Tracklist

12" Vinyl 1
#TitleRatingLength
A1Midnight Waltz
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
recording of:
Midnight Waltz (on 1984-07-18)
composer:
Cedar Walton
5:57
A2Ain't That Nothin'
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
5:58
A3Stress and Trauma
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
5:23
A4Used to Be Jackson
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
recording of:
Used to Be Jackson (on 1984-07-18)
composer:
Ray Brown (jazz bassist)
5:21
B1It Don't Mean a Thing If You Can't Tap Your Foot to It
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
7:07
B2If I Were a Bell
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1984-07-18)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
5:48
B3Close Enough for Love
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Ray Brown (jazz bassist) and Milt Jackson
double bass [bass]:
Ray Brown (jazz bassist) (on 1984-07-18)
drums (drum set):
Mickey Roker (Drummer) (on 1984-07-18)
piano:
Cedar Walton (on 1984-07-18)
vibraphone:
Milt Jackson (on 1984-07-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1984-07-18)
instrumental recording of:
Close Enough for Love (on 1984-07-18)
lyricist:
Johnny Mandel (American composer and arranger) and Paul Williams (US songwriter/soft rock vocalist)
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
7:45

Credits