111 Years of Deutsche Grammophon: The Collectors’ Edition, 55: Liszt: Klavierkonzerte nos. 1 & 2 / Totentanz /

~ Release by Franz Liszt; Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa (see all versions of this release, 52 available)

Tracklist

▼ CD 55
#TitleArtistRatingLength
1Concerto for Piano no. 1 in E-flat major: I. Allegro maestoso
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso (in 1987-04)
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt5:32
2Concerto for Piano no. 1 in E-flat major: II. Quasi adagio - Allegretto vivace - Allegro animato
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio (in 1987-04)
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato (in 1987-04)
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt8:54
3Concerto for Piano no. 1 in E-flat major: III. Allegro marziale animato - Presto
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato (in 1987-04)
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt4:09
4Concerto for Piano no. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1987-04)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt7:27
5Concerto for Piano no. 2 in A major: II. Allegro moderato - Allegro deciso
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1987-04)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt8:19
6Concerto for Piano no. 2 in A major: III. Marziale un poco meno allegro
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1987-04)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt4:23
7Concerto for Piano no. 2 in A major: IV. Allegro animato - Stretto (molto accelerando)
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1987-04)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt1:51
8Totentanz (Danse macabre)
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
recording of:
Totentanz, S. 126 (for piano and orchestra) (in 1987-04)
composer:
Franz Liszt
Franz Liszt15:12

