Forever Changes (50th Anniversary Edition)

~ Release by Love (see all versions of this release, 20 available)

Annotation

4 × CD, Album, Deluxe Edition, Numbered, Reissue, Stereo, Mono, Vinyl, LP, Album, Stereo, DVD-Video, Stereo
Made in EU

Annotation last modified on 2018-05-05 19:37 UTC.

Tracklist

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▼ CD 1: Original Stereo Album
#	Title	Rating	Length
1	Alone Again Or engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Bryan MacLean recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) part of: Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436) recording of: Alone Again Or lyricist and composer: Bryan MacLean	4.25	3:18
2	A House Is Not a Motel engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: A House Is Not a Motel lyricist and composer: Arthur Lee	4.5	3:32
3	Andmoreagain engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Carol Kaye drums (drum set): Hal Blaine (U.S. Studio drummer and percussionist) electric guitar [rhythm guitar]: Billy Strange keyboard and piano: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Andmoreagain composer: Arthur Lee and Bryan MacLean	5	3:22
4	The Daily Planet engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Carol Kaye drums (drum set): Hal Blaine (U.S. Studio drummer and percussionist) electric guitar [rhythm guitar]: Billy Strange keyboard and piano: Don Randi lead vocals: Arthur Lee arranger: Neil Young (Canadian singer, songwriter & musician) recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Daily Planet composer: Arthur Lee	5	3:31
5	Old Man engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) piano: Don Randi lead vocals: Bryan MacLean recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Old Man composer: Bryan MacLean	5	3:03
6	The Red Telephone engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) harpsichord: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Red Telephone composer: Arthur Lee	5	4:46
7	Maybe the People Would Be the Times or Between Clark and Hilldale engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Maybe the People Would Be the Times or Between Clark and Hilldale composer: Arthur Lee	5	3:35
8	Live and Let Live engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Live and Let Live lyricist and composer: Arthur Lee	5	5:28
9	The Good Humor Man He Sees Everything Like This engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Good Humor Man He Sees Everything Like This composer: Arthur Lee	5	3:09
10	Bummer in the Summer engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) piano: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Bummer in the Summer composer: Arthur Lee	5	2:25
11	You Set the Scene engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: You Set the Scene composer: Arthur Lee	5	6:50

▼ CD 2: Original Mono Album
#	Title	Rating	Length
1	Alone Again Or engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Bryan MacLean recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) part of: Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436) recording of: Alone Again Or lyricist and composer: Bryan MacLean	4.25	3:17
2	A House Is Not a Motel engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: A House Is Not a Motel lyricist and composer: Arthur Lee	4.5	3:32
3	Andmoreagain recording of: Andmoreagain composer: Arthur Lee and Bryan MacLean		3:18
4	The Daily Planet engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Carol Kaye drums (drum set): Hal Blaine (U.S. Studio drummer and percussionist) electric guitar [rhythm guitar]: Billy Strange keyboard and piano: Don Randi lead vocals: Arthur Lee arranger: Neil Young (Canadian singer, songwriter & musician) recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Daily Planet composer: Arthur Lee	5	3:31
5	Old Man engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) piano: Don Randi lead vocals: Bryan MacLean recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Old Man composer: Bryan MacLean	5	3:02
6	The Red Telephone engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) harpsichord: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Red Telephone composer: Arthur Lee	5	4:46
7	Maybe the People Would Be the Times or Between Clark and Hilldale engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Maybe the People Would Be the Times or Between Clark and Hilldale composer: Arthur Lee	5	3:34
8	Live and Let Live engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Live and Let Live lyricist and composer: Arthur Lee	5	5:26
9	The Good Humor Man He Sees Everything Like This engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Good Humor Man He Sees Everything Like This composer: Arthur Lee	5	3:08
10	Bummer in the Summer engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) piano: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Bummer in the Summer composer: Arthur Lee	5	2:24
11	You Set the Scene recording of: You Set the Scene composer: Arthur Lee		6:57

