Eugene Ormandy in memoriam

~ Release by Eugene Ormandy, The Philadelphia Orchestra (see all versions of this release, 1 available)

Tracklist

▼ SACD 1
# Title Artist Rating Length
1 Symphonic Poem "Also sprach Zarathustra", op. 30: I. Sehr breit Richard Strauss 1:48
2 Symphonic Poem "Also sprach Zarathustra", op. 30: II. Von den Hinterweltlern Richard Strauss 3:32
3 Symphonic Poem "Also sprach Zarathustra", op. 30: III. Von der großen sehnsucht Richard Strauss 1:57
4 Symphonic Poem "Also sprach Zarathustra", op. 30: IV. Von den Freuden und Leidenschaften Richard Strauss 2:05
5 Symphonic Poem "Also sprach Zarathustra", op. 30: V. Das Grablied Richard Strauss 2:05
6 Symphonic Poem "Also sprach Zarathustra", op. 30: VI. Von der Wissenschaft Richard Strauss 4:10
7 Symphonic Poem "Also sprach Zarathustra", op. 30: VII. Der Genesende Richard Strauss 5:13
8 Symphonic Poem "Also sprach Zarathustra", op. 30: VIII. Das Tanzlied Richard Strauss 7:54
9 Symphonic Poem "Also sprach Zarathustra", op. 30: IX. Nachtwandlerlied Richard Strauss 4:43
10 Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Maidens of Saari Jean Sibelius 16:17
11 Lemminkäinen Suite, op. 22: II. The Swan of Tuonela Jean Sibelius 9:08
12 Lemminkäinen Suite, op. 22: III. Lemminkäinen in Tuonela Jean Sibelius 14:28
13 Lemminkäinen Suite, op. 22: IV. Lemminkäinen's Return Jean Sibelius 6:18
▼ SACD 2
# Title Artist Rating Length
1 Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo Béla Bartók 7:52
2 Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro Béla Bartók 7:35
3 Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio Béla Bartók 7:08
4 Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto Béla Bartók 7:36
5 Concert Suite "The Miraculous Mandarin", op. 19, Sz. 73 Béla Bartók 20:13
6 Wanderer Fantasia in C major, D. 760 Franz Schubert / Franz Liszt 20:14
▼ SACD 3
# Title Artist Rating Length
1 Symphonic Metamorphoses on Themes by Weber: I. Allegro Paul Hindemith 4:13
2 Symphonic Metamorphoses on Themes by Weber: II. Turandot (Scherzo) Paul Hindemith 7:55
3 Symphonic Metamorphoses on Themes by Weber: III. Andantino Paul Hindemith 4:05
4 Symphonic Metamorphoses on Themes by Weber: IV. March Paul Hindemith 4:49
5 Concert Music for Strings & Brass, op. 50: First Part Paul Hindemith 8:36
6 Concert Music for Strings & Brass, op. 50: Second Part Paul Hindemith 8:27
7 Concerto in the Hungarian Style, S. 714 Franz Liszt / Peter Ilyich Tchaikovsky 15:16
8 Hungarian Fantasia, S. 123 Franz Liszt 15:18
9 Adagio for Strings, op. 11 Samuel Barber 6:26

Credits

SACD 1

composer:
Jean Sibelius (1895) (track 11)
Jean Sibelius (1896) (tracks 10, 12–13)
Richard Strauss (German composer) (1896) (tracks 1–9)
conductor:
Eugene Ormandy (conductor) (tracks 1–13)
orchestra:
The Philadelphia Orchestra (tracks 1–13)
revised by:
Jean Sibelius (1897) (track 12)
Jean Sibelius (1939) (track 12)
has revision:
Lemminkäinen Suite, op. 22: IV. Lemminkäinen's Return (1897 revision) (track 13)
later versions:
Also sprach Zarathustra (2001) (arr. Deodato) (track 1)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (tracks 10–12)
Also sprach Zarathustra (op 30; TrV 176) (tracks 1–9)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (track 1)
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern (track 2)
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht (track 3)
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften (track 4)
Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (track 9)
Also sprach Zarathustra, op. 30: V. Das Grablied (track 5)
Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft (track 6)
Also sprach Zarathustra, op. 30: VII. Der Genesende (track 7)
Also sprach Zarathustra, op. 30: VIII. Das Tanzlied (track 8)
Lemminkäinen Suite, op. 22: IV. Lemminkäinen's Return (1896 original version) (track 13)
Lemminkäis-sarja (Neljä legendaa), op. 22: I. Lemminkäinen ja saaren neidot (track 10)
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (The Swan of Tuonela) (track 11)
Lemminkäis-sarja (Neljä legendaa), op. 22: III. Lemminkäinen Tuonelassa (track 12)
revision of:
Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Maidens of the Island (1896 original version) (track 10)
Lemminkäinen Suite, op. 22: II. Lemminkäinen Tuonelassa (1896 reconstruction by Colin Davis (2004)) (track 12)

