Hooked on Classics

~ Release by Royal Philharmonic Orchestra, Louis Clark (see all versions of this release, 12 available)

Tracklist

12" Vinyl 1
#TitleRatingLength
1Hooked on Classics, Parts 1 & 2
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
medley including a recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley including a recording of:
Concerto in A minor for Piano and Orchestra, op. 16
premiered in:
Copenhagen, Capital Region of Denmark, Denmark (on 1869-04-03)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Works of Edvard Grieg by opus number (number: op. 16)
medley including a recording of:
Guillaume Tell: Overture (catch-all for arrangements)
composer:
Gioachino Rossini (composer)
arrangement of:
Guillaume Tell : Ouverture
recording of:
Hooked on Classics, Parts 1 & 2
arranger:
Louis Clark
medley of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
medley of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
medley of:
Concerto in A minor for Piano and Orchestra, op. 16
medley of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
medley of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
medley of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley of:
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata
medley of:
Symphony no. 5 in C minor, op. 67
medley of:
Karelia-sarja, op. 11
medley of:
Rhapsody in Blue (standard 1942 orchestration)
medley of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
medley of:
Guillaume Tell : Ouverture
medley including a recording of:
Karelia-sarja, op. 11
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Works of Jean Sibelius by opus number (number: op. 11)
is based on:
Karelia Music, JS 115
medley including a recording of:
Le nozze di Figaro, K. 492
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Köchelverzeichnis (original numbering) (number: 492) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 492)
is based on:
Harmoniemusik on Mozart’s “Le nozze di Figaro”
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
medley including a recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
medley including a recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley including a recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
medley including a recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley including a recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
medley including a recording of:
The Year 1812, Festival Overture in E‐flat major (catch‐all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
arrangement of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley including a recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
medley including a recording of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
5:06
2Hooked on Romance
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
medley including a recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Hooked on Romance
arranger:
Louis Clark
medley of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
medley of:
Concerto for Clarinet in A major, K. 622: II. Adagio
medley of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
medley of:
Liebesträume, S. 541
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
medley of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley including a recording of:
Liebesträume, S. 541
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 541)
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley including a recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley including a recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
medley including a recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Two Piano Sonatas, op. 27
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
6:42
3Hooked on Classics, Part 3
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
3 Marches militaires, op. 51, D. 733
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 733)
medley including a recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 21 in A major: Amoroso – Presto
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
medley including a recording of:
Die Hebriden, op. 26 (Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
medley including a recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Hooked on Classics, Part 3
arranger:
Louis Clark
medley of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
medley of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 21 in A major: Amoroso – Presto
medley of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
medley of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
medley of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
medley of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
medley of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
medley of:
Pictures at an Exhibition: Promenade (unspecified promenade)
medley of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
medley of:
Radetzky‐Marsch, op. 228
medley of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
medley of:
Die Hebriden, op. 26 (Fingal's Cave)
medley of:
3 Marches militaires, op. 51, D. 733
medley of:
Chopiniana, op. 46: I. Polonaise
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
medley of:
Lohengrin, WWV 75: Akt III. Vorspiel
medley of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
medley including a recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
medley including a recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
medley including a recording of:
Pictures at an Exhibition: Promenade (unspecified promenade)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
medley including a recording of:
Polonaise in A major, op. 40 no. 1 “Military”
composer:
Fryderyk Chopin (composer) (in 1838)
part of:
Polonaises, op. 40
medley including a recording of:
Radetzky‐Marsch, op. 228
composer:
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien, Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
medley including a recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
medley including a recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
medley including a recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
medley including a instrumental recording of:
The Cradle Song (Brahms’ Lullaby)
composer:
Johannes Brahms (German composer)
translator:
Natalia Macfarren
translated version of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
medley including a recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
6:02
4Hooked on Bach
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
arrangement of:
Ave Maria (Bach/Gounod)
medley including a recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
medley including a recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
medley including a recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816
recording of:
Hooked on Bach
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Louis Clark
medley of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro)
medley of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
medley of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
medley of:
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration)
medley of:
Ave Maria (Bach/Gounod)
medley of:
Minuet in G major, BWV Anh. 114 (for keyboard)
medley of:
Musette in D major, BWV Anh. 126
medley of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
medley of:
Marche in D major, BWV Anh. 122, H. 1/1
medley of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
medley of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
medley including a recording of:
March
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Menuet in G major, BWV Anh. 114 (catch all for arrangements)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
medley including a recording of:
Musette in D major, BWV Anh. 126 (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
medley including a recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II
medley including a recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
medley including a instrumental recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
6:00
5Hooked on Tchaikovsky5:29
6Hooked on a Song5:11
7Hooked on Mozart4:09
8Hooked on Mendelssohn
solo violin:
Barry Griffiths (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
medley including a recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
4:25
9Hooked on a Can Can4:57