Vignettes: 24 Favorite Miniatures

~ Release by Nathan Milstein, Leon Pommers (see all versions of this release, 1 available)

Tracklist

▼ Medium 1
#TitleArtistRatingLength
1Z domoviny (From the Homeland), JB 1:118: No. 2, Andantino in G minor
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Z domoviny, JB 1:118, No. 2: Andantino moderato e allegro vivo (From my Homeland / Aus der Heimat) (from 1956-01-27 until 1956-02-03)
composer:
Bedřich Smetana (composer) (in 1880)
part of:
Z domoviny, JB 1:118 (From my Homeland / Aus der Heimat)
Bedřich Smetana4:44
2Orfeo ed Euridice (Italian version), Wq. 30: Melodie (arr. Kreisler)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (from 1956-01-27 until 1956-02-03)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (violinist / composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:48
3Two Mazurkas for violin & piano, Op. 19: No. 2, "Dudziarz" (The bagpiper) in D major
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Dudziarz Le Ménétrier (Mazurka), op. 19 no. 2 (from 1956-01-27 until 1956-02-03)
composer:
Henryk Wieniawski (composer and violinist) (in 1860)
part of:
Works of Henryk Wieniawski by opus number (number: op. 19 no. 2)
part of:
2 Mazurkas caractéristiques, op. 19
Henryk Wieniawski3:17
4Concerto for 2 violins, cello, strings & continuo in D minor ("L'estro armonico" No. 11), Op. 3/11: Siciliano
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596 (from 1956-01-27 until 1956-02-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Bach-Werke-Verzeichnis (number: BWV 596)
arrangement of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Antonio Vivaldi3:12
5Seven Pieces for piano, Op. 11: No. 3, ...Il pleure dans mon cœur, comme il pleut sur la ville (trans. Milstein)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
7 Piano Pieces, op. 11: No. 3. ''Il pleut dans mon coeur comme il peut sur la ville'' (for violin and piano, arr. Milstein) (from 1956-01-27 until 1956-02-03)
composer:
Zoltán Kodály (composer)
piano and violin arranger:
Nathan Milstein (violinist)
arrangement of:
7 Piano Pieces, op. 11: No. 3. ''Il pleut dans mon coeur comme il peut sur la ville''
Zoltán Kodály1:33
6Nocturne No. 20 in C-sharp minor (arr. Nathan Milstein)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Nocturne no. 20 in C-sharp minor, op. posth. (for violin and piano, arr. Milstein) (from 1956-01-27 until 1956-02-03)
composer:
Fryderyk Chopin (composer) (in 1830)
piano and violin arranger:
Nathan Milstein (violinist)
arrangement of:
Nocturne no. 20 in C-sharp minor "Reminiscence", op. posth. 1 no. 16, B. 49, KKIVa/16
Frédéric Chopin3:43
7Suite for horn/violin & piano, No. 3 in G, Op 34: No. 5, Perpetuum mobile
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Suite no. 3 for Violin, op. 34: V. Perpetuum mobile (from 1956-01-27 until 1956-02-03)
composer:
Franz Ries
part of:
Suite no. 3 for Violin, op. 34
Ferdinand Ries2:49
8Sonata No. 2 in D major: Larghetto
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
partial recording of:
Violin Sonata in D major (from 1956-01-27 until 1956-02-03)
composer:
Pietro Nardini (18th century composer)
Pietro Nardini2:52
9Hungarian Dances for orchestra, WoO 1: No. 2 in D minor (arr. Joachim)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1956-02-03)
violin:
Nathan Milstein (violinist) (on 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-02-03)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 2 in D minor: Allegro non assai - Vivace (Hallén orchestration) (on 1956-02-03)
orchestrator:
Andreas Hallén
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Hallén)
recording of:
Hungarian Dance no. 2 in B minor (for violin and piano, Klengel/Gingold)
composer:
Johannes Brahms (German composer)
arranger:
Josef Gingold and Paul Klengel
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
Johannes Brahms3:10
10Méditation, violin & orchestra version and various arrangements (from opera "Thäis") (arr. Marsick)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1956-02-03)
violin:
Nathan Milstein (violinist) (on 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-02-03)
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick) (on 1956-02-03)
composer:
Jules Massenet (French Romantic composer)
arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet4:05
11Russian Maiden's Song (Parasha's Aria) (arr. Dushkin)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Parasha's Aria from Mavra (for violin and piano, Dushkin) (from 1956-01-27 until 1956-02-03)
composer:
Игорь Фёдорович Стравинский (Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber)
arrangement of:
Mavra: Parasha's Song (original aria)
Игорь Фёдорович Стравинский3:20
12Sicilienne for keyboard in E flat (arr. Dushkin)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Sicilienne (for violin and piano) (from 1956-01-27 until 1956-02-03)
composer:
Maria Theresia von Paradis
Maria Theresia von Paradis2:41
13The Tale of Tsar Saltan (Skazka o Tsare Saltane), Op. 57: Flight of the bumblebee (arr. Hartmann)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1956-01-27)
violin:
Nathan Milstein (violinist) (on 1956-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-01-27)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (on 1956-01-27)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков1:18
