Tracklist

CD 1
# Title Rating Length
1 Sinfonie Nr. 40 in g-Moll, KV 550: I. Molto allegro 6:40
2 Sinfonie Nr. 40 in g-Moll, KV 550: II. Andante 12:06
3 Sinfonie Nr. 40 in g-Moll, KV 550: III. Menuetto und Trio - Allegretto 3:42
4 Sinfonie Nr. 40 in g-Moll, KV 550: IV. Allegro assai 6:50
5 Klavierkonzert Nr. 21 in C-Dur, KV 467: I. Allegro maestoso 14:37
6 Klavierkonzert Nr. 21 in C-Dur, KV 467: II. Andante 3 5:36
7 Klavierkonzert Nr. 21 in C-Dur, KV 467: III. Allegro assai 7:03
8 Andante für Flöte und Orchester 7:27

Credits

CD 1

flute:
Arife Gülsen Tatu (flutist) (track 8)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) (tracks 5–7)
Angela Giulini (pianist) (tracks 5, 7)
Leonard Hokanson (pianist) (tracks 5, 7)
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) (tracks 5–7)
István Székely (pianist) (tracks 5, 7)
Silvia Čápová (pianist) (tracks 5, 7)
composer:
Wolfgang Amadeus Mozart (classical composer) (1778) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 5–7)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-07-25) (tracks 1–4)
conductor:
Richard Edlinger (conductor and composer) (tracks 1–4)
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (tracks 5–7)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 2, 5–7)
Kurt Redel (flutist and conductor) (tracks 5, 7)
Joseph Scheider (conductor) (track 8)
Alfred Scholz (tracks 5, 7)
orchestra:
Camerata Labacensis (tracks 5, 7)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (tracks 5, 7)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1–4)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 1–7)
Salzburg Mozart Soloists (an Alfred Scholz pseudonym) (track 8)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (tracks 5–7)
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 285e) (track 8)
Köchelverzeichnis (original numbering) (number: 315) (track 8)
arrangements:
Andante in C major for Flute and Orchestra, K. 285e/315 (catch-all for arrangements) (track 8)
Andante in C major, K. 285e/315 (for flute and string trio, arr. Mordechai Rechtman) (track 8)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - Munich 1836) (track 5)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - London 1827) (track 5)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso (for piano and string quintet, Lachner) (track 5)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - Munich 1836) (track 6)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - London 1827) (track 6)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for piano and string quintet, Lachner) (track 7)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - London 1827) (track 7)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - Munich 1836) (track 7)
is the basis for:
Sex’n fax (track 6)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version) (movement) (tracks 1–4)
recording of:
referred to in medleys:

Release

part of:Musyka Mistrzów (number: 21)