The Very Best of Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Toccata and Fugue in D minor, BWV 565: Toccata
producer:
Teije van Geest (engineer/producer) (in 1988-08)
organ:
Wolfgang Rübsam (in 1988-08)
recorded at:
Oberlin Conservatory of Music Warner Hall (in 1988-08)
edit of:
Toccata and Fugue in D minor, BWV 565 by Wolfgang Rübsam
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
2:58
2Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie
producer:
Günter Appenheimer (producer/engineer) (from 1989-01 until 1989-03) and Hubert Geschwandtner (producer/engineer) (from 1989-01 until 1989-03)
orchestra:
Capella Istropolitana (from 1989-01 until 1989-03)
conductor:
Jaroslav Dvořák (from 1989-01 until 1989-03)
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1989-01 until 1989-03)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (from 1989-01 until 1989-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
41:21
3Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
producer:
Günter Appenheimer (producer/engineer) (from 1989-05 until 1989-06)
violin:
Alexander Jablokov (violinist) (from 1989-05-28 until 1989-06-02) and Takako Nishizaki (violinist) (from 1989-05-28 until 1989-06-02)
orchestra:
Capella Istropolitana (from 1989-05-28 until 1989-06-02)
conductor:
Oliver von Dohnányi (conductor) (from 1989-05-28 until 1989-06-02)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (from 1989-05-28 until 1989-06-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1989-05-28 until 1989-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
6:46
4Mass in B minor, BWV 232: Agnus dei
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
alto vocals:
Martina Koppelstetter (soprano)
choir vocals:
Slovenský filharmonický zbor
contralto vocals:
Martina Koppelstetter (soprano) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
5:47
5Herz und Mund und Tat und Leben, BWV 147: X. Jesu, joy of man's desiring (arr. M. Hess)
engineer:
Stuart A. Rosenthal (engineer) (in 1995-06), Paul Stubblebine (in 1995-06) and Michael Weakley (engineer) (in 1995-06)
producer:
Maria Levin (in 1995-06) and Victor Levin (in 1995-06)
editor:
Lolly Lewis (producer)
piano:
Eteri Andjaparidze (pianist) (from 1995-06-15 until 1995-06-16)
arranger:
Dame Myra Hess (pianist)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1995-06-15 until 1995-06-16)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (from 1995-06-15 until 1995-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1995-06-15 until 1995-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:15
6Weichet nur, betubte Schatten, BWV 202, "Wedding Cantata": I. Adagio
engineer:
Hubert Geschwandtner (producer/engineer)
producer:
Karol Kopernický (producer)
soprano vocals:
Friederike Wagner (soprano) (from 1991-05-03 until 1991-05-05)
orchestra:
Capella Istropolitana (from 1991-05-03 until 1991-05-05)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1991-05-03 until 1991-05-05)
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1991-05-03 until 1991-05-05)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1991-05-03 until 1991-05-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
6:21
7Concerto for Violin and Oboe in C minor, BWV 1060: II. Adagio
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
oboe:
Emilia Csanky (oboist) (in 1991-11)
strings:
Budapesti Vonósok (Budapest String Orchestra; Budapest Strings) (in 1991-11)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings) (in 1991-11)
orchestra:
Budapesti Vonósok (Budapest String Orchestra; Budapest Strings)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
6:31
8Wachet auf, ruft uns die Stimme, BWV 140
producer:
Teije van Geest (engineer/producer) (in 1988-07)
organ:
Wolfgang Rübsam (in 1988-07)
recorded at:
St Michaels Church in Eutin, Schleswig-Holstein, Germany (in 1988-07)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1988-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:47
9Violin Partita No. 3 in E major, BWV 1006: I. Preludio
engineer and producer:
Johann Ketelaar (producer and engineer) (in 1996-04) and Lien van de Poel (producer and engineer) (in 1996-04)
editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1996-04) and Trionus (editor) (in 1996-04)
violin [baroque violin]:
Lucy van Dael (violinist) (from 1996-04-02 until 1996-04-16)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1996-04-02 until 1996-04-16)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (from 1996-04-02 until 1996-04-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
4:01
10St. Matthew Passion, BWV 244: Erbarme dich, mein Gott
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic Orchestra) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
performer:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1993-02-06 until 1993-02-14)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:10
11Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
recorder:
Daniel Rothert (from 1999-03 until 1999-04) and Nadja Schubert (flutist) (from 1999-03 until 1999-04)
violin:
Corinne Chapelle (violinist) (from 1999-03 until 1999-04)
orchestra:
Kölner Kammerorchester (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
recorded at:
Deutschlandradio Studios in Köln, Nordrhein-Westfalen, Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
6:23
12The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846
engineer:
János Bohus (Hungarian sound engineer.) (in 1995-12)
producer:
Ibolya Tóth (in 1995-12)
editor:
István Berényi (engineer) (in 1995-12)
piano:
Jenő Jandó (pianist) (from 1995-12-02 until 1995-12-10)
recorded at:
Unitarian Church in Budapest, Hungary (from 1995-12-02 until 1995-12-10)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (from 1995-12-02 until 1995-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: L80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
4:25
13Orchestral Suite No. 3 in D major, BWV 1068: II. Air on a G String
producer:
Hubert Geschwandtner (producer/engineer) (from 1989-01 until 1989-03) and Karol Kopernický (producer) (from 1989-01 until 1989-03)
orchestra:
Capella Istropolitana (from 1989-01 until 1989-03)
conductor:
Jaroslav Dvořák (from 1989-01 until 1989-03)
phonographic copyright (℗) by:
Naxos International
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1989-01 until 1989-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1989-01 until 1989-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
5:14
▼ CD 2
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1Goldberg Variations, BWV 988: I. Aria
engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
editor:
Mária Falvay (editor/engineer) and Veronika Vincze (engineer)
fortepiano:
Jenő Jandó (pianist) (from 2003-02-10 until 2003-02-13)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2003-02-10 until 2003-02-13)
recording of:
Goldberg-Variationen, BWV 988: Aria (from 2003-02-10 until 2003-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
3:58
2Cello Suite No. 1 in G major, BWV 1007: I. Prelude
engineer:
Vitaly Ivanov (engineer) (in 2000-01) and Farida Uzbekova (in 2000-01)
producer:
Vadim Ivanov (sound engineer)
cello:
Alexander Rudin (classical cellist and conductor) (in 2000-01)
recorded at:
Moscow Conservatory: The Small Hall in Moscow, Russia (in 2000-01)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
2:29
3Cello Suite No. 1 in G major, BWV 1007: VII. Gigue
engineer:
Vitaly Ivanov (engineer) (in 2000-01) and Farida Uzbekova (in 2000-01)
producer:
Vadim Ivanov (sound engineer)
cello:
Alexander Rudin (classical cellist and conductor) (in 2000-01)
recorded at:
Moscow Conservatory: The Small Hall in Moscow, Russia (in 2000-01)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
1:40
4Brandenburg Concerto No. 3 in G major, BWV 1048: III. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
cello [cello I]:
Gerhard Anders (classical cellist)
cello [cello II]:
Allan Bergius (boy soprano, classical cellist and conductor)
cello [cello III]:
Daniel Petrovich (classical cellist)
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Robert Hill (American harpsichordist)
viola [viola I]:
須藤真琴 (classical violinist)
viola [viola II]:
Marco Genero (classical violist)
viola [viola III]:
Maria Scheid (classical violist)
violin [violin I]:
Christine Pichlmeier (violinist)
violin [violin II]:
Corinne Chapelle (violinist)
violin [violin III]:
Lucas Barr (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln, Nordrhein-Westfalen, Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
partial recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1048)
part of:
Six concerts avec plusieurs instruments (Brandenburg concertos)
5:04
5Anna Magdalena Notenbuch in G major, BWV Anh. 114: Minuet
