Fanfare For the Common Man / Appalachian Spring / El salón México / Dance Symphony / Rodeo Dances / Lincoln Portrait / Old American Songs / Music for Movies

~ Release by Copland; Mehta, Doráti, Horne, Marriner (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Fanfare for the Common Man
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-08)
conductor:
Zubin Mehta (conductor) (in 1977-08)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-08) and James Lock (engineer) (in 1977-08)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-08)
recording of:
Fanfare for the Common Man (in 1977-08)
composer:
Aaron Copland (composer) (in 1942)
Aaron Copland2:55
2Appalachian Spring: Very slowly
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: I. Very Slowly (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:55
3Appalachian Spring: Allegro
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: II. Allegro (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:49
4Appalachian Spring: Moderato: The Bride and her Intended
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:30
5Appalachian Spring: Fast: The Revivalist and his Flock
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:30
6Appalachian Spring: Allegro: Solo Dance of the Bride
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:54
7Appalachian Spring: Meno mosso
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VI. As at First (Slowly) (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland1:58
8Appalachian Spring: Doppio movimento: Variations on a Shaker hymn
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:44
9Appalachian Spring: Moderato: Coda
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VIII. Moderato: Coda (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:13
10Lincoln Portrait
producer:
Ray Minshull (record producer)
spoken vocals:
Gregory Peck (in 1968-05)
orchestra:
Los Angeles Philharmonic (in 1968-05)
conductor:
Zubin Mehta (conductor) (in 1968-05)
balance engineer:
James Lock (engineer) (in 1968-05) and Gordon Parry (engineer) (in 1968-05)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1968-05)
recording of:
Lincoln Portrait (in 1968-05)
composer:
Aaron Copland (composer) (in 1942)
Aaron Copland15:09
11Quiet City
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
cor anglais [cor anglais]:
Celia Nicklin (oboist) (in 1976-10)
trumpet:
Michael Laird (classical trumpeter) (in 1976-10)
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Quiet City (for English horn, trumpet and strings) (in 1976-10)
composer:
Aaron Copland (composer) (in 1940)
is based on:
Quiet City (incidental music)
Aaron Copland8:48
12Music for Movies: New England Countryside
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: I. New England Countryside (originally from the 1939 documentary "The City") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
Aaron Copland6:11
13Music for Movies: Barley Wagons
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: II. Barley Wagons (originally from the 1939 film "Of Mice and Men") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
Aaron Copland2:16
14Music for Movies: Sunday Traffic
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: III. Sunday Traffic (originally from the 1939 documentary "The City") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
Aaron Copland2:29
15Music for Movies: Grovers Corners
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town") (in 1980-04)
composer:
Aaron Copland (composer) (in 1940)
part of:
Music for Movies Suite
Aaron Copland2:59
16Music for Movies: Threshing Machines
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: V. Threshing Machines (originally from the 1939 film "Of Mice and Men") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
Aaron Copland3:33
▼ CD 2
#TitleArtistRatingLength
1Ceremonial Fanfare
producer:
Chris Hazell
performer:
Philip Jones Brass Ensemble (in 1976-02)
balance engineer:
John Dunkerley (engineer) (in 1976-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Ceremonial Fanfare (in 1976-02)
composer:
Aaron Copland (composer)
publisher:
Boosey & Hawkes Music Publishers, Ltd
Aaron Copland3:45
2Five Songs from "Old American Songs": I. Simple Gifts
producer:
Chris Hazell
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1985-08)
orchestra:
English Chamber Orchestra (in 1985-08)
conductor:
Carl Davis (conductor and composer) (in 1985-08)
balance engineer:
John Dunkerley (engineer) (in 1985-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-08)
recording of:
Old American Songs, Set 1: No. 4, Simple Gifts (in 1985-08)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland1:49
3Five Songs from "Old American Songs": II. Ching-a-ring-Chaw
producer:
Chris Hazell
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1985-08)
orchestra:
English Chamber Orchestra (in 1985-08)
conductor:
Carl Davis (conductor and composer) (in 1985-08)
balance engineer:
John Dunkerley (engineer) (in 1985-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-08)
recording of:
Old American Songs, Set 2: No. 5, Ching-A-Ring Chaw (in 1985-08)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland1:36
4Five Songs from "Old American Songs": III. Long Time Ago
producer:
Chris Hazell
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1985-08)
orchestra:
English Chamber Orchestra (in 1985-08)
conductor:
Carl Davis (conductor and composer) (in 1985-08)
balance engineer:
John Dunkerley (engineer) (in 1985-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-08)
recording of:
Old American Songs, Set 1: No. 3, Long Time Ago (in 1985-08)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland3:20
5Five Songs from "Old American Songs": IV. I Bought Me a Cat
producer:
Chris Hazell
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1985-08)
orchestra:
English Chamber Orchestra (in 1985-08)
conductor:
Carl Davis (conductor and composer) (in 1985-08)
balance engineer:
John Dunkerley (engineer) (in 1985-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-08)
recording of:
Old American Songs, Set 1: No. 5, I Bought Me a Cat (in 1985-08)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland2:20
6Five Songs from "Old American Songs": V. At the River
producer:
Chris Hazell
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1985-08)
orchestra:
English Chamber Orchestra (in 1985-08)
conductor:
Carl Davis (conductor and composer) (in 1985-08)
balance engineer:
John Dunkerley (engineer) (in 1985-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-08)
recording of:
Old American Songs, Set 2: No. 4, At the River (in 1985-08)
lyricist:
Robert Lowry (1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland3:29
7El Salón México
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
El salón México (in 1981-05)
composer:
Aaron Copland (composer) (from 1932 until 1936)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Aaron Copland10:34
8Dance Symphony: I. Lento, Molto allegro, Adagio molto
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Dance Symphony: I. Lento - Molto allegro - Adagio molto (in 1981-05)
composer:
Aaron Copland (composer) (in 1925)
part of:
Dance Symphony
Aaron Copland7:11
9Dance Symphony: II. Andante moderato
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Dance Symphony: II. Andante moderato (in 1981-05)
composer:
Aaron Copland (composer) (in 1925)
part of:
Dance Symphony
Aaron Copland4:32
10Dance Symphony: III. Allegro vivo
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Dance Symphony: III. Allegro vivo (in 1981-05)
composer:
Aaron Copland (composer) (in 1925)
part of:
Dance Symphony
Aaron Copland5:32
11Four Dance Episodes from "Rodeo": I. Buckaroo Holiday
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: I. Buckaroo Holiday (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
Aaron Copland8:38
12Four Dance Episodes from "Rodeo": II. Corral Nocturne
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: II. Corral Nocturne (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (symphonic version)
Aaron Copland3:33
13Four Dance Episodes from "Rodeo": III. Saturday Night Waltz
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: III. Saturday Night Waltz (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
Aaron Copland4:17
14Four Dance Episodes from "Rodeo": IV. Hoe-Down
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: IV. Hoedown (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte's Retreat
part of:
Rodeo (symphonic version)
Aaron Copland3:50

Credits