Dangerous Beauty

~ Release by George Fenton (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Venice Proud and Pretty
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Venice Proud and Pretty (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:36
2Marco's Homecoming
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Marco's Homecoming (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:25
3The First Kiss (Veronica's Theme)
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
The First Kiss (Veronica's Theme) (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:01
4I Cannot Marry You
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
I Cannot Marry You (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
0:06
5Mother's Advice
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Mother's Advice (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:45
6Job Training / The Library
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Job Training / The Library (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
3:19
7Warming to the Idea
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Warming to the Idea (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:19
8First Poetry Duel
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
First Poetry Duel (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
3:21
9Ramberti
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Ramberti (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:46
10Who's Next?
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Who's Next? (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:27
11Veronica's Ascent
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Veronica's Ascent (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:36
12Marco Will Marry
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Marco Will Marry (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:50
13Second Poetry Duel
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Second Poetry Duel (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
4:49
14Veronica and Marco
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Veronica and Marco (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:37
15News of War
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
News of War (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:35
16The Lodge
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
The Lodge (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:05
17The King of France
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
The King of France (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
4:18
18Marco Goes to War
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Marco Goes to War (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:51
19The Plague / Veronica's Arrest
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
The Plague / Veronica's Arrest (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
7:54
20Imprisonment I
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Imprisonment I (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:30
21Imprisonment II
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Imprisonment II (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
1:34
22Veronica Confesses
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Veronica Confesses (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
2:18
23I Stand Alone for Venice and This Woman
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
I Stand Alone for Venice and This Woman (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
3:20
24The Verdict / End Titles
recorded in:
London (Greater London), England, United Kingdom (in 1997)
recording engineer and mixer:
John Richards (engineer)
producer:
George Fenton (English score composer) and Charles Ryan (producer)
editor:
Tommy Locket
conductor:
George Fenton (English score composer) (in 1997)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. and Regency Entertainment (USA) Inc.
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
The Verdict / End Titles (in 1997)
orchestrator:
Geoffrey Alexander
composer:
George Fenton (English score composer)
5:36

Credits

Release

art direction:Rachel Gutek
photography:Mario Tursi
mixer:John Richards (engineer)
orchestrator:Geoffrey Alexander
mastering:Joe Gastwirt
composer:George Fenton (English score composer)
Discogs:https://www.discogs.com/release/5406925 [info]