Music for Queen Mary (original track division)

~ Release by Purcell; Monteverdi Choir & Orchestra, Equale Brass Ensemble, Sir John Eliot Gardiner (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:11
2Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
Sir John Eliot Gardiner (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:17
3Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
Sir John Eliot Gardiner (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell0:43
4Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
Sir John Eliot Gardiner (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:50
5Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (in 1976-02)
lyricist:
Nahum Tate
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:45
6Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:33
7Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:32
8Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:40
9Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (in 1976-02)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:01
10Music for the Funeral of Queen Mary, Z. 860: March
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:17
11Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 1: Man that is born
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:49
12Music for the Funeral of Queen Mary, Z. 860: Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:43
13Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 2: In the midst of life
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell5:56
14Music for the Funeral of Queen Mary, Z. 860: Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell0:53
15Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 3: Thou knowest, Lord, the secrets of our Hearts
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
16Music for the Funeral of Queen Mary, Z. 860: March
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VII. March, Z. 860 (in 1976-02)
composer:
Henry Purcell (baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:19

Credits

Release group

included in:Hail! Bright Cecilia / Music for Queen Mary by Purcell (baroque composer); Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
Discogs:https://www.discogs.com/master/581496 [info]