Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
Rive Droite Music and Warner Chappell
Cher3.73:52
2Heartbeat
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Dan Frampton (engineer)
producer:
Andrew Frampton and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
drums (drum set) [drums]:
Paul Waterman
guitar:
Greg Bone
instruments:
Andrew Frampton
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Heartbeat
lyricist and composer:
Jackie James (Scottish singer-songwriter, keyboardist)
publisher:
All Boys Music Ltd.
Steps3.754:22
3End of the Line (Rude Boys remix)
recording of:
End of the Line
lyricist and composer:
Paul Begaud
Honeyz4:05
4War of Nerves (98 remix)
recording of:
War of Nerves
writer:
Natalie Appleton, Nicole Appleton, Magnus Fiennes, Shaznay Lewis and Cameron McVey
All Saints4:45
5Each Time
additional producer:
Mark Jolley
producer:
Beckford, Reid and Reid
guitar:
Andrew Smith (UK bassist/guitarist)
remixer:
Marcellus Fernandes (aka Mark Frank) and Mark Jolley
phonographic copyright (℗) by:
Telstar Records Ltd. (in 1998)
mixed for:
Jerv Management Ltd
produced for:
Jerv Management Ltd and Prima Productions
recorded at:
E17 Studios and Sarm West Recording Studio
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Each Time
writer:
Jon Beckford, Terry Coldwell, Brian Harvey (E-17), John Hendy, Ivor Reid and Mark Reid
publisher:
PolyGram Music Publishing Ltd. and Strongsongs Ltd
East 1723:56
6Little Bit of Lovin' (Rude Boy edit)
Kele Le Roc4:00
7Freak Me (Candj radio edit)
cover recording of:
Freak Me
writer:
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) and Keith Sweat
Another Level3:49
8Until the Time Is Through
recording of:
Until the Time Is Through
writer:
Andreas Carlsson (pop songwriter) and Max Martin
publisher:
Grantsville
Five4:34
9All I Have to Give
producer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
mixer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam) and Chris Trevett
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Forceful Enterprises
miscellaneous support:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (task: made by)
edit of:
All I Have to Give by Backstreet Boys
recording of:
All I Have to Give
writer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
publisher:
P-Blast Music Inc., Universal Music – Z Tunes LLC and Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys23:52
10Turn Back Time
recording of:
Turn Back Time
writer:
Claus Norreen and Søren Rasted
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3:55
11You've Got a Friend
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Brand New Heavies3:21
12You Might Need Somebody (DJ Classic radio mix)
cover recording of:
You Might Need Somebody
composer:
Nan O'Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Shola Ama3:49
13All My Life
recording of:
All My Life
writer:
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) and Randy Waldman
publisher:
EMI Publishing Ltd and Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo3:40
14Feel So High
additional producer:
Phil Legg
producer:
Ashley Ingram
mixer:
Phil Legg
bass, guitar, keyboard and membranophone:
Ashley Ingram
percussion:
Harry Morgan
arranger:
Michael Graves
recording of:
Feel So High
writer:
Des’ree and Michael Graves
Des’ree43:51
15Where Is the Love?
cover recording of:
Where Is the Love
writer:
Ralph MacDonald and William Salter
publisher:
Antisia Music Inc. and BMG Ruby Songs
Mica Paris & Will Downing3:21
16Tonight's the Night (Gonna Be Alright)
producer:
Tom Dowd
lead vocals:
Rod Stewart
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
Rod Stewart3:33
17Truly
recording engineer:
Calvin Harris
engineer:
Jim Cassell
assistant producer:
Brenda Harvey–Richie
producer:
James Anthony Carmichael and Lionel Richie
mixer:
Calvin Harris, Michael Johnson (Motown related), Fred Law and Stephan Smith (US 70s/80s soul/funk engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass:
Joe Chemay
cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff and Dennis Karmazyn
double bass:
Árni Egilsson and Buell Neidlinger
drums (drum set):
Paul Leim
flute:
Louise DiTullio
French horn:
Arthur Maebe (US horn player), Richard Perissi and Henry Sigismonti
guitar:
Paul Jackson, Jr.
