Don Giovanni

~ Release by Mozart; Cesare Siepi, Suzanne Danco, Lisa della Casa, Hilde Güden, Anton Dermota, Fernando Corena, Walter Berry, Kurt Böhme, Coro de la Ópera de Viena, Orquesta Filarmónica de Viena, Josef Krips (see all versions of this release, 5 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Don Giovanni: Atto I. Sinfonia
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Ouvertura (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:24
2Don Giovanni: Atto I. “Notte e giorno faticar”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
edit of:
Don Giovanni: Atto I. “Notte e giorno faticar” (Leporello) by Fernando Corena (operatic bass), Kurt Böhme (operatic bass), Suzanne Danco (soprano / mezzo-soprano), Cesare Siepi (operatic bass), Anton Dermota (tenor), Wiener Philharmoniker, Josef Krips (conductor and violinist)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:43
3Don Giovanni: Atto I. “Non sperar, se non m’uccidi”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:28
4Don Giovanni: Atto I. “Lasciala, indegno!”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:41
5Don Giovanni: Atto I. “Ma qual mai s’offre, o Dei”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:30
6Don Giovanni: Atto I. “Fuggi, crudele, fuggi!”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:01
7Don Giovanni: Atto I. “Orsù, spicciati presto”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:35
8Don Giovanni: Atto I. “Ah, chi mi dice mai”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:27
9Don Giovanni: Atto I. “Chi è là?”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:40
10Don Giovanni: Atto I. “Madamina, il catalogo è questo”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:49
11Don Giovanni: Atto I. “Giovinette, che fate all’amore”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
choir vocals:
Wiener Staatsopernchor (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
12Don Giovanni: Atto I. “Maco male, è partita”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:13
13Don Giovanni: Atto I. “Ho capito, signor sì!”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:31
14Don Giovanni: Atto I. “Alfin siam liberati”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:59
15Don Giovanni: Atto I. “Là ci darem la mano”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:44
16Don Giovanni: Atto I. “Ah, fuggi il traditor!”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
17Don Giovanni: Atto I. “Mi par ch’oggi il demonio”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:29
18Don Giovanni: Atto I. “Don Ottavio… son morta!”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
19Don Giovanni: Atto I. “Or sai chi l’onore”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:37
20Don Giovanni: Atto I. “Come mai creder deggio”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:40
21Don Giovanni: Atto I. “Io deggio, ad ogni patto”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
22Don Giovanni: Atto I. “Fin ch’han dal vino”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:25
▼ CD 2
#TitleArtistRatingLength
1Don Giovanni: Atto I. “Masetto… senti un po’”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:17
2Don Giovanni: Atto I. “Batti, batti, o bel Masetto”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:12
3Don Giovanni: Atto I. “Presto, presto, pria ch’ei venga”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
4Don Giovanni: Atto I. “Tra quest’arbori celata”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:43
5Don Giovanni: Atto I. “Bisogna aver coraggio”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:16
6Don Giovanni: Atto I. “Protegga il giusto cielo”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:13
7Don Giovanni: Atto I. “Riposate, vezzose ragazze”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:18
8Don Giovanni: Atto I. “Venite pur avanti”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:24
9Don Giovanni: Atto I. “Ecco il birbo che t’ha offesa”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
10Don Giovanni: Atto I. “Trema, trema, scellerato!”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:20
11Don Giovanni: Atto II. “Eh via, buffone”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:40
12Don Giovanni: Atto II. “Ah! taci, ingiusto core”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:45
13Don Giovanni: Atto II. “Amico, che ti par?”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:53
14Don Giovanni: Atto II. “Deh! vieni alla finestra”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:59
15Don Giovanni: Atto II. “Metà di voi qua vadano”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:55
16Don Giovanni: Atto II. “Zitto… Lascia ch’io senta…”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:03
17Don Giovanni: Atto II. “Vedrai, carino”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:40
18Don Giovanni: Atto II. “Di molte face il lume”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:50
19Don Giovanni: Atto II. “Mille torbidi pensieri”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:28
20Don Giovanni: Atto II. “Dunque quello sei tu”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:03
21Don Giovanni: Atto II. “Il mio tesoro intanto”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:15
22Don Giovanni: Atto II. “In quali eccessi”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:10
23Don Giovanni: Atto II. “Mi tradì, quell’alma ingrata”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
partial recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:59
▼ CD 3
#TitleArtistRatingLength
1Don Giovanni: Atto II. “Ah! ah! ah! questa è buona!”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:43
2Don Giovanni: Atto II. “O statua gentilissima”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:22
3Don Giovanni: Atto II. “Calmatevi, idol mio”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:52
4Don Giovanni: Atto II. “Crudele? Ah no!”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:42
5Don Giovanni: Atto II. “Non mi dir, bell’idol mio”
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:42
6Don Giovanni: Atto II. “Già la mensa è preparata”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:02
7Don Giovanni: Atto II. “L’ultima prova”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:18
8Don Giovanni: Atto II. “Che grido è questo mai?”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Che grido è questo mai” … “Ah signor per carità” (Donna Elvira, Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) and Giuseppe Verdi (Italian opera composer)
librettist:
Lorenzo Da Ponte and Temistocle Solera
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:17
9Don Giovanni: Atto II. “Don Giovanni, a cenar teco”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:02
10Don Giovanni: Atto II. “Da qual tremore insolito”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:11
11Don Giovanni: Atto II. “Ah! dov’è il perfido?”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:40
12Don Giovanni: Atto II. “Or che tutti, o mio tesoro”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:53
13Don Giovanni: Atto II. “Questo è il fin”
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:43

Credits

Release

mastering:Paul Baily (audio engineer) (in 2007)
phonographic copyright (℗) by:Testament (UK classical) (in 2007)
part of:Los clásicos de la ópera: 400 años (México) (number: 6) (order: 6)