Back to Black

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1: Blues, Jazz, Swing & The Big Bands 1900-1945
#TitleArtistRatingLength
1Maple Leaf Rag
Scott Joplin3:18
2Crazy Blues
Mamie Smith and Her Jazz Hounds3:20
3Dippermouth Blues
King Oliver’s Creole Jazz Band2:16
4Dark Was the Night - Cold Was the Ground
recorded in:
Dallas, Texas, United States (on 1927-12-03)
guitar and other vocals [humming and moaning]:
Blind Willie Johnson (on 1927-12-03)
vocals:
Blind Willie Johnson (on 1927-12-03)
publisher:
Harmony (20s/30s US)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (on 1927-12-03)
writer:
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
Blind Willie Johnson3.753:20
5Statesboro Blues
guitar:
Blind Willie McTell (on 1928-10-17)
vocals:
Blind Willie McTell (on 1928-10-17)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1992)
recording of:
Statesboro Blues
lyricist and composer:
Blind Willie McTell
publisher:
Peer International Corporation (BMI)
Blind Willie McTell2:34
6How Long, How Long Blues
Leroy Carr3:01
7Pine Top’s Boogie Woogie
Pinetop Smith3:23
8St Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
Louis Armstrong3:03
9Ol’ Man River
Paul Robeson2:37
10Gimme a Pigfoot
recorded in:
New York, New York, United States (on 1933-11-24)
banjo and guitar:
Bobby Johnson (US guitarist) (on 1933-11-24)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1933-11-24)
double bass [bass]:
Billy Taylor Sr. (jazz bassist) (on 1933-11-24)
piano:
Buck Washington (on 1933-11-24)
tenor saxophone:
Chu Berry (on 1933-11-24)
trombone:
Jack Teagarden (on 1933-11-24)
trumpet:
Frankie Newton (on 1933-11-24)
vocals:
Bessie Smith (Tennessee blues singer) (on 1933-11-24)
recording of:
Gimme a Pigfoot (and a Bottle of Beer) (on 1933-11-24)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Bessie Smith with Buck and His Band3:30
11Minnie the Moocher (The Ho de Ho Song)
Cab Calloway3:11
12Stormy WeatherEthel Waters3:12
13Honeysuckle Rose
Fats Waller2:40
14Hellhound on My Trail
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
recording of:
Hellhound on My Trail (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
Robert Johnson42:37
15Good Morning, Schoolgirl
recorded in:
Aurora, Illinois, United States (on 1937-05-05)
guitar:
Robert Lee McCoy (on 1937-05-05) and Big Joe Williams (American Delta blues guitarist, singer and songwriter) (on 1937-05-05)
harmonica and lead vocals:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (on 1937-05-05)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1990)
recording of:
Good Morning, School Girl (on 1937-05-05)
lyricist:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
composer:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Sonny Boy Williamson3:03
16Jumpin’ at the WoodsideCount Basie3:07
17We Three (My Echo, My Shadow & Me)
recording of:
We Three (My Echo, My Shadow and Me)
writer:
Nelson Cogane (in 1939), Sammy Mysels (in 1939) and Dick Robertson (US jazz vocalist, 1920s-1940s) (in 1939)
composer:
Nelson Cogane and Sammy Mysels
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Penn Music Co.