harp:
Gayle Levant (American studio musician, harpist)
Rhodes piano [Fender rhodes]:
William Payne
strings:
Assa Drori, Allan Harshman, Joy Lyle and Paul Shure
viola:
Alan DeVeritch, Allan Harshman, Virginia Majewski (violist) and Gareth Nuttycombe (violist)
violin:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura and Charles Veal Jr. (violinist, conductor and arranger)
background vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Gene Page
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Motown / Hitsville U.S.A Recording Studios in West Hollywood, California, United States
recording of:
Truly
lyricist and composer:
Lionel Richie
Lionel Richie3.453:16
18Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax, Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:24
19One Day I'll Fly Away
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford4:52
20In Your Eyes
George Benson3:23
▼ CD 2
#TitleArtistRatingLength
1No Matter What
recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone4:33
2What Can I Do (Tin Tin Out remix)
producer:
Jim Corr
remixer:
Tin Tin Out
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
What Can I Do
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
The Corrs34:09
3Big Big World
Emilia3:22
4High
phonographic copyright (℗) by:
The Wild Card Label Ltd (in 1997)
recording of:
High
lyricist:
Paul Tucker
composer:
Tunde Baiyewu and Paul Tucker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family5:12
5Say You Love Me
recording of:
Say You Love Me
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
publisher:
EMI Music Publishing (do not use as a release label!)
Simply Red3:41
6Crush
recording of:
Crush
writer:
Kevin Clark (UK singer/songwriter/producer active since 1980s, married to Berny Cosgrove), Berny Cosgrove, Andy Goldmark and Mark Mueller (US songwriter)
Jennifer Paige3:17
7Something About the Way You Look Tonight
Elton John3:57
8You're Still the One
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.83:32
9How Do I Live
producer:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) and Wilbur C. Rimes
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes2.54:05
10Kiss the Rain
vocals:
Billie Myers (UK rock singer‐songwriter)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1998)
recording of:
Kiss the Rain
writer:
Eric Bazilian, Desmond Child and Billie Myers (UK rock singer‐songwriter)
publisher:
DESMOPHOBIA PolyGram International Publishing, Inc. (in 1997), EMI Blackwood Music (1989-07-24–present) (in 1997), Human Boy (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Billie Myers34:08
11How Deep Is Your Love
cover recording of:
How Deep Is Your Love (Bee Gees song)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell Music Taiwan Ltd., シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Take That3:39
12You Do Something to Me
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller3:32
13Strange Currencies
recording engineer:
Scott Litt (producer and engineer)
additional engineer:
David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
engineer and mixer:
Pat McCarthy
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Victor Janacua
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1994)
recorded at:
Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Louie’s Clubhouse in Los Angeles, California, United States
recording of:
Strange Currencies
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.3.43:49
14I'll Stand by You
engineer:
Steve Williams (UK recording engineer, aka Syco)
producer:
Ian Stanley
drums (drum set):
Jimmy Copley and J.F.T. Hood
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Adam Seymour
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music and Kobalt Publishing Ltd.
The Pretenders3.53:54
15Even After All
recording of:
Even After All
lyricist and composer:
Finley Quaye
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Spirit Songs Ltd.
Finley Quaye3:52
16Have I Told You Lately That I Love You
Rod Stewart3:58
17I Don't Want to Talk About It
producer:
Ben Watt (from 1987-09 until 1987-12)
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom (from 1987-09 until 1987-12)
cover recording of:
I Don’t Want to Talk About It (from 1987-09 until 1987-12)
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher), Crazy Horse Music and Rondor Music
Everything but the Girl44:14
18She's Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Hall & Oates3.655:12
19Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer-songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer-songwriter)
vocals:
Sinéad O’Connor (Irish singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (number: 38), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing, Warner Chappell, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor4.355:02