▼ CD 3: Alternate Mix
#	Title	Rating	Length
1	Alone Again Or recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-10) recording of: Alone Again Or (on 1967-09-10) lyricist and composer: Bryan MacLean		3:15
2	A House Is Not a Motel recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-08-11, on 1967-09-10) recording of: A House Is Not a Motel (in 1967) lyricist and composer: Arthur Lee		3:35
3	Andmoreagain recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-05) recording of: Andmoreagain (on 1967-09-05) composer: Arthur Lee and Bryan MacLean		3:26
4	The Daily Planet recording of: The Daily Planet composer: Arthur Lee		3:40
5	Old Man recording of: Old Man composer: Bryan MacLean		3:09
6	The Red Telephone additionally recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-25) recorded at: Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-08-12) and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-21: strings [string overdubs]) recording of: The Red Telephone (in 1967-09) composer: Arthur Lee		5:24
7	Maybe the People Would Be the Times or Between Clark and Hilldale recording of: Maybe the People Would Be the Times or Between Clark and Hilldale composer: Arthur Lee		3:40
8	Live and Let Live recording of: Live and Let Live lyricist and composer: Arthur Lee		5:38
9	The Good Humor Man He Sees Everything Like This recording of: The Good Humor Man He Sees Everything Like This composer: Arthur Lee		3:12
10	Bummer in the Summer recording of: Bummer in the Summer composer: Arthur Lee		2:31
11	You Set the Scene recording of: You Set the Scene composer: Arthur Lee		7:04
12	Wonder People (I Do Wonder) (outtake – original mix) recorded at: Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-08-11) and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-25)		3:22

▼ CD 4: Singles and Outtakes
#	Title	Rating	Length
1	Wonder People (I Do Wonder) (outtake – original mix) recorded at: Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-08-11) and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-25)		3:22
2	Alone Again Or (Single Version) recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-10) recording of: Alone Again Or (on 1967-09-10) lyricist and composer: Bryan MacLean		3:15
3	A House Is Not A Motel (Backing Track) recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-08-11, on 1967-09-10) recording of: A House Is Not a Motel (in 1967) lyricist and composer: Arthur Lee		3:35
4	Hummingbirds (demo) producer: Jac Holzman recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1966-06-17) instrumental recording of: The Good Humor Man He Sees Everything Like This composer: Arthur Lee		2:42
5	A House Is Not a Motel (backing track) recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-08-11, on 1967-09-10) recording of: A House Is Not a Motel (in 1967) lyricist and composer: Arthur Lee		3:12
6	Andmoreagain (Alternate Electric Backing Track) recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-05) recording of: Andmoreagain (on 1967-09-05) composer: Arthur Lee and Bryan MacLean		3:26
7	The Red Telephone (tracking sessions highlight) additionally recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-25) recorded at: Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-08-12) and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-21: strings [string overdubs]) recording of: The Red Telephone (in 1967-09) composer: Arthur Lee		2:08
8	Wooly Bully (outtake) recorded at: Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-08-01) cover recording of: Wooly Bully (on 1967-08-01) lyricist and composer: Domingo Samudio publisher: Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)		1:28
9	Live And Let Live (Backing Track) recording of: Live and Let Live lyricist and composer: Arthur Lee		5:38
10	Wonder People (I Do Wonder) (Outtake - Backing Track)		?:??
11	Your Mind and We Belong Together (tracking sessions highlight) engineer: John Haeny producer: Arthur Lee recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1968-01-30)		8:17
12	Your Mind and We Belong Together engineer: John Haeny producer: Arthur Lee recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (from 1968-01-30 until 1968-01-31) recording of: Your Mind and We Belong Together lyricist and composer: Arthur Lee		4:28
13	Laughing Stock engineer: John Haeny producer: Arthur Lee recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (from 1968-01-30 until 1968-01-31) recording of: Laughing Stock lyricist and composer: Arthur Lee		2:32
14	Alone Again Or (Mono Single Remix) recorded at: Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (on 1967-09-10) recording of: Alone Again Or (on 1967-09-10) lyricist and composer: Bryan MacLean		2:55

