Portrait

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Heartbreak Blues
#TitleRatingLength
1Hello, Lola (New York, November 14, 1929)
3:14
2One Hour (New York, November 14, 1929)
3:25
3Dismal Dan (New York, April 4, 1930)
3:07
4Poor Richard (New York, April 4, 1930)
3:03
5Down Georgia Way (New York, April 4, 1930)
3:30
6Georgia on My Mind (New York, June 30, 1931)
recording of:
Georgia on My Mind (on 1931-06-30)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:20
7I Can’t Believe That You’re in Love With Me (New York, June 30, 1931)
recording of:
I Can’t Believe That You’re in Love With Me (on 1931-06-30)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:07
8The Darktown Strutter’s Ball (New York, June 30, 1931)
recording of:
Darktown Strutters’ Ball (on 1931-06-30)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
3:28
9You Rascal, You (New York, June 30, 1931)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1931-06-30)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:01
10The Day You Came Along (New York, September 29, 1933)
3:37
11Jamaica Shout (New York, September 29, 1933)
recorded in:
New York, New York, United States (on 1933-09-27)
alto saxophone and clarinet:
Hilton Jefferson (on 1933-09-27)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1933-09-27)
drums (drum set):
Walter Johnson (drums) (on 1933-09-27)
guitar:
Bernard Addison (on 1933-09-27)
piano:
Horace Henderson (on 1933-09-27)
tenor saxophone:
Coleman Hawkins (on 1933-09-27)
trombone:
J.C. Higginbotham (on 1933-09-27)
trumpet:
Henry “Red” Allen (jazz musician) (on 1933-09-27)
2:59
12Heartbreak Blues (New York, September 29, 1933)
3:28
13Happy Feet (New York, October 3, 1933)
2:49
14Rhythm Crazy (New York, October 3, 1933)
3:17
15Ol’ Man River (New York, October 3, 1933)
3:07
16Minnie the Moocher’s Wedding Day (New York, October 3, 1933)
alto saxophone:
Hilton Jefferson (on 1933-10-03)
bass and double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1933-10-03)
drums (drum set):
Walter Johnson (drums) (on 1933-10-03)
guitar:
Bernard Addison (on 1933-10-03)
piano:
Horace Henderson (on 1933-10-03)
reeds:
Hilton Jefferson (on 1933-10-03) and Russell Procope (on 1933-10-03)
tenor saxophone:
Coleman Hawkins (on 1933-10-03)
trombone:
Claude Jones (on 1933-10-03) and Dicky Wells (on 1933-10-03)
trumpet:
Henry Allen (jazz musician) (on 1933-10-03), Russell Smith (US jazz trumpeter) (on 1933-10-03) and Bobby Stark (on 1933-10-03)
recording of:
Minnie The Moocher's Wedding Day (on 1933-10-03)
lyricist:
Ted Koehler
composer:
Harold Arlen
instrumental recording of:
Minnie The Moocher's Wedding Day (on 1933-10-03)
lyricist:
Ted Koehler
composer:
Harold Arlen
3:06
17Ain’t Cha Glad (New York, October 3, 1933)
3:20
18I’ve Got to Sing a Torch Song (New York, October 3, 1933)
recording of:
I've Got to Sing a Torch Song (on 1933-10-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
3:38
19It Sends Me (New York, March 8, 1934)
3:15
20I Ain’t Got Nobody (New York, March 8, 1934)
3:17
▼ CD 2: What Harlem Is to Me
#TitleRatingLength
1On the Sunny Side of the Street (New York, March 8, 1934)
recording of:
On the Sunny Side of the Street (on 1934-03-08)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
3:28
2Lullaby (London, November 18, 1934)
tenor saxophone:
Coleman Hawkins (on 1934-11-18)
2:57
3Lady Be Good (London, November 18, 1934)
recording of:
Lady, Be Good (full musical) (on 1934-11-18)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
librettist:
Guy Bolton and Fred Thompson (English librettist)
2:44
4Lost in a Fog (London, November 18, 1934)
tenor saxophone:
Coleman Hawkins (on 1934-11-18)
instrumental recording of:
Lost in a Fog (on 1934-11-18)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:05
5Honeysuckle Rose (London, November 18, 1934)
recorded in:
London (Greater London), England, United Kingdom (on 1934-11-18)
piano:
Stanley Black (on 1934-11-18)
tenor saxophone:
Coleman Hawkins (on 1934-11-18)
instrumental recording of:
Honeysuckle Rose (on 1934-11-18)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
3:04
6Some of These Days (The Hague, February 4, 1935)
recording of:
Some of These Days (on 1935-02-04)
lyricist and composer:
Shelton Brooks
2:32
7After You’ve Gone (The Hague, February 4, 1935)
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental recording of:
After You’ve Gone (on 1935-02-04)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:36
8I Only Have Eyes for You (The Hague, February 4, 1935)
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental recording of:
I Only Have Eyes for You (on 1935-02-04)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
2:43
9I Wish I Were Twins (The Hague, February 4, 1935)
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental recording of:
I Wish I Were Twins (on 1935-02-04)
lyricist:
Eddie DeLange
composer:
Frank Loesser and Joseph Meyer (US songwriter)
2:34
10Hands Across the Table (The Hague, February 4, 1935)
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental recording of:
Hands Across the Table (on 1935-02-04)
lyricist:
Mitchell Parish
composer:
Jean Delettre
3:05
11Blue Moon (Paris, March 2, 1935)
3:13
12Avalon (Paris, March 2, 1935)
2:59
13What a Difference a Day Made (Paris, March 2, 1935)
recording of:
What a Diff’rence a Day Made (on 1935-03-02)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
3:18
14Stardust (Paris, March 2, 1935)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
instrumental cover recording of:
Stardust (the jazz standard) (on 1935-03-02)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:12
15Chicago (Casino Hamdorff, Laren, August 26, 1935)
3:02
16Meditation (Casino Hamdorff, Laren, August 26, 1935)
3:02
17What Harlem Is to Me (Casino Hamdorff, Laren, August 26, 1935)
2:43
18Netcha’s Dream (Casino Hamdorff, Laren, August 26, 1935)
2:35
19Love Cries (Zurich, May 4, 1936)
3:06
20Sorrow (Zurich, May 4, 1936)
3:03
▼ CD 3: Lamentation
#TitleRatingLength
1Tiger Rag (Zurich, May 4, 1936)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1936-05-04)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
2:23
2It May Not Be True (Zurich, May 4, 1936)
recording of:
It May Not Be True (on 1936-05-04)
writer:
Coleman Hawkins
3:11
3I Wanna Go Back to Harlem (Casino Hamdorff, Laren, April 27, 1937)
2:59
4Consolation (Casino Hamdorff, Laren, April 27, 1937)
3:03
5A Strange Fact (Casino Hamdorff, Laren, April 27, 1937)
2:36
6Original Dixieland One Step (Casino Hamdorff, Laren, April 27, 1937)
1:58
7Smiles (Casino Hamdorff, Laren, April 27, 1937)
3:00
8Something Is Gonna Give Me Away (Casino Hamdorff, Laren, April 27, 1937)
double bass:
Jack Pet (on 1937-04-26)
drums (drum set):
Kees Kranenburg (on 1937-04-26)
guitar:
Fritz Reinders (on 1937-04-26)
piano:
Freddy Johnson (on 1937-04-26)
tenor saxophone:
Coleman Hawkins (on 1937-04-27)
recording of:
Something Is Gonna Give Me Away (on 1937-04-26)
composer:
Coleman Hawkins
recording of:
Something Is Gonna Give Me Away (on 1937-04-27)
composer:
Coleman Hawkins
3:03
9Honeysuckle Rose (Paris, April 28, 1937)
recording of:
Honeysuckle Rose (on 1937-04-28)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
2:45
10Crazy Rhythm (Paris, April 28, 1937)
3:00
11Out of Nowhere (Paris, April 28, 1937)
3:17
12Sweet Georgia Brown (Paris, April 28, 1937)
recording of:
Sweet Georgia Brown (on 1937-04-28)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:00
13Lamentation (Hilversum, May 26, 1937)
2:58
14Devotion (Hilversum, May 26, 1937)
2:47
15Star Dust (Hilversum, August 18, 1937)
recording of:
Stardust (the jazz standard) (on 1937-08-18)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
2:31
16Well, All Right Then (Hilversum, August 18, 1937)
2:29
17Blues Evermore (Hilversum, June 14, 1938)
recording of:
Blues Evermore (on 1938-06-14)
writer:
Coleman Hawkins
2:45
18Dear Old Southland (Hilversum, June 14, 1938)
recording of:
Dear Old Southland (1921 Layton/Creamer jazz standard) (on 1938-06-14)
lyricist:
Henry Creamer (in 1921)
composer:
Ray Bloch (French-born composer/bandleader) and Turner Layton (in 1921)
2:43
19’Way Down Yonder in New Orleans (Hilversum, June 14, 1938)
drums (drum set):
Maurice van Kleef (Dutch 1930s drummer) (on 1938-06-14)
piano:
Freddy Johnson (on 1938-06-14)
tenor saxophone:
Coleman Hawkins (on 1938-06-14)
instrumental recording of:
’Way Down Yonder in New Orleans (on 1938-06-14)
lyricist:
Henry Creamer
composer:
