The Last Recordings Rare & Unreleased

~ Release by Artie Shaw (see all versions of this release, 3 available)

Tracklist

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▼ CD 1: Volume 1
#TitleRatingLength
1Imagination
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Imagination (in 1954-03)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
4:20
2Besame Mucho
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Bésame mucho (Bésame, bésame mucho como si fuera esta noche la última vez) (in 1954-03)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
4:06
3My Funny Valentine
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
My Funny Valentine (from “Babes in Arms”) (in 1954-06)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:31
4Too Marvelous for Words
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
Too Marvelous for Words (in 1954-06)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:47
5I Can't Get Started
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
I Can’t Get Started (in 1954-03)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:17
6The Sad Sack
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
6:09
7Dancing on the Ceiling
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (in 1954-06)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
7:16
8Someone to Watch Over Me
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1954-03)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:50
9Mysterioso
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
5:21
10The Chaser
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
8:01
▼ CD 2: Volume 2
#TitleRatingLength
1Pied Piper Theme
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
The Pied Piper Theme
composer:
Artie Shaw
6:20
2Love of My Life
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Love of My Life (Shaw/Mercer song) (in 1954-06)
lyricist:
Johnny Mercer
composer:
Artie Shaw
part of:
The 13th Academy Award for Best Original Song (number: 2)
4:57
3Rough Ridin'
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
Rough Ridin' (in 1954-06)
writer:
Ella Fitzgerald (American jazz singer), Hank Jones (piano) and William J. Tennyson, Jr.
7:49
4Yesterdays
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
Yesterdays (in 1954-06)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
6:07
5Lyric
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Lyric (in 1954-03)
composer:
Artie Shaw
6:22
6Bewitched, Bothered & Bewildered
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1954-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:14
7Lugubrious
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Lugubrious (in 1954-03)
composer:
Artie Shaw
4:42
8S'posin'
clarinet:
Artie Shaw (in 1954-06)
double bass:
Tommy Potter (in 1954-06)
drums (drum set):
Irv Kluger (in 1954-06)
guitar:
Joe Puma (in 1954-06)
piano:
Hank Jones (piano) (in 1954-06)
recording of:
S’posin’ (in 1954-06)
writer:
Paul Denniker and Andy Razaf
publisher:
Mayfair Music Corp.
5:35
9Tenderly
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
Tenderly (in 1954-03)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:46
10When the Quail Come Back to San Quentin
clarinet:
Artie Shaw (in 1954-03)
double bass:
Tommy Potter (in 1954-03)
drums (drum set):
Irv Kluger (in 1954-03)
guitar:
Tal Farlow (jazz guitarist) (in 1954-03)
piano:
Hank Jones (piano) (in 1954-03)
vibraphone:
Joe Roland (Vibe player 1950s/1960s) (in 1954-03)
recording of:
When the Quail Come Back to San Quentin (in 1954-03)
composer:
Artie Shaw
5:57