The Tenor Trio

~ Release by Ernie Watts / Pete Christlieb / Rickey Woodard (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Blues Up and Down
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Blues Up and Down (from 1997-03-04 until 1997-03-06)
composer:
Gene Ammons and Sonny Stitt
4:12
2Strollin'
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Strollin' (in 1997-03)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
7:23
3Groovin' High
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Groovin’ High (in 1997-03)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
5:42
4Love for Sale
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
instrumental recording of:
Love for Sale (in 1997-03)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
6:29
5St. Thomas
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
St. Thomas (in 1997-03)
composer:
Sonny Rollins
publisher:
Prestige Music Co. (US, affiliated with BMI)
4:04
6Fried Bananas
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
instrumental recording of:
Fried Bananas (jazz interpretation of "It Could Happen to You") (in 1997-03)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
additional composer:
Dexter Gordon
composer:
Jimmy Van Heusen
is based on:
It Could Happen to You
5:41
7Here's to Alvy
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
5:48
8Holy Land
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Holy Land (in 1997-03)
composer:
Cedar Walton
6:07
9Moten Swing
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Moten Swing (in 1997-03)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
5:52
10Eternal Triangle
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Eternal Triangle (in 1997-03)
composer:
Sonny Stitt
5:17
11Little Pony
double bass [bass]:
Chuck Berghofer (Jazz bassist) (from 1997-03-04 until 1997-03-06)
drums (drum set):
Frank Capp (from 1997-03-04 until 1997-03-06)
piano:
Gerry Wiggins (from 1997-03-04 until 1997-03-06)
tenor saxophone:
Pete Christlieb (from 1997-03-04 until 1997-03-06), Ernie Watts (jazz and blues saxophonist) (from 1997-03-04 until 1997-03-06) and Rickey Woodard (from 1997-03-04 until 1997-03-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (from 1997-03-04 until 1997-03-06)
recording of:
Little Pony (in 1997-03)
composer and arranger:
Neal Hefti
5:30