Cantatas, Volume 7

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Chorus "Es ist nichts Gesundes an meinem Leibe"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Coro "Es ist nichts Gesundes an meinem Leibe" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach5:07
2Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": II. Recitative (T) "Die ganze Welt ist nur ein Hospital"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": II. Recitativo (Tenore) "Die ganze Welt ist nur ein Hospital" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach1:37
3Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": III. Aria (B) "Ach, wo hol ich Armer Rat?"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": III. Aria (Basso) "Ach, wo hol ich Armer Rat?" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach3:13
4Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": IV. Recitative (S) "Jesu, lieber Meister"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": IV. Recitativo (Soprano) "O Jesu, lieber Meister" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach1:18
5Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": V. Aria (S) "Öffne meinen schlechten Liedern"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": V. Aria (Soprano) "Öffne meinen schlechten Liedern" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach3:16
6Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": VI. Chorale "Ich will alle meine Tage"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": VI. Choral "Ich will alle meine Tage" (from 1997-09 until 1997-10)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 101)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach1:06
7Kantate, BWV 95 "Christus, der ist mein Leben": I. Chorus & Recitative (T) "Christus, der ist mein Leben"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": I. Coro e Recitativo (Tenor) "Christus, der ist mein Leben" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach5:00
8Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitative (S) "Nun, falsche Welt!"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Sopran) "Nun, falsche Welt!" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach0:55
9Kantate, BWV 95 "Christus, der ist mein Leben": III. Chorale "Valet will ich dir geben"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": III. Choral (Sopran) "Valet will ich dir geben" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:53
10Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitative (T) "Ach, könnte mir doch bald so wohl gescheh'n"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenor) "Ach könnte mir doch bald so wohl geschehn" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach0:35
11Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (T) "Ach, schlage doch bald, selge Stunde"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach7:54
12Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitative (B) "Denn ich weiß dies"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Bass) "Denn ich weiß dies" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:22
13Kantate, BWV 95 "Christus, der ist mein Leben": VII. Chorale "Weil du vom Tod erstanden bist"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist" (from 1997-09 until 1997-10)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 356)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:10
14Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Chorus "Nimm, was dein ist, und gehe hin"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach1:21
15Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (A) "Murre nicht lieber Christ"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach5:03
16Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Chorale "Was Gott tut, das ist wohlgetan"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Samuel Rodigast (German poet) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 338)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach0:44
17Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitative (T) "Wo die Genügsamkeit regiert"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach0:55
18Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (S) "Genügsamkeit"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach2:49
19Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Chorale "Was mein Gott will, das g'scheh' allzeit"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 343)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach1:19
20Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Chor "Halt im Gedächtnis Jesum Christ"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:41
21Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (T) "Mein Jesus ist erstanden"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:14
22Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitative (A) "Mein Jesu, heißest du des Todes Gift"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:27
23Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Chorale "Erschienen ist der herrlich' Tag"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (from 1997-09 until 1997-10)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:38
24Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitative (A) "Doch scheinet fast"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:48
25Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (B) "Friede sei mit euch!"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach5:44
26Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Chorale "Du Friedefürst, Herr Jesu Christ"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (from 1997-09 until 1997-10)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:51
27Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (A) "Ein ungefärbt Gemüte"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:19
28Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Reciative (T) "Die Redlichkeit"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:46
29Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Chorus "Alles nun, das ihr wollet"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach2:50
30Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitative (B) "Die Heuchelei ist eine Brut"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:45
31Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (T) "Treu und Wahrheit sei der Grund"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:16
32Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Chorale "Gott, du frommer Gott"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach2:24
▼ CD 2
#TitleArtistRatingLength
1Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": I. Chorus "Erforsche mich, Gott, und erfahre mein Herz"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": I. Coro "Erforsche mich, Gott, und erfahre mein Herz" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach3:55
2Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": II. Recitative (T) "Ach, daß der Fluch"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": II. Recitativo (Tenor) "Ach, daß der Fluch, so dort die Erde schlägt" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach1:11
3Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": III. Aria (A) "Es kommt ein Tag"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": III. Aria (Alt) "Es kömmt ein Tag" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach3:58
4Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": IV. Recitative (B) "Die Himmel selber sind nicht rein"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": IV. Recitativo (Bass) "Die Himmel selber sind nicht rein" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach1:04
5Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": V. Aria (T,B) "Uns treffen zwar der Sünden Flecken"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": V. Aria (Duetto Tenor, Bass) "Uns treffen zwar der Sünden Flecken" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach3:45
6Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Chorale "Dein Blut, der edle Saft"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft" (from 1997-09 until 1997-10)