The Ink Spots3:21
18Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday2:55
19Summertime
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
soprano saxophone:
Sidney Bechet (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-533-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1939-06-08)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sidney Bechet4:10
20T-Bone BluesT‐Bone Walker with Les Hite & His Orchestra3:16
21God Bless the Child
recording of:
God Bless the Child
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday2:45
22After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Roy Eldridge with Gene Krupa and His Orchestra2:38
23I Wonder
Pvt Cecil Gant2:44
24Ko-Ko
recording of:
Ko Ko
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:57
25Things Ain’t What They Used to Be
recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
Duke Ellington & His Orchestra3:09
26Straighten Up and Fly Right
recording of:
Straighten Up and Fly Right
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
Nat King Cole2:29
CD 2: The Birth of R'n'b 1946-1953
#TitleArtistRatingLength
1That’s All Right
recorded in:
Chicago, Illinois, United States (on 1946-09-06)
double bass:
Ransom Knowling (on 1946-09-06)
drums (drum set):
Lawrence "Judge" Riley (early blues drummer) (on 1946-09-06)
guitar:
Arthur “Big Boy” Crudup (on 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (on 1946-09-06)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
That’s All Right (on 1946-09-06)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc., Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
Arthur “Big Boy” Crudup52:55
2Let the Good Times Roll
Louis Jordan2:48
3Chicken Shack Boogie
Amos Milburn2:51
4I Can’t Be Satisfied
recording of:
I Can’t Be Satisfied
lyricist and composer:
Muddy Waters (blues musician)
publisher:
Bug Music (music publishing) and Watertoons Music
Muddy Waters2:43
5Good Rockin’ TonightRoy Brown with Bob Ogden & Orchestra2:59
6Up Above My Head I Hear Music in the Air
Sister Rosetta Tharpe & Marie Knight2:29
7We’re Gonna Rock, We’re Gonna Roll
Wild Bill Moore Sextet2:38
8Boogie Chillen’
John Lee Hooker3:09
9All She Wants to Do Is Rock
baritone saxophone:
Bill McLemore (saxophonist) (on 1949-04-13)
double bass:
Gene Ramey (on 1949-04-13)
drums (drum set):
Kelly Martin (US jazz drummer) (on 1949-04-13)
piano:
Elmo Hope (on 1949-04-13)
tenor saxophone:
Freddie Douglas (on 1949-04-13) and Johnny Griffin (on 1949-04-13)
trombone:
Matthew Gee (jazz trombonist) (on 1949-04-13)
trumpet:
Joe Morris (US jazz trumpeter) (on 1949-04-13)
vocals:
Wynonie Harris (R&B singer, known as “Mr. Blues”) (on 1949-04-13)
phonographic copyright (℗) by:
Proper Records Ltd. (company credits only; do NOT use as release label)
recording of:
All She Wants to Do Is Rock (on 1949-04-13)
writer:
Wynonie Harris (R&B singer, known as “Mr. Blues”) and Teddy McRae
Wynonie Harris2:33
10The Fat Man
phonographic copyright (℗) by:
United Artists (in 1949)
recording of:
The Fat Man (on 1949-12-10)
lyricist and composer:
Antoine Dominique Domino and Dave Bartholomew
Fats Domino42:37
11Every Day I Have the Blues
Lowell Fulson2:31
12Please Send Me Someone to Love
recording of:
Please Send Me Someone to Love
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
Percy Mayfield2:55
13Black Night
Charles Brown3:06
14Flamingo
cover recording of:
Flamingo
lyricist:
Edmund Anderson
composer:
Ted Grouya
Earl Bostic2:42
15Lawdy, Miss Clawdy
alto saxophone:
Joseph Harris (on 1952-03-13)
double bass [bass]:
Frank Fields (on 1952-03-13)
drums (drum set) [drums]:
Earl Palmer (on 1952-03-13)
guitar:
Ernest McLean (on 1952-03-13)
piano:
Fats Domino (on 1952-03-13)
tenor saxophone:
Herb Hardesty (on 1952-03-13)
trumpet:
Dave Bartholomew (on 1952-03-13)
lead vocals:
Lloyd Price (on 1952-03-13)
conductor:
Dave Bartholomew (on 1952-03-13)
recorded at:
J&M Record Shop in New Orleans, Louisiana, United States (on 1952-03-13)
recording of:
Lawdy Miss Clawdy (on 1952-03-13)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
Lloyd Price2:33
16One Mint Julip
The Clovers2:29
17Honey Hush
Big Joe Turner2:43
18Hound Dog
recorded in:
Los Angeles, California, United States (on 1952-08-12)
producer:
Johnny Otis
double bass [bass]:
Albert Winston (R&B bassist) (on 1952-08-12)
drums (drum set):
Leard Bell (R&B drummer) (on 1952-08-12)
guitar:
Pete Lewis (R&B guitarist) (on 1952-08-12)
piano:
Devonia Williams (US R&B pianist/singer) (on 1952-08-12)
vibraphone [vibes]:
Johnny Otis (on 1952-08-12)
vocals:
Big Mama Thornton (on 1952-08-12)
orchestra:
Johnny Otis & His Orchestra
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
recording of:
Hound Dog (on 1952-08-13)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Big Mama Thornton4.652:52
19Money Honey
Clyde McPhatter2:58
20Dust My Broom
recording of:
Dust My Broom
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James3:01
21Smokestack Lightnin’
recording of:
Smokestack Lightning
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:05
22Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3:36
23Crying in the Chapel
cover recording of:
Crying in the Chapel (on 1953-06-30)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. and Mijac Music
The Orioles3:04
24Teardrops in My Eyes
Ruth Brown3:00
25Manhattan
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald2:53
CD 3: The Rock'n'Roll Years 1945-1962
#TitleArtistRatingLength
1Loco-Motion
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Little Eva2:28
2Johnny B. Goode
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 33) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53)
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
part of:
Back to the Future: the Musical
Chuck Berry4.252:40
3Yakety Yak
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 7)
recording of:
Yakety Yak
