| # | Title | Artist | Rating | Length |
|---|
| 1 | I Can't Drive 55 | Sammy Hagar | 1 | 4:15 |
| 2 | The Stroke | Billy Squier | 4 | 3:41 |
| 3 | Naughty, Naughty | John Parr | | 3:43 |
| 4 | I Like to Rock | April Wine | 5 | 4:22 |
| 5 | Little Miss Dangerous | Ted Nugent | | 4:52 |
| 6 | Ah! Leah! | Donnie Iris | 5 | 3:46 |
| 7 | Don't Let Him Go | REO Speedwagon | 2 | 3:48 |
| 8 | Urgent- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Michael Fonfara and Mick Jones
- saxophone:
- Mark Rivera
- solo saxophone:
- Junior Walker
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange, Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Urgent
- lyricist and composer:
- Mick Jones
- publisher:
- Somerset Songs Publishing Inc., Fuji Pacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4 | 4:32 |
| 9 | Keep Your Hands to Yourself | The Georgia Satellites | 5 | 3:27 |
| 10 | Beatin' the Odds | Molly Hatchet | | 3:20 |
| 11 | All Night Long | Joe Walsh | 5 | 3:38 |
| 12 | 867-5309 (Jenny) | Tommy Tutone | 4.75 | 3:47 |
| 13 | The Warrior | Scandal | 4.5 | 3:54 |
| 14 | Fly Away | Blackfoot | 5 | 3:01 |
| 15 | Power- recording engineer and mixer:
- Nigel Walker
- additional engineer:
- Ron Christopher, Davy Moire, Ray Pile and Will Shepland
- assistant engineer:
- Darrin Godwin, Keith Odle and Lance Phillips
- engineer:
- Michael Sheady
- producer:
- Andrew Powell
- bass guitar:
- Billy Greer
- drums (drum set):
- Phil Ehart
- guitar:
- Steve Morse and Richard Williams
- keyboard and lead vocals:
- Steve Walsh
- orchestra:
- Philharmonia Orchestra
- conductor:
- Andrew Powell
- orchestrator:
- Andrew Powell
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1986)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Castle Recording Studios in Franklin, Tennessee, United States
- mixed at:
- Jacobs Studios in Farnham, Surrey, England, United Kingdom and Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- Power
- writer:
- Randy Goodrum, Steve Morse and Steve Walsh
- publisher:
- Randy Goodrum Inc., Songs of Universal, Inc., Universal Texas City Music Inc., フジパシフィックミュージック, California Phase Music (from 1986 to ????), Dangling Participle Music (from 1986 to present), Hard Fought Music (from 1986 to present) and Stark Raving Music (from 1986 to present)
| Kansas | | 4:30 |
| 16 | Lay It on the Line | Triumph | | 4:06 |
| 17 | We're Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Universal Tunes
| Twisted Sister | 4.45 | 3:41 |
| 18 | Yankee Rose | David Lee Roth | 3.75 | 3:51 |
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