Perfect Love

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.33:04
2Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Andy Williams43:09
3Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.84:07
4Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
Grover Washington, Jr.57:20
5Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:54
6When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:49
7Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:17
8Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges ("Teenie", soul guitarist)
organ and piano:
Charles Hodges (Soul Organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:14
9Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Songs Limited
Randy Crawford3:43
10You Might Need Somebody
recording engineer and engineer:
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) and Ed Lover
membranophone programming:
Ed Baden Powell
producer:
D’Influence
additional keyboard:
Kwame Kwaten
bass guitar:
Ed Baden Powell
horn:
D-I Horny Horns, Steve Marston and Kenny Wellington
strings:
Stephen Hussey
background vocals and lead vocals:
Shola Ama
performer:
D-I Horny Horns
strings arranger:
Ed Baden Powell
arranger:
D’Influence
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1997)
recorded at:
R G Jones in Wimbledon, Merton, London (Greater London), England, United Kingdom and The D Lab
cover recording of:
You Might Need Somebody
composer:
Nan O'Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:50
11Hold On
En Vogue4:56
12Missing
additional producer:
Todd Terry (American DJ, record producer and remixer)
producer:
John Coxon, Tracey Thorn and Ben Watt
remixer and contains samples by:
Todd Terry (American DJ, record producer and remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
remix of:
Missing (“Amplified Heart” album original mix) by Everything but the Girl
recording of:
Missing (from 1993-12 until 1994-04)
lyricist:
Tracey Thorn
composer:
Tracey Thorn and Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.354:57
13Kiss Me
engineer:
Russ Long and Robert Vosgien
producer:
Steve Taylor (US CCM singer–songwriter/record producer)
mixer:
Ben Grosse (American producer and engineer)
bass:
Justin Cary (Bass Player) and J.J. Plasencio
drums (drum set):
Dale Baker (Drummer; The Maudlin Fee)
guest accordion:
John Mark Painter
guest organ:
Phil Madeira
guitar:
Sean Kelly (Sixpence guitarist)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.63:15
14Never Ever
additional producer:
Mystro (US DJ and producer Sean Mather) and Rickidy Raw
producer:
Magnus Fiennes and Cameron McVey
mixer:
Niven Garland
phonographic copyright (℗) by:
London Records (UK, 1947–98) (in 1997)
recording of:
Never Ever
writer:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis and Sean Mather (US DJ and producer Sean Mather)
publisher:
Rickidy Raw Productions Inc. and STL Songs Ltd.
All Saints3.756:25
15I’m in the Mood for Love
engineer and producer:
Ron Burrow, Jools Holland and Laurie Latham
additional percussion:
Laurie Latham
alto saxophone:
Lisa Walsingham
bass:
Dave Swift (bass)
drums (drum set):
Gilson Lavis
electronic organ:
Christopher Holland
guitar:
Mark Flanagan
keyboard and piano:
Jools Holland
saxophone:
Lisa Grahame (saxophonist), Michael Rose (Saxophonist) and Phil Veacock
trombone:
Roger Goslyn and Rico Rodriguez (Jamaican trombonist)
trumpet:
Mick Ball, Jason McDermid and Jon Scott (trumpet)
background vocals:
Mark Flanagan and Phil Veacock
vocals:
Jools Holland and Jay Kay (English singer, Jamiroquai)
performer:
Jamiroquai
cover recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Jools Holland and Jamiroquai3:11
▼ CD 2
#TitleArtistRatingLength
1Build Me Up Buttercup
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo and Tony Macaulay
publisher:
EMI United Partnership Ltd.
The Foundations2:57
2You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:28
3(Your Love Keeps Lifting Me) Higher and Higher
producer:
Carl Davis (record producer)
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (US funk/soul guitarist) (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (soul singer) (on 1967-07-06)
performer:
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios (Chicago) in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 246)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson, Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Jackie Wilson52:56
4Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:22
5Jump (for My Love)
recording of:
Jump (for My Love)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
The Pointer Sisters24:16
6Ain’t No Stoppin’ Us Now
edit of:
Ain't No Stopping Us Now (LP version) by McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:35
7I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
background vocals and lead vocals:
Chaka Khan
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
Chaka Khan3.44:07
8Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
background vocals:
Mazarati
lead vocals:
Prince (“The Artist Formerly Known as…”)
