprano vocals [La Marquise de Berkenfield]:
Muriel Costa-Greenspan (mezzo soprano) (on 1970-02-13)
soprano vocals [Marie]:
Beverly Sills (soprano) (on 1970-02-13)
tenor vocals [Tonio]:
Grayson Hirst (American operatic tenor) (on 1970-02-13)
orchestra:
American Opera Society Orchestra (on 1970-02-13)
conductor:
Roland Gagnon (vocal coach, conductor) (on 1970-02-13)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1970-02-13)
recording of:
La Fille du régiment : Acte II, Scène 17. “Vous savez tout, faut-il que je signe“ (Sulpice, La Marquise de Berkenfield, La Duchesse de Krakentorp, Tonio, Marie, Hortensius, Le Caporal, chœur) (on 1970-02-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti2:36