Turner Layton
2:54
▼ CD 4: Bouncing With Bean
#TitleRatingLength
1I Know That You Know (Hilversum, June 14, 1938)
recording of:
I Know That You Know (Caldwell & Youmans) (on 1938-06-14)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:52
2When Buddah Smiles (Hilversum, June 14, 1938)
2:45
3Swinging in the Groove (Hilversum, June 14, 1938)
3:07
4The Darktown Strutter’s Ball (London, May 26, 1939)
recording of:
Darktown Strutters’ Ball (on 1939-05-26)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:40
5My Melancholy Baby (London, May 26, 1939)
recording of:
My Melancholy Baby (on 1939-05-26)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
2:48
6Meet Doctor Foo (New York, October 11, 1939)
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
recording of:
Meet Doctor Foo (on 1939-10-11)
composer:
Coleman Hawkins
2:34
7Fine Dinner (New York, October 11, 1939)
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
recording of:
Fine Dinner (instrumental) (on 1939-10-11)
composer:
Coleman Hawkins
2:34
8She’s Funny That Way (New York, October 11, 1939)
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
instrumental recording of:
She’s Funny That Way (on 1939-10-11)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:16
9Body and Soul (New York, October 11, 1939)
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:01
10It’s Tight Like That (New York, December 14, 1939)
recording of:
It’s Tight Like That (on 1939-12-14)
writer:
Hudson Whittaker and Thomas A. Dorsey (gospel musician aka “Georgia Tom”) (in 1928)
2:38
11Easy Rider (New York, December 14, 1939)
3:19
12Scratch My Back (New York, December 14, 1939)
3:16
13Save It, Pretty Mama (New York, December 14, 1939)
recording of:
Save It, Pretty Mama (on 1939-12-14)
writer:
Paul Denniker, Joseph M. Davis (US lyricist, producer, publisher & promoter) and Don Redman
3:01
14When Day Is Done (New York, January 3, 1940)
3:22
15The Sheik of Araby (New York, January 3, 1940)
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
instrumental recording of:
The Sheik of Araby (on 1940-01-03)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
3:01
16My Blue Heaven (New York, January 3, 1940)
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
instrumental recording of:
My Blue Heaven (on 1940-01-03)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:51
17Bouncing With Bean (New York, January 3, 1940)
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
recording of:
Bouncing With Bean (on 1940-01-03)
composer:
Coleman Hawkins
3:07
18How Long, How Long Blues (New York, January 15, 1940)
recording of:
How Long, How Long Blues (on 1940-01-15)
lyricist and composer:
Leroy Carr and J. Mayo ‘Ink’ Williams
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
3:14
19Shake It and Break It (New York, January 15, 1940)
recording of:
Shake It and Break It (on 1940-01-15)
lyricist:
H. Quail Clarke
composer:
Lou Friscoe Chiha
2:57
20A Pretty Girl Is Like a Melody (New York, January 15, 1940)
recording of:
A Pretty Girl is Like a Melody (from "Ziegfeld Follies of 1919") (on 1940-01-15)
writer:
Irving Berlin
2:49
▼ CD 5: Blues Changes
#TitleRatingLength
1Pom Pom (New York, January 15, 1940)
3:11
2Dedication (New York, May 25, 1940)
recorded in:
New York, New York, United States (on 1940-05-25)
producer:
Leonard Feather and Milt Gabler
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1940-05-25)
drums (drum set):
Sid Catlett (on 1940-05-25)
guitar:
Bernard Addison (on 1940-05-25)
tenor saxophone:
Coleman Hawkins (on 1940-05-25)
recording of:
Dedication (on 1940-05-25)
composer:
Leonard Feather
2:52
3Passin’ It Around (New York, August 9, 1940)
3:14
4Serenade to a Sleeping Beauty (New York, August 9, 1940)
alto saxophone:
Jackie Fields (on 1940-08-09), Eustis Moore (on 1940-08-09) and Ernie Powell (on 1940-08-09)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1940-08-09)
drums (drum set):
J.C. Heard (on 1940-08-09)
piano:
Gene Rodgers (on 1940-08-09)
tenor saxophone:
Coleman Hawkins (on 1940-08-09)
trombone:
William Cato (on 1940-08-09), Claude Jones (on 1940-08-09) and Sandy Williams (American jazz trombonist) (on 1940-08-09)
trumpet:
Nelson Bryant (on 1940-08-09), Joe Guy (trumpet) (on 1940-08-09), Tommy Lindsay (on 1940-08-09) and Tommy Stevenson (on 1940-08-09)
3:05
5Rocky Comfort (New York, August 9, 1940)
recording of:
Rocky Comfort (on 1940-08-09)
composer:
Coleman Hawkins
3:11
6Forgive a Fool (New York, August 9, 1940)
recording of:
Forgive a Fool (on 1940-08-09)
writer:
Kay Werner (Songwriter, along with her sister Sue) and Sue Werner (Songwriter, along with her sister Kay)
2:56
7Esquire Bounce (New York, December 4, 1943)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1943-12-04)
double bass:
Oscar Pettiford (on 1943-12-04)
guitar:
Al Casey (US jazz/soul guitarist) (on 1943-12-04)
piano:
Art Tatum (US jazz pianist) (on 1943-12-04)
tenor saxophone:
Coleman Hawkins (on 1943-12-04)
trumpet:
Cootie Williams (on 1943-12-04)
recording of:
Esquire Bounce (on 1943-12-04)
composer:
Leonard Feather
3:14
8Boff Boff (Mop Mop) (New York, December 4, 1943)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1943-12-04)
double bass:
Oscar Pettiford (on 1943-12-04)
guitar:
Al Casey (US jazz/soul guitarist) (on 1943-12-04)
piano:
Art Tatum (US jazz pianist) (on 1943-12-04)
tenor saxophone:
Coleman Hawkins (on 1943-12-04)
trumpet:
Cootie Williams (on 1943-12-04)
recording of:
Mop! Mop! (on 1943-12-04)
writer:
Claude Demetrius and J. Mayo ‘Ink’ Williams
3:09
9My Ideal (New York, December 4, 1943)
producer:
Leonard Feather
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1943-12-04)
double bass and double bass [bass]:
Oscar Pettiford (on 1943-12-04)
drums (drum set):
Sid Catlett (on 1943-12-04)
drums (drum set) [drums]:
Walter Catlett (on 1943-12-04)
guitar:
Al Casey (US jazz/soul guitarist) (on 1943-12-04)
piano:
Art Tatum (US jazz pianist) (on 1943-12-04)
tenor saxophone and tenor saxophone [tenor sax]:
Coleman Hawkins (on 1943-12-04)
trumpet:
Cootie Williams (on 1943-12-04)
instrumental recording of:
My Ideal (from “Playboy of Paris”) (on 1943-12-04)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:08
10Esquire Blues (New York, December 4, 1943)
3:16
11Voodte (New York, December 8, 1943)
recorded in:
New York, New York, United States (on 1943-12-08)
clarinet:
Andy Fitzgerald (American woodwind player) (on 1943-12-08)
double bass:
Oscar Pettiford (on 1943-12-08)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1943-12-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1943-12-08)
piano:
Ellis Larkins (on 1943-12-08)
tenor saxophone:
Coleman Hawkins (on 1943-12-08)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1943-12-08)
3:07
12How Deep Is the Ocean (New York, December 8, 1943)
recorded in:
New York, New York, United States (on 1943-12-08)
clarinet:
Andy Fitzgerald (American woodwind player) (on 1943-12-08)
double bass:
Oscar Pettiford (on 1943-12-08)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1943-12-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1943-12-08)
piano:
Ellis Larkins (on 1943-12-08)
tenor saxophone:
Coleman Hawkins (on 1943-12-08)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1943-12-08)
instrumental recording of:
How Deep Is the Ocean? (on 1943-12-08)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:23
13Hawkins Barrel House (New York, December 8, 1943)
2:57
14Stumpy (New York, December 8, 1943)
3:20
15Lover Come Back to Me (New York, December 18, 1943)
double bass [bass]:
Oscar Pettiford
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Jimmy Shirley
piano:
Ellis Larkins
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Lover, Come Back to Me (The New Moon) (on 1943-12-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:05
16Blues Changes (New York, December 18, 1943)
4:13
17Crazy Rhythm (New York, December 23, 1943)
recording of:
Crazy Rhythm (on 1943-12-23)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
3:14
18Get Happy (New York, December 23, 1943)
double bass [bass]:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Get Happy (on 1943-12-23)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:23
19The Man I Love (New York, December 23, 1943)
recording of:
The Man I Love (on 1943-12-23)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
5:05
▶ CD 6: Imagination
▶ CD 7: Battle of the Saxes
▶ CD 8: On the Bean
▶ CD 9: Bean Soup
▶ CD 10: Bean’s Talking Again