Presenting Joe Williams and Thad Jones / Mel Lewis: The Jazz Orchestra

~ Release by Joe Williams & The Thad Jones & Mel Lewis Orchestra (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Get Out of My Life Woman
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
recording of:
Get Out of My Life, Woman (in 1966-09)
lyricist and composer:
Allen Toussaint
publisher:
Ardmore and Beechwood Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
33:22
2Woman's Got Soul
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
2:23
3Nobody Knows the Way I Feel This Morning
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
4:31
4Gee Baby, Ain't I Good to You
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
recording of:
Gee, Baby Ain’t I Good to You (in 1966-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:53
5How Sweet It Is (to Be Loved by You)
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
cover recording of:
How Sweet It Is (to Be Loved by You) (in 1966-09)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
2:32
6Keep Your Hand on Your Heart
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
3:37
7Evil Man Blues
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
3:26
8Come Sunday
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
recording of:
Come Sunday (1958 revision with lyrics) (in 1966-09)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:16
9Smack Dab in the Middle
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
recording of:
Smack Dab in the Middle (in 1966-09)
lyricist and composer:
Charles Calhoun
publisher:
Roosevelt Music
3:30
10It Don't Mean a Thing (If It Ain't Got That Swing)
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1966-09)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:05
11Hallelujah, I Love Her So
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
recording of:
Hallelujah, I Love Her So (in 1966-09)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
3:02
12Night Time Is the Right Time
bass:
Richard Davis (American jazz bassist) (in 1966-09)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1966-09)
flugelhorn:
Thad Jones (in 1966-09)
guitar:
Sam Herman (guitar, jazz) (in 1966-09)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
saxophone:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) and Jerome Richardson (in 1966-09)
trombone:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) and Tom McIntosh (in 1966-09)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (jazz trumpeter) (in 1966-09) and Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1966-09)
cover recording of:
Night Time Is the Right Time (in 1966-09)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
5:14