composer:
Johann Heermann and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 27)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach0:57
7Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitative (T) "Erwünschtes Freudenlicht"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:35
8Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (S,A) "Gesegnete Christen"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach8:17
9Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitative (T) "So freuet euch"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:57
10Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (T) "Glück und Segen sind bereit"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:37
11Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Chorale "Herr, ich hoff' je"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:07
12Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Chorus "Guter Hirte, Trost der Deinen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:29
13Kantate, BWV 105 "Herr, gehe nicht ins Gericht": I. Chorus "Herr, gehe nicht ins Gericht mit deinem Knecht"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:50
14Kantate, BWV 105 "Herr, gehe nicht ins Gericht": II. Recitative (A) "Mein Gott, verwirf mich nicht"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach0:53
15Kantate, BWV 105 "Herr, gehe nicht ins Gericht": III. Aria (S) "Wie zittern und wanken"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:01
16Kantate, BWV 105 "Herr, gehe nicht ins Gericht" IV. Recitative (B) "Wohl aber dem, der seinen Bürgen weiß"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:46
17Kantate, BWV 105 "Herr, gehe nicht ins Gericht": V. Aria (T) "Kann ich nur Jesum mir zum Freunde machen"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:41
18Kantate, BWV 105 "Herr, gehe nicht ins Gericht": VI. Chorale "Nun, ich weiß, du wirst mir stillen"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:03
19Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Chorus "Bringet dem Herrn Ehre seines Namens"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach3:21
20Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (T) "Ich eile, die Lehren"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach4:40
21Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitative (A) "So wie der Hirsch nach frischem Wasser schreit"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach1:14
22Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (A) "Mund und Herze steht dir offen"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach4:40
23Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitative (T) "Bleib auch, mein Gott, in mir"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach0:44
24Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Chorale "Amen zu aller Stund"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (from 1997-09 until 1997-10)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 29)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach0:45
▼ CD 3
#TitleArtistRatingLength
1Kantate, BWV 147 "Herz und Mund und Tat und Leben": I. Chorus "Herz und Mund und Tat und Leben"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:09
2Kantate, BWV 147 "Herz und Mund und Tat und Leben": II. Recitative (T) "Gebenedeiter Mund!"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:42
3Kantate, BWV 147 "Herz und Mund und Tat und Leben": III. Aria (A) "Schäme dich, o Seele, nicht"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:21
4Kantate, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitative (B) "Verstockung kann Gewaltige verblenden"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:33
5Kantate, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (S) "Bereite dir, Jesu, noch itzo die Bahn"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:03
6Kantate, BWV 147 "Herz und Mund und Tat und Leben": VI. Chorale "Wohl mir, daß ich Jesum habe"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:12
7Kantate, BWV 147 "Herz und Mund und Tat und Leben": VII. Aria (T) "Hilf, Jesu, hilf, daß ich auch dich bekenne"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31
8Kantate, BWV 147 "Herz und Mund und Tat und Leben": VIII. Recitative (A) "Der höchsten Allmacht Wunderhand"
alto vocals:
Bogna Bartosz (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:04
9Kantate, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (B) "Ich woll von Jesu Wundern singen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:44
10Kantate, BWV 147 "Herz und Mund und Tat und Leben": X. Chorale "Jesus bleibet meine Freude"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:14
11Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (B) "Leichtgesinnte Flattergeister"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Bass) "Leichtgesinnte Flattergeister" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach3:02
12Kantate, BWV 181 "Leichtgesinnte Flattergeister": II. Recitative (A) "O unglückselger Stand verkehrter Seelen"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": II. Recitativo (Alt) "O unglückselger Stand verkehrter Seelen" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach1:41
13Kantate, BWV 181 "Leichtgesinnte Flattergeister": III. Aria (T) "Der schädlichen Dornen unendliche Zahl"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": III. Aria (Tenor) "Der schädlichen Dornen unendliche Zahl" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach3:19
14Kantate, BWV 181 "Leichtgesinnte Flattergeister": IV. Recitative (S) "Von diesen wird die Kraft erstickt"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": IV. Recitativo (Sopran) "Von diesen wird die Kraft erstickt" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach0:47
15Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Chorus "Laß, Höchster, uns zu allen Zeiten"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach4:52
16Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitative (T) "Erhöhtes Fleisch und Blut"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach0:41
17Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (T) "Ein geheiligtes Gemüte"
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach3:41
18Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (A) "Gott will, o ihr Menschenkinder"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:46
19Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (S,B) "So hatt Gott die Welt geliebt"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach3:46
20Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitative (S,T) "Unendlichster, den man doch Vater nennt"
soprano vocals:
Lisa Larsson (soprano) (from 1997-09 until 1997-10)
tenor vocals:
Gerd Türk (German tenor) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:09
21Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Chorus "Rühre, Höchster, unsern Geist"
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1997-09 until 1997-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach2:39
22Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (B) "Leichtgesinnte Flattergeister" (alt.)
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Basso) "Leichtgesinnte Flattergeister" (alt.) (later version with woodwind) (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Bass) "Leichtgesinnte Flattergeister"
Johann Sebastian Bach3:14
23Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Chorus "Laß, Höchster, uns zu allen Zeiten" (alt.)
choir vocals:
Amsterdam Baroque Choir (from 1997-09 until 1997-10)
orchestra:
Amsterdam Baroque Orchestra (from 1997-09 until 1997-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-09 until 1997-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-09 until 1997-10)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten" (alt.) (later version with woodwind) (from 1997-09 until 1997-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten"
Johann Sebastian Bach4:49

Credits

Release

orchestra:Amsterdam Baroque Orchestra
conductor:Ton Koopman (conductor, organist and harpsichordist)
performer:Amsterdam Baroque Choir
ASIN:DE: B0002K70F6 [info]

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (order: 5)