performer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss (by Prince)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince3.53:44
9Sexbomb
recording of:
Sexbomb (Mousse T. / Errol Rennalls song)
lyricist and composer:
Mousse T. and Errol Rennalls
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones & Mousse T.2.353:53
10Let’s Dance
recording of:
Let’s Dance
lyricist and composer:
Chris Rea
Chris Rea4:14
11I’ll Be There for You (theme from Friends)
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There For You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:03
12Stars
mastering:
Bernie Grundman
engineer and mixer:
Daren Klein
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.54:08
13Where Love Lives
Alison Limerick3:48
14Love to Love You Baby
producer:
Pete Bellotte (English lyricist and producer)
recording of:
Love to Love You Baby (in 1975)
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Sweet Summer Night Music and WB Music Corp. (1929–2019)
Donna Summer43:22
15Can’t Get Enough of Your Love Babe
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White53:51
▼ CD 3
#TitleArtistRatingLength
1I Want to Know What Love Is
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4:33
2Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Denise Barry Music, EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Songs of Universal, Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:56
3Closest Thing to Crazy
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003)
recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:12
4How Do I Live
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes13:40
5Ain’t No Sunshine
recording engineer:
Bill Halverson and Bill Lazarus
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
lead vocals:
Bill Withers
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.452:03
6Unbreak My Heart
assistant recording engineer:
Brandon Harris (US engineer)
recording engineer:
Felipe Elgueta
keyboard programming:
David Foster (Canadian music producer, arranger and composer)
synclavier programming:
Simon Franglen (English score composer)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Marnie Riley
mixer:
Mick Guzauski
acoustic guitar:
Dean Parks (American session guitarist)
electric guitar:
Michael Thompson (session guitarist)
background vocals:
Toni Braxton and Shanice
lead vocals:
Toni Braxton and Shanice Wilson
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid and Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for and produced for:
Chartmaker, Inc.
recorded at:
Chartmaker Studios in Malibu, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor in Mount Kisco, New York, United States
recording of:
Un-Break My Heart (in 1995)
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Toni Braxton3.954:27
7Turn Off the Lights
recording of:
Turn Off the Lights
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:46
8How ’bout Us
assistant engineer:
Michael Ferraro (engineer) and Tom Miller (engineer)
engineer:
Stu Walder
associate producer:
James Mack (Composer, arranger, conductor)
producer:
Leo Graham (producer / composer / lyricist)
bass guitar [bass]:
Michael Reed (US bassist for Champaign) and Paul Richmond (producer - songwriter - bassist)
drums (drum set):
Morris Jennings, Jr.
electronic drum set [syndrums]:
Tommy Radtke
guitar [guitars]:
Michael Day and Howard Reeder
keyboard [keyboards]:
Michael Day and Dana Walden
percussion:
Rocky Maffit
solo alto saxophone:
Ken Soderbloom
synthesizer [synthesizers]:
Dana Walden
lead vocals:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit and Howard Reeder
brass [horns] arranger and strings arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) and James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
produced for:
B‐Line Productions
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music (publisher), Irving Music (BMI), Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Champaign34:34
9What the World Needs Now
cover recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部, フジパシフィックミュージック 第2事業部, BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use!) (in 1993)
Dionne Warwick3:08
10Everybody’s Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:08
11Power of Love
lead vocals:
Jennifer Rush
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
translated version of:
Du bist mein Leben
translated version of:
Už nejsem volná
Jennifer Rush56:02
12Love Can Build a Bridge
The Judds3:46
13Move Closer
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson4:34
14Stay Another Day
recording of:
Stay Another Day
writer and composer:
Dominic Hawken, Rob Kean and Tony Mortimer
publisher:
Polygram Music and Porky Publishing
East 173:45
15Heaven
cover recording of:
Heaven
written in:
West Vancouver, Vancouver, British Columbia, Canada (in 1983)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1983) and Jim Vallance (in 1983)
publisher:
Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
DJ Sammy & Yanou feat. Do4:02

Credits

Release

ASIN:UK: B00066D29E [info]