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters51:50
4Tutti FruttiLittle Richard2:25
5Reet Petite (The Finest Girl You Ever Want to Meet)Jackie Wilson2:44
6Duke of EarlGene Chandler2:16
7Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:18
8Hit the Road JackRay Charles1:56
9Blueberry Hill
phonographic copyright (℗) by:
Everest Records (classical) and Liberty (a division of UMG Recordings, Inc.) (in 1957)
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:22
10Stand by MeBen E. King3:00
11My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone43:36
12Tears on My Pillow
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 30)
recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1989 to present)
Little Anthony & the Imperials22:16
13Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:38
14It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is based on:
Melody in A major (instrumental)
Tommy Edwards42:38
15Passing Strangers
recording of:
Passing Strangers
writer:
Rita Mann (songwriter) (in 1957) and Mel Mitchell (songwriter) (in 1957)
Billy Eckstine & Sarah Vaughan32:39
16I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Ray Charles4:17
17Didn’t It Rain
Mahalia Jackson2:40
18Handy Man
recording of:
Handy Man
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jimmy Jones (writer of “Good Timin’” and “Handy Man”)
publisher:
Bess Music Company, EMI Unart Catalog Inc., Metric Music Company (publisher), Shalimar Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Jimmy Jones1:59
19Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Shirelles3.752:41
20Bo Didley
Bo Diddley2:29
21Good Golly Miss MollyLittle Richard2:10
22The Twist
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 451)
cover recording of:
The Twist
lyricist and composer:
Hank Ballard
publisher:
Carlin Music Corp. and Embassy Music Corporation (from 2016-06 to present)
Chubby Checker4.252:37
23Green OnionsBooker T. & the MG’s4.152:54
24Sweet Little Sixteen
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (in 1957-12)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2.53:12
25It Never Entered My Mind
cover recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Miles Davis4:03
CD 4: Classic Soul, Part 1 1963-1966
#TitleArtistRatingLength
1Dancing in the Street
producer:
William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
recording of:
Dancing in the Street
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha and the Vandellas3.62:39
2People Get Ready
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:41
3Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (Songwriter and producer)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (Songwriter and producer)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:54
4Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:36
5Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul "Duke" Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Four Tops42:57
6Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.52:43
7Walk on By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 51) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.52:55
8When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
9What Becomes of the Brokenhearted
producer:
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin4.653:00
10Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
11My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.452:42
12Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:46
13Tell It Like Is
recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville4.52:43
14My Guy
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:46
15In the Midnight Hour
Wilson Pickett2:31
16Harlem Shuffle
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and HHO Licensing Ltd.
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:53
17Shotgun
Jr. Walker & the All Stars2:59
18Papa’s Got a Brand New Bag
recording of:
Papa’s Got a Brand New Bag
lyricist and composer:
James Brown (“The Godfather of Soul”)
James Brown2:08
19The Shoop Shoop Song (It’s in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, TM Music Ltd. and Trio Music Company
Betty Everett42:11
20Then He Kissed Me
engineer:
Larry Levine (in 1963-07)
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 493)
recording of:
Then He Kissed Me (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
The Crystals52:36
21Knock on Wood
vocals:
Eddie Floyd
recording of:
Knock on Wood (in 1966)
writer:
Steve Cropper and Eddie Floyd
publisher:
East Memphis Music, Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Eddie Floyd43:05
22Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-04-08)
instruments:
The Funk Brothers (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-04-08)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 9) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 472)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc.
The Supremes52:33
23Uptight (Everything’s Alright)
Stevie Wonder2:57
24A Love Supreme, Part I (Acknowledgement)
recording engineer:
Rudy van Gelder (on 1964-12-09)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1964-12-09)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-09)
piano:
McCoy Tyner (jazz pianist) (on 1964-12-09)
tenor saxophone:
John Coltrane (on 1964-12-09)
vocals:
John Coltrane (in 1964-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1964-12-09)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 315)
recording of:
A Love Supreme, Part 1: Acknowledgement (on 1964-12-09)
composer:
John Coltrane
part of:
A Love Supreme
John Coltrane7:48
CD 5: Classic Soul, Part 2 1967-1970
CD 6: Nu Wave Soul 1971-1974
CD 7: Disco Inferno 1975-1979
CD 8: Black Pop & Hip Hop Culture, Part 1 1980-1983
CD 9: Black Pop & Hip Hop Culture, Part 2 1984-1991
CD 10: Urban Explosion 1992-1999