14Polonaise (No. 1) de concert in D major, Op. 4
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1957-04-22 until 1957-04-26)
violin:
Nathan Milstein (violinist) (from 1957-04-22 until 1957-04-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-22 until 1957-04-26)
recording of:
Polonaise de concert no. 1 in D major, op. 4 (for violin and piano) (from 1957-04-22 until 1957-04-26)
composer:
Henryk Wieniawski (composer and violinist) (in 1852)
dedicated to:
Karol Lipiński
publisher:
Litolff (in 1853)
part of:
Works of Henryk Wieniawski by opus number (number: op. 4)
arrangement of:
Polonaise de concert no. 1 in D major, op. 4 (for violin and orchestra)
Henryk Wieniawski4:28
15Seven Popular Spanish Songs, G. 40: No. 3, "Asturiana" (arr. Kochanski)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Suite populaire espagnole: V. Asturiana (for violin and piano, arr. Kochanski) (on 1957-04-24)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arranger:
Paweł Kochański (violinist)
arrangement of:
Siete canciones populares españolas, G. 40, nº 3: Asturiana
part of:
Suite populaire espagnole (for violin and piano, arr. Kochanski)
Manuel de Falla2:20
16Seven Popular Spanish Songs, G. 40: No. 4, "Jota" (arr. Kochanski)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Suite populaire espagnole: VI. Jota (for violin and piano, arr. Kochanski) (on 1957-04-24)
composer:
Manuel de Falla (Spanish composer) (in 1914)
piano and violin arranger:
Paweł Kochański (violinist)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
part of:
Suite populaire espagnole (for violin and piano, arr. Kochanski)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla2:47
17Berceuse sur le nom de Gabriel Fauré
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1957-04-22 until 1957-04-26)
violin:
Nathan Milstein (violinist) (from 1957-04-22 until 1957-04-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-22 until 1957-04-26)
recording of:
Berceuse sur le nom de Gabriel Fauré (from 1957-04-22 until 1957-04-26)
composer:
Maurice Ravel (classical composer)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 74)
Maurice Ravel2:07
18Romanza Andalusa
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1957-04-22 until 1957-04-26)
violin:
Nathan Milstein (violinist) (from 1957-04-22 until 1957-04-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-22 until 1957-04-26)
recording of:
Spanish Dances, op. 22, no. 1: Romanza andaluza (for violin (or mandolin) and piano) (from 1957-04-22 until 1957-04-26)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 22 (for violin (or mandolin) and piano)
Pablo de Sarasate4:11
19Kinderszenen (Scenes from Childhood), Op. 15: No. 7, Träumerei
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (for piano) (on 1957-04-24)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:37
20Orchestral Suite No. 3 in D major, BWV 1068: II. Air (arr. Wilhelmj)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Air on the G String (for violin & piano, arr. Wilhelmj) (on 1957-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
August Wilhelmj
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Johann Sebastian Bach4:41
21Perpetuum mobile
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1957-04-27)
violin:
Nathan Milstein (violinist) (on 1957-04-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-27)
recording of:
Perpetuum mobile, op. 5 no. 4 (catch-all for arrangements) (on 1957-04-27)
composer:
Ottokar Nováček (Violinist, composer)
arrangement of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano)
recording of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano)
composer:
Ottokar Nováček (Violinist, composer)
part of:
8 Concert Caprices, op. 5
Ottokar Nováček2:39
22Souvenir d'un lieu cher, Op. 42: No. 3, Melodie in E flat major
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1957-04-22 until 1957-04-26)
violin:
Nathan Milstein (violinist) (from 1957-04-22 until 1957-04-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-22 until 1957-04-26)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie (from 1957-04-22 until 1957-04-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Пётр Ильич Чайковский3:35
23La fille aux cheveux de lin ("Sur la luzerne en fleur"), L. 33
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (from 1957-04-22 until 1957-04-26)
violin:
Nathan Milstein (violinist) (from 1957-04-22 until 1957-04-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-22 until 1957-04-26)
recording of:
La Fille aux cheveux de lin, L. 33, CD 15 "Sur la luzerne en fleur" (for voice and piano) (from 1957-04-22 until 1957-04-26)
lyricist:
Leconte de Lisle
composer:
Claude Debussy (composer) (in 1881)
dedicated to:
Marie-Blanche Vasnier
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 15) and Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 33)
Claude Debussy2:10
24Scherzo-tarantelle in G minor, Op. 16
engineer:
Frank Abbey (engineer / producer)
producer:
Richard C. Jones (producer for Columbia and Capitol from the 1940s)
piano:
Leon Pommers (on 1957-04-22)
violin:
Nathan Milstein (violinist) (on 1957-04-22)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-22)
recording of:
Scherzo-tarantelle, op. 16 (on 1957-04-22)
composer:
Henryk Wieniawski (composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski3:45