Les Plus Grandes Émotions de la musique (Musique classique)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
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1Op. 64 No. 3 en La bémol majeur “Rêve d'amour”
piano:
Josef Bulva (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:20
2Suite pour orchestre No. 5 en Ré majeur, BWV 1068 “Aria”
conductor:
Christian Reiner (Fictitious composer related to Alfred Scholz)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:17
3Peer Gynt, Suite No. 1 Op. 46 “Le matin”
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:55
4Le Troubadour: Acte II “Chœur des bohémiens”
orchestra:
Orchestre Philharmonique de Nuremberg (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:48
5La Flûte enchantée: “Ouverture – “Der Hölle Rache…” (La Reine de la Nuit) – “Soll ich dich, …” (Air de Pamina)
soprano vocals [Königin der Nacht]:
Miki Sahashi (soprano, Scholz related)
soprano vocals [Pamina]:
Helena Kaupova
orchestra:
Capella Istropolitana, London Philharmonic Orchestra (Alfred Scholz pseudonym) and Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor), Klaus-Peter Modest (Scholz related conductor) and Alfred Scholz
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Ouvertüre
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart13:41
6Carmen: Suites No. 1 & 2 “Seguédille” – “Les Toréadors” – “Habanera” – “Chanson du Toréador”
orchestra:
Radio Symphony Orchestra Paris (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet8:56
7Tannhäuser: Ouverture
orchestra:
London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner14:41
8Op. 53 en La bémol majeur “Polonaise”
piano:
Peter Schmalfuss (pianist)
recording of:
Polonaise in A-flat major, op. 53 “Heroique”
composer:
Fryderyk Chopin (composer) (in 1842)
dedicated to:
Auguste Léo
part of:
Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin6:25