For the Good Times: A Tribute to Ray Price

~ Release by Willie Nelson (see all versions of this release, 4 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Heartaches by the Number
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
accordion and piano:
Jeff Taylor (US accordion and keyboard player)
acoustic guitar and background vocals:
Vince Gill
bass:
Brad Albin
electric guitar:
Vince Gill and Andy Reiss
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer), Kenny Sears and Joe Spivey
harmonica:
Mickey Raphael
membranophone:
Billy Thomas (US country drummer)
pedal steel guitar:
Paul Franklin (steel guitarist)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
Heartaches by the Number
lyricist and composer:
Harlan Howard
publisher:
Good Ol’ Harlan Music, Sony/ATV Tree Publishing and Legacy of Harlan Perry Howard, LLC (in 1959)
3:05
A2I’ll Be There (If You Ever Want Me)
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
accordion and piano:
Jeff Taylor (US accordion and keyboard player)
acoustic guitar and background vocals:
Vince Gill
bass:
Brad Albin
electric guitar:
Vince Gill and Andy Reiss
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer), Kenny Sears and Joe Spivey
harmonica:
Mickey Raphael
membranophone:
Billy Thomas (US country drummer)
pedal steel guitar:
Paul Franklin (steel guitarist)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
performer:
The Time Jumpers
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
I’ll Be There (If You Ever Want Me)
writer:
Arthur “Rusty” Gabbard and Ray Price (American country music singer, songwriter, and guitarist)
publisher:
Ernest Tubb Music (in 1954)
2:10
A3Faded Love
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
acoustic guitar:
John Willis
bass:
Larry Paxton
cello:
Anthony LaMarchina (American cellist), Kirsten Greer, Julia Tanner (cellist), Eli Lara, Keith Nicholas, Carole Rabinowitz and Michael Samis
double bass:
Jack Jezzro and Craig Nelson (US string bass player)
electric guitar:
Steve Gibson (US country vocalist and guitarist)
flute and saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
membranophone:
Eddie Bayers
oboe:
James Button
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
John Hobbs
vibraphone:
Charlie McCoy (white blues harmonica player, 1960s-present)
viola:
Seanad Chang, Chris Farrell (US violist), Bruce Christensen (US violinist), Jim Grosjean, Kristen Wilkinson (Nashville songwriter and viola player) and Simona Rusu
violin:
David Angell (American violinist), Catherine Umstead, Wei Tsun Chang, John Darnall, David Davidson (violinist), Conni Ellisor, Karen Winklemann, Mary Kathryn VanOsdale, Stefan Petrescu, Alan Umstead and Bruce Wethey
background vocals:
Ellen Dockery, Jon Mark Ivey, Jordan Lehning, Shane McConnell, Lisa Silver, Kira Small and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
Faded Love
miscellaneous support:
Merle Haggard (US country singer, guitarist, fiddler & songwriter) (in 1971)
lyricist, writer and composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader) and John Wills (Texas fiddler)
publisher:
Anne-Rachel Music Corp. and WB Music Corp. (1929–2019) (in 1951)
5:24
A4It Always Will Be
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
acoustic guitar:
John Willis
bass:
Larry Paxton
cello:
Anthony LaMarchina (American cellist), Kirsten Greer, Julia Tanner (cellist), Eli Lara, Keith Nicholas, Carole Rabinowitz and Michael Samis
double bass:
Jack Jezzro and Craig Nelson (US string bass player)
electric guitar:
Steve Gibson (US country vocalist and guitarist)
flute and saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
membranophone:
Eddie Bayers
oboe:
James Button
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
John Hobbs
vibraphone:
Charlie McCoy (white blues harmonica player, 1960s-present)
viola:
Seanad Chang, Chris Farrell (US violist), Bruce Christensen (US violinist), Jim Grosjean, Kristen Wilkinson (Nashville songwriter and viola player) and Simona Rusu
violin:
David Angell (American violinist), Catherine Umstead, Wei Tsun Chang, John Darnall, David Davidson (violinist), Conni Ellisor, Karen Winklemann, Mary Kathryn VanOsdale, Stefan Petrescu, Alan Umstead and Bruce Wethey
background vocals:
Ellen Dockery, Jon Mark Ivey, Jordan Lehning, Shane McConnell, Lisa Silver, Kira Small and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
recording of:
It Always Will Be
lyricist and composer:
Willie Nelson
publisher:
Active Five Music and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (in 2005)
3:34
A5City Lights
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
accordion and piano:
Jeff Taylor (US accordion and keyboard player)
acoustic guitar and background vocals:
Vince Gill
bass:
Brad Albin
electric guitar:
Vince Gill and Andy Reiss
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer), Kenny Sears and Joe Spivey
harmonica:
Mickey Raphael
membranophone:
Billy Thomas (US country drummer)
pedal steel guitar:
Paul Franklin (steel guitarist)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
City Lights
lyricist and composer:
Bill Anderson (US country singer, songwriter & TV personality)
publisher:
Bill Anderson Music (in 1958)
2:57
A6Don’t You Ever Get Tired of Hurting Me
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
accordion and piano:
Jeff Taylor (US accordion and keyboard player)
acoustic guitar and background vocals:
Vince Gill
bass:
Brad Albin
electric guitar:
Vince Gill and Andy Reiss
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer), Kenny Sears and Joe Spivey
harmonica:
Mickey Raphael
membranophone:
Billy Thomas (US country drummer)
pedal steel guitar:
Paul Franklin (steel guitarist)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
Don’t You Ever Get Tired of Hurting Me
lyricist and composer:
Hank Cochran (Nashville singer and songwriter)
publisher:
Sony/ATV Tree Publishing (in 1964)
2:34
B1Make the World Go Away
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
acoustic guitar:
John Willis
bass:
Larry Paxton
cello:
Anthony LaMarchina (American cellist), Kirsten Greer, Julia Tanner (cellist), Eli Lara, Keith Nicholas, Carole Rabinowitz and Michael Samis
double bass:
Jack Jezzro and Craig Nelson (US string bass player)
electric guitar:
Steve Gibson (US country vocalist and guitarist)
flute and saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
membranophone:
Eddie Bayers
oboe:
James Button
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
John Hobbs
vibraphone:
Charlie McCoy (white blues harmonica player, 1960s-present)
viola:
Seanad Chang, Chris Farrell (US violist), Bruce Christensen (US violinist), Jim Grosjean, Kristen Wilkinson (Nashville songwriter and viola player) and Simona Rusu
violin:
David Angell (American violinist), Catherine Umstead, Wei Tsun Chang, John Darnall, David Davidson (violinist), Conni Ellisor, Karen Winklemann, Mary Kathryn VanOsdale, Stefan Petrescu, Alan Umstead and Bruce Wethey
background vocals:
Ellen Dockery, Jon Mark Ivey, Jordan Lehning, Shane McConnell, Lisa Silver, Kira Small and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
Make the World Go Away
lyricist and composer:
Hank Cochran (Nashville singer and songwriter)
publisher:
Sony/ATV Songs LLC and Sony/ATV Tree Publishing (in 1963)
3:03
B2I’m Still Not Over You
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
acoustic guitar:
John Willis
bass:
Larry Paxton
cello:
Anthony LaMarchina (American cellist), Kirsten Greer, Julia Tanner (cellist), Eli Lara, Keith Nicholas, Carole Rabinowitz and Michael Samis
double bass:
Jack Jezzro and Craig Nelson (US string bass player)
electric guitar:
Steve Gibson (US country vocalist and guitarist)
flute and saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
membranophone:
Eddie Bayers
oboe:
James Button
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
John Hobbs
vibraphone:
Charlie McCoy (white blues harmonica player, 1960s-present)
viola:
Seanad Chang, Chris Farrell (US violist), Bruce Christensen (US violinist), Jim Grosjean, Kristen Wilkinson (Nashville songwriter and viola player) and Simona Rusu
violin:
David Angell (American violinist), Catherine Umstead, Wei Tsun Chang, John Darnall, David Davidson (violinist), Conni Ellisor, Karen Winklemann, Mary Kathryn VanOsdale, Stefan Petrescu, Alan Umstead and Bruce Wethey
background vocals:
Ellen Dockery, Jon Mark Ivey, Jordan Lehning, Shane McConnell, Lisa Silver, Kira Small and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
recording of:
I’m Still Not Over You
lyricist and composer:
Willie Nelson
publisher:
Sony/ATV Tree Publishing (in 1966)