SACD 2

piano:
Cyprien Katsaris (pianist) (track 6)
composer:
Béla Bartók (composer) (tracks 1–5)
Franz Schubert (Austrian composer Franz Peter Schubert) (1822) (track 6)
conductor:
Eugene Ormandy (conductor) (tracks 1–6)
orchestra:
The Philadelphia Orchestra (tracks 1–6)
orchestrator:
Franz Liszt (track 6)
part of:
The Music of Liszt (number: S. 366) (track 6)
is based on:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (track 5)
orchestration of:
Fantasy in C major, D. 760 “Wanderer” (track 6)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114 (tracks 1–4)
parts:
Fantasy in C major, S. 366 “Wanderer”: I. Allegro con fuoco (for piano and orchestra, Liszt) (track 6)
The Miraculous Mandarin Suite, op. 19: I. A Shabby Room in the Slums (track 5)
Fantasy in C major, S. 366 “Wanderer”: II. Adagio (for piano and orchestra, Liszt) (track 6)
The Miraculous Mandarin Suite, op. 19: II. First Decoy Game (track 5)
Fantasy in C major, S. 366 “Wanderer”: III. Presto (for piano and orchestra, Liszt) (track 6)
The Miraculous Mandarin Suite, op. 19: III. Second Decoy Game (track 5)
Fantasy in C major, S. 366 “Wanderer”: IV. Allegro (for piano and orchestra, Liszt) (track 6)
The Miraculous Mandarin Suite, op. 19: IV. Third Decoy Game (track 5)
The Miraculous Mandarin Suite, op. 19: V. The Girl Is Undecided (track 5)
The Miraculous Mandarin Suite, op. 19: VI. The Mandarin's Passion Is Finally Roused (track 5)
recording of:
Fantasy in C major, S. 366 “Wanderer” (for piano and orchestra, Liszt) (track 6)
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (track 1)
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (track 2)
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (track 3)
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (track 4)
The Miraculous Mandarin Suite, op. 19 (track 5)

SACD 3

piano:
Cyprien Katsaris (pianist) (tracks 7–8)
additional composer:
Franz Liszt (track 7)
composer:
Sophie Menter (track 7)
Franz Liszt (1846 – 1852) (track 8)
Paul Hindemith (German composer, 1895-1963) (1930-11 – 1930-12) (tracks 5–6)
Samuel Barber (American orchestral, choral, opera & piano composer) (1936) (track 9)
Paul Hindemith (German composer, 1895-1963) (1943) (tracks 1–4)
conductor:
Eugene Ormandy (conductor) (tracks 1–9)
dedicated to:
Hans von Bülow (track 8)
orchestra:
The Philadelphia Orchestra (tracks 1–9)
orchestrator:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 7)
Samuel Barber (American orchestral, choral, opera & piano composer) (1938) (track 9)
premiered at:
[concert] (1853-06-01) (track 8)
[radio broadcast] (1938-11-05) (track 9)
publisher:
Gustav Heinze (1864) (track 8)
part of:
The Music of Liszt (number: S. 123) (track 8)
The Music of Liszt (number: S. 714) (track 7)
arrangement of:
String Quartet, op. 11: II. Molto adagio (track 9)
arrangements:
Adagio for Strings (Bond arrangement) (track 9)
Adagio for Strings (arr. John O'Reilly for woodwind band) (track 9)
Adagio for Strings (arr. Lucien Cailliet for clarinet choir) (track 9)
Adagio for Strings (Lee Jackson arrangement) (track 9)
Adagio for Strings (for organ, Strickland) (track 9)
Adagio for Strings (catch-all for arrangements) (track 9)
Agnus Dei (arr. Samuel Barber for chorus) (track 9)
Fantasy on Hungarian Folk Themes (for wind ensemble, Grainger) (track 8)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro (for concert band, Wilson) (track 1)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo) (for concert band, Wilson) (track 2)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: III. Andantino (for concert band, Wilson) (track 3)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: IV. Marsch (for concert band, Wilson) (track 4)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14 (track 8)
Turandot, op. 37, J. 75: 1. Overture (track 2)
is the basis for:
Dov’è l’amore (track 9)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50 (tracks 5–6)
Symphonic Metamorphosis after Themes by Carl Maria von Weber (tracks 1–4)
recording of:
Adagio for Strings (track 9)
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (track 8)
Konzertmusik für Streichorchester und Blechbläser, op. 50: I. Mässig schnell, mit Kraft – Sehr breit, aber stehts fliessend (Moderately fast, with power – Very broad, but always flowing) (track 5)
Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) (track 6)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro (track 1)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo) (track 2)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: III. Andantino (track 3)
Symphonic Metamorphosis after Themes by Carl Maria von Weber: IV. Marsch (track 4)
Ungarische Zigeunerweisen (Konzert im ungarischen Styl) (track 7)

Release

ASIN:US: B01I286XNY [info]