Credits

Release Group

includes:21 Ungarische Tänze (Hungarian Dances) by Johannes Brahms (German composer); Wiener Philharmoniker, Claudio Abbado (conductor)
24 Préludes, op. 28 by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Adagio by Mischa Maisky (cellist), Orchestre de Paris, Semyon Bychkov (conductor)
Ah! mio cor: Handel Arias by George Frideric Handel (German‐British baroque composer); Magdalena Kožená (mezzo-soprano), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
Boléro / La Valse / Pavane pour une infante défunte / Daphnis et Chloé: Suite no. 2 by Ravel (classical composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor)
Carmina Burana (1967 recording) by Carl Orff (composer); Gundula Janowitz (soprano), Gerhard Stolze (German tenor), Dietrich Fischer‐Dieskau (baritone), Chor und Orchester der Deutschen Oper Berlin, Eugen Jochum (conductor)
Christmette by Michael Praetorius (composer and organist); Gabrieli Consort & Players, Paul McCreesh (conductor)
Cielo e mar by Rolando Villazón (tenor)
Concertos by Bach (German Baroque period composer & musician); Hilary Hahn (violinist), Los Angeles Chamber Orchestra, Jeffrey Kahane (pianist)
Concertos for Violin, Strings and Continuo by Antonio Vivaldi; Giuliano Carmignola (violinist), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
Credo by Hélène Grimaud (pianist), Swedish Radio Symphony Orchestra and Choir, Esa-Pekka Salonen (conductor and composer)
Die Stimme: Deutsche Opernarien by Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin, Christian Thielemann (German conductor)
Dvořák: Cellokonzert / Tschaikowsky: Rokoko‐Variationen by Dvořák (composer), Tschaikowsky (Russian romantic composer); Berliner Philharmoniker, Mstislav Rostropovich (cellist), Herbert von Karajan (conductor)
Études op. 10 & op. 25 by Chopin (composer); Maurizio Pollini (pianist)
First Piano Concertos by Tchaikovsky (Russian romantic composer), Mendelssohn (composer); Lang Lang (Chinese pianist), Chicago Symphony Orchestra, Daniel Barenboim (pianist and conductor)
Gala Opera Concert by Los Angeles Philharmonic, Carlo Maria Giulini (conductor), Plácido Domingo (tenor)
Horowitz in Moscow by Владимир Самойлович Горовиц (American pianist and composer)
Klavierkonzerte no. 1 / Klavierkonzerte no. 2 / Totentanz by Franz Liszt; Boston Symphony Orchestra, Seiji Ozawa (conductor and composer), Krystian Zimerman (pianist)
Klavierkonzerte Nos. 4 & 5 by Beethoven (German composer); Wilhelm Kempff (pianist), Berliner Philharmoniker, Ferdinand Leitner (conductor)
Lamenti by Anne Sofie von Otter (mezzo-soprano)
Le quattro stagioni / Concerto for Oboe and Violin RV 548 / Concerto for 2 Violins RV 516 by Antonio Vivaldi; The English Concert, Simon Standage (violinist and conductor), Trevor Pinnock (conductor / harpsichord)
Messe in h‐moll by Johann Sebastian Bach (German Baroque period composer & musician); Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Nocturnes by Chopin (composer); Maria João Pires (pianist)
Opera Arias by Anna Netrebko (soprano), Wiener Philharmoniker, Gianandrea Noseda (conductor)
Orgelwerke BWV 525, 552, 565, 645-650, 768 by Johann Sebastian Bach (German Baroque period composer & musician); Helmut Walcha
Pachelbel: Kanon & Gigue / J.S. Bach / Handel / Vivaldi by Musica Antiqua Köln, Reinhard Goebel (violinist and conductor)
Pétrouchka / Le Sacre du printemps by Stravinsky (Russian composer); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
Piano Concerto no. 2 / 6 Préludes by Sergei Rachmaninoff (Russian composer); Warsaw National Philharmonic Orchestra, Stanisław Wisłocki (composer), Sviatoslav Richter (Sviatoslav Richter, pianist)
Préludes, Vol. I / Images by Claude Debussy; Arturo Benedetti Michelangeli (pianist)
Requiem (1953 Berlin recording) by Giuseppe Verdi (Italian opera composer); Ferenc Fricsay (conductor)
Requiem in D minor, K. 626 by Wolfgang Amadeus Mozart (classical composer); Wiener Philharmoniker, Karl Böhm (Austrian conductor), Edith Mathis (soprano), Julia Hamari (hungarian mezzo-soprano), Wiesław Ochman (tenor), Karl Ridderbusch (operatic bass)
Schumann: Dichterliebe / Schubert, Beethoven: Lieder by Schumann (German classical composer), Schubert (composer), Beethoven (German composer); Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
Sechs Suiten für Violoncello solo, BWV 1007–1012 (1960 recording) by Johann Sebastian Bach (German Baroque period composer & musician); Pierre Fournier (cellist)
Sinfonie Nr. 4, d-moll, Op. 120 by Robert Schumann (German classical composer); Berliner Philharmoniker, Wilhelm Furtwängler (conductor)
Sonaten by Domenico Scarlatti (composer); Ivo Pogorelich (pianist)
Sonaten: Waldstein / Les Adieux / Appassionata by Beethoven (German composer); Emil Gilels (pianist)
Symphonie fantastique by Berlioz (composer); Orchestre Lamoureux, Igor Markevitch (conductor)
Symphonie no. 9 / Ouvertüre »Coriolan« by Beethoven (German composer); Berlin Philharmonic Orchestra, Herbert von Karajan (conductor)
Symphonien nos. 5 & 7 by Ludwig van Beethoven (German composer); Wiener Philharmoniker, Carlos Kleiber (conductor)
Symphonien nos. 8 & 9 »Aus der Neuen Welt« by Antonín Dvořák (composer); Berliner Philharmoniker, Rafael Kubelík (conductor)
Symphony no. 4 in A major, op. 90 “Italian” / Symphony no. 5 in D major, op. 107 “Reformation” by Felix Mendelssohn (composer); Berliner Philharmoniker, Lorin Maazel (conductor)
Symphony no. 5 by Mahler (composer); Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel (conductor and violinist)
Tchaikovsky: Violin Concerto / Wieniawski: Études‐Caprices / Sarasate: Navarra by Tchaikovsky (Russian romantic composer), Wieniawski (composer and violinist), Sarasate (violinist and composer); David Oistrakh (violinist)
The Art of Fugue by Bach (German Baroque period composer & musician); Emerson String Quartet
The Vagabond by Bryn Terfel (bass-baritone opera singer), Malcolm Martineau (pianist)
Une symphonie imaginaire by Jean-Philippe Rameau (French composer of the Baroque era); Les Musiciens du Louvre, Marc Minkowski (bassoonist and conductor)
Vespro della Beata Vergine by Claudio Monteverdi; Sir John Eliot Gardiner
Violinkonzert / Doppelkonzert by Johannes Brahms (German composer); Anne‐Sophie Mutter (violinist), Antônio Meneses (cellist), Berliner Philharmoniker, Herbert von Karajan (conductor)
West Side Story (1984 studio cast) by Leonard Bernstein (US composer & conductor); Kiri Te Kanawa (soprano), José Carreras (Spanish tenor), Tatiana Troyanos (mezzo-soprano), Kurt Ollmann (baritone), Marilyn Horne (American operatic mezzo-soprano)
Winterreise (1971 recording) by Schubert (composer); Dietrich Fischer‐Dieskau (baritone), Gerald Moore (pianist)
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 2)