engineer:
János Bohus (Hungarian sound engineer.) (in 1992-07)
producer:
Ibolya Tóth (in 1992-07)
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1992-07-06 until 1992-07-09)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-07-06 until 1992-07-09)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (from 1992-07-06 until 1992-07-09)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 114)
1:34
6St. Matthew Passion, BWV 244: O Haupt voll Blut und Wunden
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
choir vocals:
Hungarian Festival Chorus (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic Orchestra) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1993-02-06 until 1993-02-14)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:27
7Oboe Concerto in G minor, BWV 1056: II. Largo
engineer:
Gabriele Albert (in 1996-11)
producer:
Uwe Walter (classical engineer)
oboe:
Christian Hommel (oboist) (in 1996-11)
orchestra:
Cologne Chamber Orchestra (in 1996-11)
conductor:
Helmut Müller‐Brühl (conductor) (in 1996-11)
recorded at:
Deutschlandradio Studios in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Concerto for Oboe in G minor, BWV 1056: II. Largo (in 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe in G minor, BWV 1056
2:49
8Harpsichord Concerto No. 1 in D minor, BWV 1052: I. Allegro
sound engineer:
Bodo Heinemann (engineer) (in 1998-08)
producer:
Uwe Walter (classical engineer) (in 1998-08)
editor:
Christoph Herr (engineer) (in 1998-08) and Uwe Walter (classical engineer) (in 1998-08)
harpsichord:
Robert Hill (American harpsichordist) (in 1998-08)
orchestra:
Kölner Kammerorchester (in 1998-08)
conductor:
Helmut Müller‐Brühl (conductor) (in 1998-08)
recorded at:
Deutschlandradio Studios in Köln, Nordrhein-Westfalen, Germany (in 1998-08)
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
7:49
9Cantata No. 82, BWV 82 "Ich habe genug": III. Schlummert ein
engineer:
Ian Parr (engineer)
producer:
Michael McCarthy (classical bass vocalist, choirmaster)
bass vocals:
Nicholas Gedge
orchestra:
Northern Chamber Orchestra
conductor:
Nicholas Ward (British conductor)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1993-12-02 until 1994-03-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
9:25
10Italian Concerto, BWV 971: I. Allegro
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1991-06-21 until 1991-06-22)
recorded at:
House of Arts (Szekszárd) in Szekszárd, Tolna, Hungary (from 1991-06-21 until 1991-06-22)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (from 1991-06-21 until 1991-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971
3:49
11Magnificat in D major, BWV 243: Magnificat
engineer:
Ian Parr (engineer) (from 1993-12-02 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-02 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-02 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-02 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-02 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-02 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-02 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1993-12-02 until 1994-03-14)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
33:13
12Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai
producer:
Günter Appenheimer (producer/engineer) (from 1989-05 until 1989-06)
violin:
Takako Nishizaki (violinist) (from 1989-05-28 until 1989-06-02)
orchestra:
Capella Istropolitana (from 1989-05-28 until 1989-06-02)
conductor:
Oliver von Dohnányi (conductor) (from 1989-05-28 until 1989-06-02)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (from 1989-05-28 until 1989-06-02)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai (from 1989-05-28 until 1989-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:47
13Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
flute:
Karl Kaiser (flautist) (from 1999-03 until 1999-04)
harpsichord:
Robert Hill (American harpsichordist) (from 1999-03 until 1999-04)
violin:
Christine Pichlmeier (violinist) (from 1999-03 until 1999-04)
orchestra:
Kölner Kammerorchester (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
recorded at:
Deutschlandradio Studios in Köln, Nordrhein-Westfalen, Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
4:59
14Christmas Oratorio, BWV 248: Jauchzet, frohlocket
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:15