Falling Off the Roof

~ Release by Ginger Baker Trio with Bill Frisell & Charlie Haden (see all versions of this release, 4 available)

Tracklist

▼ HDCD 1
#TitleRatingLength
1Falling Off the Roof
recording engineer:
Malcolm Cecil
assistant engineer:
Liz Magro (engineer)
producer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (on 1996-03-24)
drums (drum set):
Ginger Baker (on 1996-03-24)
guitar:
Bill Frisell (on 1996-03-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
The Complex Studios in Los Angeles, California, United States (on 1996-03-24)
recording of:
Falling Off the Roof (on 1996-03-24)
composer:
Ginger Baker
publisher:
Ginger Baker Music
4:00
2Amarillo, Barbados
recording engineer:
Malcolm Cecil
assistant engineer:
Joe Hadlock and Liz Magro (engineer)
producer and mixer:
Ginger Baker and Malcolm Cecil
banjo:
Béla Fleck (from 1996-03-24 until 1996-03-25)
bass:
Charlie Haden (American jazz bassist) (from 1996-03-24 until 1996-03-25)
drums (drum set):
Ginger Baker (from 1996-03-24 until 1996-03-25)
guitar:
Bill Frisell (from 1996-03-24 until 1996-03-25)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States (from 1996-03-24 until 1996-03-25)
mixed at:
The Complex Studios in Los Angeles, California, United States (from 1996-03-24 until 1996-03-25)
recording of:
Amarillo, Barbados (in 1996-03)
composer:
Bill Frisell
publisher:
Friz-Tone Music
4:42
3Bemsha Swing
recording engineer:
Malcolm Cecil
assistant engineer:
Liz Magro (engineer)
producer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (on 1996-03-24)
drums (drum set):
Ginger Baker (on 1996-03-24)
guitar:
Bill Frisell (on 1996-03-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
The Complex Studios in Los Angeles, California, United States (on 1996-03-24)
cover recording of:
Bemsha Swing (instrumental) (on 1996-03-24)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
4:21
4Sunday at the Hillcrest
recording engineer:
Malcolm Cecil
assistant engineer:
Joe Hadlock and Liz Magro (engineer)
producer and mixer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (from 1996-03-24 until 1996-03-25)
drums (drum set):
Ginger Baker (from 1996-03-24 until 1996-03-25)
guitar:
Bill Frisell (from 1996-03-24 until 1996-03-25)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States (from 1996-03-24 until 1996-03-25)
mixed at:
The Complex Studios in Los Angeles, California, United States (from 1996-03-24 until 1996-03-25)
recording of:
Sunday at the Hillcrest (in 1996-03)
writer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music (BMI, publisher for Charlie Haden)
5:55
5Au Privave
recording engineer:
Malcolm Cecil
assistant engineer:
Joe Hadlock and Liz Magro (engineer)
producer and mixer:
Ginger Baker and Malcolm Cecil
banjo:
Béla Fleck (from 1996-03-24 until 1996-03-25)
bass:
Charlie Haden (American jazz bassist) (from 1996-03-24 until 1996-03-25)
drums (drum set):
Ginger Baker (from 1996-03-24 until 1996-03-25)
guitar:
Bill Frisell (from 1996-03-24 until 1996-03-25)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States (from 1996-03-24 until 1996-03-25)
mixed at:
The Complex Studios in Los Angeles, California, United States (from 1996-03-24 until 1996-03-25)
cover recording of:
Au Privave (in 1996-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Liberation Music (BMI, publisher for Charlie Haden)
3:07
6Our Spanish Love Song
recording engineer:
Malcolm Cecil
assistant engineer:
Joe Hadlock and Liz Magro (engineer)
producer and mixer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (from 1996-03-24 until 1996-03-25)
drums (drum set):
Ginger Baker (from 1996-03-24 until 1996-03-25)
guitar:
Bill Frisell (from 1996-03-24 until 1996-03-25)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States (from 1996-03-24 until 1996-03-25)
mixed at:
The Complex Studios in Los Angeles, California, United States (from 1996-03-24 until 1996-03-25)
recording of:
Our Spanish Love Song (in 1996-03)
