Four Classic Albums Plus

~ Release by Milt Jackson (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Lover
recorded in:
New York, New York, United States (on 1956-01-23)
producer:
Herman Lubinsky
bass:
Wendell Marshall (on 1956-01-23)
drums (drum set):
Kenny Clarke (on 1956-01-23)
piano:
Hank Jones (piano) (on 1956-01-23)
tenor saxophone:
Lucky Thompson (on 1956-01-23)
vibraphone:
Milt Jackson (on 1956-01-23)
instrumental recording of:
Lover (on 1956-01-23)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Milt Jackson7:52
2Can't Help Lovin' Dat Man
recorded in:
New York, New York, United States (on 1956-01-23)
producer:
Herman Lubinsky
bass:
Wendell Marshall (on 1956-01-23)
drums (drum set):
Kenny Clarke (on 1956-01-23)
piano:
Hank Jones (piano) (on 1956-01-23)
tenor saxophone:
Lucky Thompson (on 1956-01-23)
vibraphone:
Milt Jackson (on 1956-01-23)
instrumental recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (on 1956-01-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
Milt Jackson4:41
3The Lady is a Tramp
recorded in:
New York, New York, United States (on 1956-01-23)
producer:
Herman Lubinsky
bass:
Wendell Marshall (on 1956-01-23)
drums (drum set):
Kenny Clarke (on 1956-01-23)
piano:
Hank Jones (piano) (on 1956-01-23)
tenor saxophone:
Lucky Thompson (on 1956-01-23)
vibraphone:
Milt Jackson (on 1956-01-23)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-01-23)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Milt Jackson7:23
4Angel Face
recorded in:
New York, New York, United States (on 1956-01-23)
producer:
Herman Lubinsky
bass:
Wendell Marshall (on 1956-01-23)
drums (drum set):
Kenny Clarke (on 1956-01-23)
piano:
Hank Jones (piano) (on 1956-01-23)
tenor saxophone:
Lucky Thompson (on 1956-01-23)
vibraphone:
Milt Jackson (on 1956-01-23)
recording of:
Angel Face (on 1956-01-23)
composer:
Hank Jones (piano)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Milt Jackson6:42
5Sometimes I'm Happy
recorded in:
New York, New York, United States (on 1956-01-23)
producer:
Herman Lubinsky
bass:
Wendell Marshall (on 1956-01-23)
drums (drum set):
Kenny Clarke (on 1956-01-23)
piano:
Hank Jones (piano) (on 1956-01-23)
tenor saxophone:
Lucky Thompson (on 1956-01-23)
vibraphone:
Milt Jackson (on 1956-01-23)
instrumental recording of:
Sometimes I’m Happy (on 1956-01-23)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
Milt Jackson7:19
6What's New
recorded in:
New York, New York, United States (on 1956-01-23)
producer:
Herman Lubinsky
bass:
Wendell Marshall (on 1956-01-23)
drums (drum set):
Kenny Clarke (on 1956-01-23)
piano:
Hank Jones (piano) (on 1956-01-23)
tenor saxophone:
Lucky Thompson (on 1956-01-23)
vibraphone:
Milt Jackson (on 1956-01-23)
instrumental recording of:
What’s New? (on 1956-01-23)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
Milt Jackson3:56
7Wonder Why
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-05-20)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (on 1955-05-20)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
Milt Jackson5:27
8My Funny Valentine
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-05-20)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1955-05-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Milt Jackson4:42
9Moonray
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-05-20)
instrumental recording of:
Moonray (on 1955-05-20)
writer:
Artie Quenzer
composer:
Artie Shaw
Milt Jackson5:06
10The Nearness of You
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-05-20)
instrumental recording of:
The Nearness of You (on 1955-05-20)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
Milt Jackson4:06
11Stonewall
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-05-20)
Milt Jackson7:47