▼ 12" Vinyl 5: Original Stereo Album
#	Title	Rating	Length
1	Alone Again Or engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Bryan MacLean recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) part of: Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436) recording of: Alone Again Or lyricist and composer: Bryan MacLean	4.25	3:18
2	A House Is Not a Motel engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: A House Is Not a Motel lyricist and composer: Arthur Lee	4.5	3:32
3	Andmoreagain engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Carol Kaye drums (drum set): Hal Blaine (U.S. Studio drummer and percussionist) electric guitar [rhythm guitar]: Billy Strange keyboard and piano: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Andmoreagain composer: Arthur Lee and Bryan MacLean	5	3:22
4	The Daily Planet engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Carol Kaye drums (drum set): Hal Blaine (U.S. Studio drummer and percussionist) electric guitar [rhythm guitar]: Billy Strange keyboard and piano: Don Randi lead vocals: Arthur Lee arranger: Neil Young (Canadian singer, songwriter & musician) recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Daily Planet composer: Arthur Lee	5	3:31
5	Old Man engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) piano: Don Randi lead vocals: Bryan MacLean recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Old Man composer: Bryan MacLean	5	3:03
6	The Red Telephone engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) harpsichord: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Red Telephone composer: Arthur Lee	5	4:46
7	Maybe the People Would Be the Times or Between Clark and Hilldale engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Maybe the People Would Be the Times or Between Clark and Hilldale composer: Arthur Lee	5	3:35
8	Live and Let Live engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Live and Let Live lyricist and composer: Arthur Lee	5	5:28
9	The Good Humor Man He Sees Everything Like This engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: The Good Humor Man He Sees Everything Like This composer: Arthur Lee	5	3:09
10	Bummer in the Summer engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) piano: Don Randi lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: Bummer in the Summer composer: Arthur Lee	5	2:25
11	You Set the Scene engineer: Bruce Botnick producer: Bruce Botnick and Arthur Lee bass guitar: Ken Forssi drums (drum set): Michael Stuart-Ware (US drummer for Love) lead vocals: Arthur Lee recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25) recording of: You Set the Scene composer: Arthur Lee	5	6:50

▼ DVD-Audio 6: 24/96 Stereo Album
#	Title	Rating	Length
1	Alone Again Or		?:??
2	A House Is Not A Motel		?:??
3	Andmoreagain		?:??
4	The Daily Planet		?:??
5	Old Man		?:??
6	The Red Telephone		?:??
7	Maybe The People Would Be The Times Or Between Clark And Hilldale		?:??
8	Live And Let Live		?:??
9	The Good Humor Man He Sees Everything Like This		?:??
10	Bummer In The Summer		?:??
11	You Set The Scene		?:??

▼ DVD-Video 7: Video
#	Title	Rating	Length
1	Your Mind And We Belong Together		?:??

Credits

Release

Discogs:	https://www.discogs.com/release/11845300 [info]

Release group

part of:

33⅓ (number: 2) (order: 2)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (number: 40) (order: 40)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 40) (order: 40)
1001 Albums You Must Hear Before You Die (2005 edition) (number: 87) (order: 148)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (number: 180) (order: 180)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (number: 180) (order: 180)

Discogs:	https://www.discogs.com/master/6215 [info]
lyrics page:	https://genius.com/albums/Love/Forever-changes [info]
reviews:	https://www.bbc.co.uk/music/reviews/hj8c [info]
other databases:	https://rateyourmusic.com/release/album/love/forever_changes/ [info] https://www.musik-sammler.de/album/82697/ [info]
Allmusic:	https://www.allmusic.com/album/mw0000193671 [info]
Wikidata:	Q1002861 [info]

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Release information

Barcode:: 603497862634
Format:: 4×CD + 12" Vinyl + DVD-Audio + DVD-Video

Additional details

Type:: Album
Packaging:: Digipak
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Elektra
R2 565276
Rhino
R2 565276 / 603497862634

Release events

Europe
2018-04-06

Release group rating

4.45 (see all ratings)

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Last updated on 2018-05-12 20:00 UTC