composer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music (BMI, publisher for Charlie Haden)
5:21
7C.B.C. Mimps
recording engineer:
Malcolm Cecil
assistant engineer:
Liz Magro (engineer)
producer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (on 1996-03-24)
drums (drum set):
Ginger Baker (on 1996-03-24)
guitar:
Bill Frisell (on 1996-03-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
The Complex Studios in Los Angeles, California, United States (on 1996-03-24)
recording of:
C.B.C. Mimps (on 1996-03-24)
composer:
Ginger Baker
publisher:
Ginger Baker Music
6:49
8Skeleton
recording engineer:
Malcolm Cecil
assistant engineer:
Liz Magro (engineer)
producer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (on 1996-03-24)
drums (drum set):
Ginger Baker (on 1996-03-24)
guitar:
Bill Frisell (on 1996-03-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
The Complex Studios in Los Angeles, California, United States (on 1996-03-24)
recording of:
Skeleton (on 1996-03-24)
composer:
Bill Frisell
publisher:
Friz-Tone Music
5:57
9Vino Vecchio
recording engineer:
Malcolm Cecil
assistant engineer:
Liz Magro (engineer)
producer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (on 1996-03-24)
drums (drum set):
Ginger Baker (on 1996-03-24)
guitar:
Bill Frisell (on 1996-03-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
The Complex Studios in Los Angeles, California, United States (on 1996-03-24)
recording of:
Vino Vecchio (on 1996-03-24)
composer:
Ginger Baker
publisher:
Ginger Baker Music
3:57
10The Day the Sun Come Out
recording engineer:
Malcolm Cecil
assistant engineer:
Joe Hadlock and Liz Magro (engineer)
producer and mixer:
Ginger Baker and Malcolm Cecil
bass:
Charlie Haden (American jazz bassist) (from 1996-03-24 until 1996-03-25)
drums (drum set):
Ginger Baker (from 1996-03-24 until 1996-03-25)
guitar:
Bill Frisell (from 1996-03-24 until 1996-03-25)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States (from 1996-03-24 until 1996-03-25)
mixed at:
The Complex Studios in Los Angeles, California, United States (from 1996-03-24 until 1996-03-25)
recording of:
The Day the Sun Come Out (in 1996-03)
composer:
Ginger Baker and Bill Frisell
publisher:
Friz-Tone Music and Ginger Baker Music
8:23
11Taney County
recording engineer:
Malcolm Cecil
assistant engineer:
Joe Hadlock and Liz Magro (engineer)
producer and mixer:
Ginger Baker and Malcolm Cecil
banjo:
Béla Fleck (from 1996-03-24 until 1996-03-25)
bass:
Charlie Haden (American jazz bassist) (from 1996-03-24 until 1996-03-25)
drums (drum set):
Ginger Baker (from 1996-03-24 until 1996-03-25)
guitar:
Bill Frisell (from 1996-03-24 until 1996-03-25)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
recorded at:
Bear Creek Studios in Woodinville, Washington, United States (from 1996-03-24 until 1996-03-25)
mixed at:
The Complex Studios in Los Angeles, California, United States (from 1996-03-24 until 1996-03-25)
recording of:
Taney County (in 1996-03)
composer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music (BMI, publisher for Charlie Haden)
5:23

Credits

Release

art direction:Tina Taylor (art director)
photography:Karen Looks-Baker (photographer)
Bob Rupp (photographer)
miscellaneous support:Yves Beauvais (task: A&R)
producer:Ginger Baker
Malcolm Cecil
Rachael Fite (production coordinator, producer) (task: production coordinator)
mastering:Joe Gastwirt
illustration and design:John Snyder III (designer, illustrator)
Tipy Taylor (designer, illustrator)
manufactured by:WEA Manufacturing Inc.
copyrighted (©) by:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996)
pressed by:WEA Mfg. Olyphant
mastered at:Oceanview Digital Mastering in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/3225814 [info]
ASIN:US: B000002J9P [info]
other databases:https://www.musik-sammler.de/release/888426/ [info]
Allmusic:https://www.allmusic.com/album/release/mr0001943281 [info]