12I Should Care
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-05-20)
instrumental recording of:
I Should Care (on 1955-05-20)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
Milt Jackson4:22
13Misterioso
recording of:
Misterioso
composer:
Thelonious Monk
Thelonious Monk Quartet feat. Milt Jackson3:23
14Epistrophy
recording of:
Epistrophy
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
Thelonious Monk Quartet feat. Milt Jackson3:08
15I Mean You
Thelonious Monk Quartet feat. Milt Jackson2:45
▼ CD 2
#TitleRatingLength
1Strollin'
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-25)
producer:
Kenny Clarke
alto saxophone:
Frank Morgan (American jazz alto sax) (on 1954-09-25)
double bass:
Percy Heath (on 1954-09-25)
drums (drum set):
Kenny Clarke (on 1954-09-25)
piano:
Gerald Wiggins (on 1954-09-25)
tenor saxophone:
Walter Benton (on 1954-09-25)
vibraphone:
Milt Jackson (on 1954-09-25)
4:25
2Sonor
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-25)
producer:
Kenny Clarke
alto saxophone:
Frank Morgan (American jazz alto sax) (on 1954-09-25)
double bass:
Percy Heath (on 1954-09-25)
drums (drum set):
Kenny Clarke (on 1954-09-25)
piano:
Gerald Wiggins (on 1954-09-25)
tenor saxophone:
Walter Benton (on 1954-09-25)
vibraphone:
Milt Jackson (on 1954-09-25)
4:53
3Blue's Mood
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-25)
producer:
Kenny Clarke
alto saxophone:
Frank Morgan (American jazz alto sax) (on 1954-09-25)
double bass:
Percy Heath (on 1954-09-25)
drums (drum set):
Kenny Clarke (on 1954-09-25)
piano:
Gerald Wiggins (on 1954-09-25)
tenor saxophone:
Walter Benton (on 1954-09-25)
vibraphone:
Milt Jackson (on 1954-09-25)
4:20
4Skoot
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-25)
producer:
Kenny Clarke
alto saxophone:
Frank Morgan (American jazz alto sax) (on 1954-09-25)
double bass:
Percy Heath (on 1954-09-25)
drums (drum set):
Kenny Clarke (on 1954-09-25)
piano:
Gerald Wiggins (on 1954-09-25)
tenor saxophone:
Walter Benton (on 1954-09-25)
vibraphone:
Milt Jackson (on 1954-09-25)
recording of:
Skoot (on 1954-09-25)
composer:
Eddie Beal and Erroll Garner
3:50
5Telefunken Blues
engineer:
Rudy van Gelder
baritone saxophone:
Charlie Fowlkes (on 1955-02-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-02-07)
drums (drum set):
Kenny Clarke (on 1955-02-07)
piano:
Milt Jackson (on 1955-02-07)
tenor saxophone and woodwind:
Frank Wess (on 1955-02-07)
trombone:
Henry Coker (on 1955-02-07)
arranger:
Ernie Wilkins
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-02-07)
5:52
6Klook's Nook
engineer:
Rudy van Gelder
baritone saxophone:
Charlie Fowlkes (on 1955-02-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-02-07)
drums (drum set):
Kenny Clarke (on 1955-02-07)
piano:
Milt Jackson (on 1955-02-07)
tenor saxophone:
Frank Wess (on 1955-02-07)
trombone:
Henry Coker (on 1955-02-07)
arranger:
Ernie Wilkins
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-02-07)
5:12
7Baggin' the Blues
engineer:
Rudy van Gelder
baritone saxophone:
Charlie Fowlkes (on 1955-02-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-02-07)
drums (drum set):
Kenny Clarke (on 1955-02-07)
piano:
Milt Jackson (on 1955-02-07)
tenor saxophone:
Frank Wess (on 1955-02-07)
trombone:
Henry Coker (on 1955-02-07)
arranger:
Ernie Wilkins
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-02-07)
5:41
8Inhibitions
engineer:
Rudy van Gelder
baritone saxophone:
Charlie Fowlkes (on 1955-02-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-02-07)
drums (drum set):
Kenny Clarke (on 1955-02-07)
piano:
Milt Jackson (on 1955-02-07)
tenor saxophone:
Frank Wess (on 1955-02-07)
trombone:
Henry Coker (on 1955-02-07)
arranger:
Ernie Wilkins
