Messiah

~ Release by Georg Friedrich Händel; Boston Baroque, Martin Pearlman, Karen Clift, Catherine Robbin, Bruce Fowler, Victor Ledbetter (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Part one, Sinf
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:54
2Part One, Recitative: Comfort Ye, My People
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:48
3Part One, Air: Every Valley Shall Be Exhaulted
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:10
4Part One, Chor: And the Glory of the Lord
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:38
5Part One, Recitative: Thus saith the Lord
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
baritone vocals:
Victor Ledbetter (baritone)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:24
6Part One, Air: But who may abide
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:58
7Part One, Chor: And He shall purify
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque Orchestra and Chorus (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:10
8Part One, Recitative: Behold, a virgin shall conceive
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:22
9Part One, Air & Chor: O Thou that tellest good tidings to Zion
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:20
10Part One, Recitative: For behold, darkness shall cover the earth
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
baritone vocals:
Victor Ledbetter (baritone)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:49
11Part One, Air: The people that walked in darkness
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
baritone vocals:
Victor Ledbetter (baritone)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:06
12Part One, Chor: For unto us a Child is born
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:36
13Part One, Sym: Pastoral
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:53
14Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
soprano vocals:
Karen Clift (soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:33
15Part One, Recitative: And the angel said unto them
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
soprano vocals:
Karen Clift (soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:35
16Part One, Recitative: And suddenly there was with the angel
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
soprano vocals:
Karen Clift (soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:16
17Part One, Chor: Glory to the God
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:46
18Part One, Air: Rejoice greatly, O daughter of Zion
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
soprano vocals:
Karen Clift (soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:16
19Part One, Recitative: Then shall the eyes of the blind
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
soprano vocals:
Karen Clift (soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:23
20Part One, Air: He shall feed His flock like a shepherd
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano)
soprano vocals:
Karen Clift (soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:39
21Part One, Chor: His yoke is easy
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:22
22Part Two, Chor: Behold the lamb of God
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:28
23Part Two, Air: He was despised
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel8:25
▼ CD 2
#TitleArtistRatingLength
1Surely he hath borne our griefs (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:48
2And with his stripes we are healed - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:44
3All we like sheep - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:22
4All they that see him - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:44
5He trusted in God - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:16
6Thy rebuke hath broken his heart - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:31
7Behold, and see if there be any sorrow - Tenor Arioso
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:13
8He was cut off out of the land of the living - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:19
9But thou didst not leave his soul in Hell - Tenor Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:42
10Lift up your heads - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:54
11Unto which of the angels - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:15
12Let all the angels of God worship him - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:26
13Thou art gone up on high - Alto Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:53
14The Lord gave the word (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:13
15How beautiful are the feet - Soprano Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:04
16The sound is gone out - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:21
17Why do the nations? - Bass Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
bass-baritone vocals:
Victor Ledbetter (baritone) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:41
18Let us break their bonds asunder (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:41
19He that dwelleth in heaven - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:12
20Thou shall break them - Tenor Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:05
21Hallelujah Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:42
22I know that my Redeemer liveth - Soprano Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Karen Clift (soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:04
23Since by man came death - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:05
24Behold, I tell you a mystery - Bass Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
bass-baritone vocals:
Victor Ledbetter (baritone) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:33
25The trumpet shall sound - Bass Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
bass-baritone vocals:
Victor Ledbetter (baritone) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:41
26Then shall be brought to pass - Alto Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:14
27O death, where is thy sting? - Alto & Tenor Duet
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1992-05)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:09
28But thanks be to God (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:08
29If God be for us - Soprano Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:02
30Worthy is the lamb... Amen - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel7:11

Credits

Release

art direction:Anilda Carrasquillo
Ray Kirschensteiner (Telarc designer)
photography:Erich Lessing (Austrian photographer)
liner notes:Patricia Dussaux (liner notes)
Gila Fox (liner notes)
Martin Pearlman (US conductor, harpsichordist, composer)
executive producer:Robert Woods (classical music producer, founder of TELARC)
harpsichord:Martin Pearlman (US conductor, harpsichordist, composer)
Discogs:https://www.discogs.com/release/3218651 [info]
ASIN:US: B000003CYY [info]