| # | Title | Rating | Length |
|---|
| 1 | Atomic- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- guest background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979), Chrysalis Records (in 1979) and Chrysalis Records Ltd. (in 1980)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Atomic (from 1979-05 until 1979-06)
- writer:
- Jimmy Destri and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| 4 | 3:50 |
| 2 | Heart of Glass- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison
- drums (drum set):
- Clem Burke
- guitar:
- Frank Infante and Chris Stein
- keyboard:
- Jimmy Destri
- lead vocals:
- Deborah Harry
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1978), Capitol Records, Inc. (in 1978), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
- version of:
- Once I Had a Love
| 4.4 | 4:12 |
| 3 | Sunday Girl- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978, in 1979), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Sunday Girl (from 1978-06 until 1978-07)
- lyricist and composer:
- Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
| 4 | 3:15 |
| 4 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| 4.2 | 3:33 |
| 5 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| 4.45 | 3:53 |
| 6 | Denis- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 2001) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- cover recording of:
- Denise (from 1977-06 until 1977-07)
- lyricist and composer:
- Neil Levenson
- publisher:
- Bright Tunes Music Corp., EMI Music Publishing Ltd. , Minder Music Ltd. and Taking Care of Business Music Inc.
| 3.6 | 2:19 |
| 7 | Dreaming- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2001), Chrysalis Records (in 1979), Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001) and Capitol Records (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 4) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 414)
- recording of:
- Dreaming (from 1979-05 until 1979-06)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| 3.55 | 3:06 |
| 8 | Rapture | 3.6 | 4:59 |
| 9 | Hanging On the Telephone- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- cover recording of:
- Hanging On the Telephone (from 1978-06 until 1978-07)
- lyricist and composer:
- Jack Lee
- publisher:
- BMG Blue, Chrysalis Music Ltd. , Chrysalis Records Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Red Admiral Music Inc. and Rare Blue Music Inc (in 1978)
| 4.2 | 2:22 |
| 10 | (I’m Always Touched by Your) Presence, Dear- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1977, in 2001), Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 1978, in 2001), Chrysalis Records Ltd. (in 1978) and Capitol Records (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- recording of:
- (I’m Always Touched by Your) Presence, Dear (from 1977-06 until 1977-07)
- lyricist and composer:
- Gary Joseph Lachman
- publisher:
- Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Jiru Music, Inc. and Monster Island Music Publishing Corporation
| 3.05 | 2:43 |
| 11 | Island of Lost Souls- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1981-12)
- drums (drum set):
- Clem Burke (in 1981-12)
- guest horn:
- Rick Davies (in 1981-12), Mac Gollehon (in 1981-12), Ray Maldonado (in 1981-12) and Luis “Perico” Ortiz (in 1981-12)
- guitar:
- Frank Infante (in 1981-12) and Chris Stein (in 1981-12)
- keyboard:
- Jimmy Destri (in 1981-12)
- lead vocals:
- Deborah Harry (in 1981-12)
- instruments arranger:
- Robert Aaron
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Chrysalis Records (in 1982) and Chrysalis Records Ltd. (in 1982)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (in 1981-12)
- recording of:
- Island of Lost Souls (in 1981-12)
- lyricist:
- Deborah Harry
- composer:
- Chris Stein
- publisher:
- Chrysalis Music , Chrysalis Music Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
| 3.15 | 3:50 |
| 12 | Picture This- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Picture This (from 1978-06 until 1978-07)
- writer:
- Jimmy Destri, Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
| 3.6 | 2:56 |