4:31
B3Night Life
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
acoustic guitar:
John Willis
bass:
Larry Paxton
cello:
Anthony LaMarchina (American cellist), Kirsten Greer, Julia Tanner (cellist), Eli Lara, Keith Nicholas, Carole Rabinowitz and Michael Samis
double bass:
Jack Jezzro and Craig Nelson (US string bass player)
electric guitar:
Steve Gibson (US country vocalist and guitarist)
flute and saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
membranophone:
Eddie Bayers
oboe:
James Button
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
John Hobbs
vibraphone:
Charlie McCoy (white blues harmonica player, 1960s-present)
viola:
Seanad Chang, Chris Farrell (US violist), Bruce Christensen (US violinist), Jim Grosjean, Kristen Wilkinson (Nashville songwriter and viola player) and Simona Rusu
violin:
David Angell (American violinist), Catherine Umstead, Wei Tsun Chang, John Darnall, David Davidson (violinist), Conni Ellisor, Karen Winklemann, Mary Kathryn VanOsdale, Stefan Petrescu, Alan Umstead and Bruce Wethey
background vocals:
Ellen Dockery, Jon Mark Ivey, Jordan Lehning, Shane McConnell, Lisa Silver, Kira Small and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
recording of:
Night Life (Willie Nelson)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
3:19
B4Crazy Arms
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
accordion and piano:
Jeff Taylor (US accordion and keyboard player)
acoustic guitar and background vocals:
Vince Gill
bass:
Brad Albin
electric guitar:
Vince Gill and Andy Reiss
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer), Kenny Sears and Joe Spivey
harmonica:
Mickey Raphael
membranophone:
Billy Thomas (US country drummer)
pedal steel guitar:
Paul Franklin (steel guitarist)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
performer:
The Time Jumpers
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
Crazy Arms
writer:
Ralph Mooney (in 1954) and Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) and MCA Music Svenska AB (in 1978)
2:44
B5Invitation to the Blues
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
accordion and piano:
Jeff Taylor (US accordion and keyboard player)
acoustic guitar and background vocals:
Vince Gill
bass:
Brad Albin
electric guitar:
Vince Gill and Andy Reiss
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer), Kenny Sears and Joe Spivey
harmonica:
Mickey Raphael
membranophone:
Billy Thomas (US country drummer)
pedal steel guitar:
Paul Franklin (steel guitarist)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
Invitation to the Blues
lyricist and composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
publisher:
Trio Music (publisher) and Fort Knox Music (in 1958)
2:47
B6For the Good Times
assistant engineer:
Josh Ditty
engineer:
Pat McMakin
producer:
Fred Foster
assistant mixer:
Jordan Lehning and Kevin Solinicki
mixer:
Kyle Lehning
acoustic guitar:
John Willis
bass:
Larry Paxton
cello:
Anthony LaMarchina (American cellist), Kirsten Greer, Julia Tanner (cellist), Eli Lara, Keith Nicholas, Carole Rabinowitz and Michael Samis
double bass:
Jack Jezzro and Craig Nelson (US string bass player)
electric guitar:
Steve Gibson (US country vocalist and guitarist)
flute and saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
membranophone:
Eddie Bayers
oboe:
James Button
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
John Hobbs
vibraphone:
Charlie McCoy (white blues harmonica player, 1960s-present)
viola:
Seanad Chang, Chris Farrell (US violist), Bruce Christensen (US violinist), Jim Grosjean, Kristen Wilkinson (Nashville songwriter and viola player) and Simona Rusu
violin:
David Angell (American violinist), Catherine Umstead, Wei Tsun Chang, John Darnall, David Davidson (violinist), Conni Ellisor, Karen Winklemann, Mary Kathryn VanOsdale, Stefan Petrescu, Alan Umstead and Bruce Wethey
background vocals:
Ellen Dockery, Jon Mark Ivey, Jordan Lehning, Shane McConnell, Lisa Silver, Kira Small and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2016)
mixed at:
The Compound (Nashville) in Nashville, Tennessee, United States
engineered at:
Masterfonics in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
cover recording of:
For the Good Times
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
4:17