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-02-07)
3:54
9Plenty, Plenty Soul
recorded in:
New York, New York, United States (on 1957-01-07)
alto saxophone:
Ronnie Peters (Cannonball Adderley) (on 1957-01-07)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-01-07)
double bass:
Percy Heath (on 1957-01-07)
drums (drum set):
Art Blakey (on 1957-01-07)
piano:
Horace Silver (on 1957-01-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-01-07)
trombone:
Jimmy Cleveland (on 1957-01-07)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-07)
vibraphone:
Milt Jackson (on 1957-01-07)
arranger:
Quincy Jones
recording of:
Plenty, Plenty Soul (on 1957-01-07)
composer:
Milt Jackson
9:33
10Boogity, Boogity
recorded in:
New York, New York, United States (on 1957-01-07)
alto saxophone:
Ronnie Peters (Cannonball Adderley) (on 1957-01-07)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-01-07)
double bass:
Percy Heath (on 1957-01-07)
drums (drum set):
Art Blakey (on 1957-01-07)
piano:
Horace Silver (on 1957-01-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-01-07)
trombone:
Jimmy Cleveland (on 1957-01-07)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-07)
vibraphone:
Milt Jackson (on 1957-01-07)
arranger:
Quincy Jones
recording of:
Boogity Boogity (on 1957-01-07)
composer:
Quincy Jones
4:57
11Heartstrings
recorded in:
New York, New York, United States (on 1957-01-07)
alto saxophone:
Ronnie Peters (Cannonball Adderley) (on 1957-01-07)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-01-07)
double bass:
Percy Heath (on 1957-01-07)
drums (drum set):
Art Blakey (on 1957-01-07)
piano:
Horace Silver (on 1957-01-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-01-07)
trombone:
Jimmy Cleveland (on 1957-01-07)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-07)
vibraphone:
Milt Jackson (on 1957-01-07)
arranger:
Quincy Jones
recording of:
Heartstrings (on 1957-01-07)
composer:
Milt Jackson
4:55
12Sermonette
recorded in:
New York, New York, United States (on 1957-01-05)
double bass:
Oscar Pettiford (on 1957-01-05)
drums (drum set):
Connie Kay (on 1957-01-05)
piano:
Horace Silver (on 1957-01-05)
tenor saxophone:
Lucky Thompson (on 1957-01-05)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-05)
vibraphone:
Milt Jackson (on 1957-01-05)
arranger:
Quincy Jones
cover recording of:
Sermonette (on 1957-01-05)
lyricist:
Jon Hendricks
composer:
Julian Adderley
5:27
13The Spirit-Feel
recorded in:
New York, New York, United States (on 1957-01-05)
double bass:
Oscar Pettiford (on 1957-01-05)
drums (drum set):
Connie Kay (on 1957-01-05)
piano:
Horace Silver (on 1957-01-05)
tenor saxophone:
Lucky Thompson (on 1957-01-05)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-05)
vibraphone:
Milt Jackson (on 1957-01-05)
arranger:
Quincy Jones
recording of:
The Spirit-Feel (on 1957-01-05)
composer:
Milt Jackson
4:24
14Ignunt Oil
recorded in:
New York, New York, United States (on 1957-01-05)
double bass:
Oscar Pettiford (on 1957-01-05)
drums (drum set):
Connie Kay (on 1957-01-05)
piano:
Horace Silver (on 1957-01-05)
tenor saxophone:
Lucky Thompson (on 1957-01-05)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-05)
vibraphone:
Milt Jackson (on 1957-01-05)
arranger:
Quincy Jones
recording of:
Ignunt Oil (on 1957-01-05)
composer:
Milt Jackson
5:38
15Blurs at Twilight
recorded in:
New York, New York, United States (on 1957-01-05)
double bass:
Oscar Pettiford (on 1957-01-05)
drums (drum set):
Connie Kay (on 1957-01-05)
piano:
Horace Silver (on 1957-01-05)
tenor saxophone:
Lucky Thompson (on 1957-01-05)
trumpet:
Joe Newman (US jazz trumpeter) (on 1957-01-05)
vibraphone:
Milt Jackson (on 1957-01-05)
arranger:
Quincy Jones
recording of:
Blues at Twilight (on 1957-01-05)
composer:
Quincy Jones
6:48