| 13 | Union City Blue- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2001), Chrysalis Records (in 1979), Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001) and Capitol Records (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Union City Blue (from 1979-05 until 1979-06)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Blue, BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Records Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. and Monster Island Music Publishing Corporation
| 3 | 3:19 |
| 14 | War Child- engineer:
- Markie Iannello and Doug Schwartz
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1981)
- drums (drum set):
- Clem Burke (in 1981)
- guest saxophone:
- Robert Aaron (in 1981)
- guitar:
- Frank Infante (in 1981) and Chris Stein (in 1981)
- keyboard:
- Jimmy Destri (in 1981)
- lead vocals:
- Deborah Harry (in 1981)
- instruments arranger:
- Robert Aaron
- phonographic copyright (℗) by:
- Chrysalis Records (in 1982), Chrysalis Records Ltd. (in 1982), Chrysalis Records, Inc. (in 1982), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (in 1981)
- mixed at:
- United Western Recorders in Hollywood, Los Angeles, California, United States
- recording of:
- War Child (in 1981)
- lyricist:
- Deborah Harry
- composer:
- Nigel Harrison
- publisher:
- Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, Monster Island Music Publishing Corporation, Rare Blue Music Inc (in 1982) and Red Admiral Music Inc. (in 1982)
| 1 | 4:01 |
| 15 | Rip Her to Shreds- recording engineer:
- Rob Freeman (from 1976-08 until 1976-09)
- assistant engineer:
- Don Hünerberg
- engineer:
- Rob Freeman and Craig Leon
- producer:
- Richard Gottehrer
- bass guitar:
- Gary Valentine (from 1976-08 until 1976-09)
- drums (drum set):
- Clem Burke (from 1976-08 until 1976-09)
- farfisa, grand piano, piano and synthesizer [roland]:
- Jimmy Destri (from 1976-08 until 1976-09)
- guitar:
- Chris Stein (from 1976-08 until 1976-09)
- lead vocals:
- Deborah Harry (from 1976-08 until 1976-09)
- remixer:
- Craig Leon
- phonographic copyright (℗) by:
- Chrysalis Records (in 1976), Chrysalis Records Ltd. (in 1977), Chrysalis Records, Inc. (in 1977, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
- recording of:
- Rip Her to Shreds (from 1976-08 until 1976-09)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), EMI Music , EMI Music Publishing Ltd. and Jiru Music, Inc.
| 3.3 | 3:20 |
| 16 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
| 4.15 | 3:28 |
| 17 | X Offender- recording engineer:
- Rob Freeman (from 1976-08 until 1976-09)
- assistant engineer:
- Don Hünerberg
- engineer:
- Rob Freeman and Craig Leon
- producer:
- Richard Gottehrer and Craig Leon
- bass guitar:
- Chris Stein (from 1976-08 until 1976-09)
- drums (drum set):
- Clem Burke (from 1976-08 until 1976-09)
- farfisa, grand piano, piano and synthesizer [roland]:
- Jimmy Destri (from 1976-08 until 1976-09)
- guitar:
- Gary Valentine (from 1976-08 until 1976-09)
- lead vocals:
- Deborah Harry (from 1976-08 until 1976-09)
- remixer:
- Craig Leon
- phonographic copyright (℗) by:
- Chrysalis Records (in 1976), Chrysalis Records, Inc. (in 1977, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
- recording of:
- X Offender (from 1976-08 until 1976-09)
- writer:
- Gary Lachman and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), EMI Music , Jiru Music, Inc. and Norfolk Square Music
| 3.8 | 3:12 |
| 18 | I’m Gonna Love You Too- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- cover recording of:
- I’m Gonna Love You Too (from 1978-06 until 1978-07)
- writer:
- Joe B. Mauldin, Norman Petty and Niki Sullivan
- publisher:
- MPL (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (in 1957, in 1958)
- recording of:
- I’m Gonna Love You Too
- writer:
- Joe B. Mauldin, Norman Petty and Niki Sullivan
- publisher:
- MPL (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (in 1957, in 1958)
| 3.5 | 2:08 |
| 19 | Fade Away and Radiate- miscellaneous support:
- Robert Fripp
- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Robert Fripp, Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Fade Away and Radiate (from 1978-06 until 1978-07)
- lyricist and composer:
- Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, BMG RM Chrysalis Music France, Chrysalis Music Ltd. , EMI Music Publishing Ltd. , フジパシフィックミュージック BMG事業部 and Rare Blue Music Inc (in 1978)
| 3.7 | 3:59 |
| 20 | Atomic ’98 (Xenomania mix) | | 4:34 |
| 21 | Atomic ’98 (Tall Paul remix) | | 8:43 |
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