Go ahead and blow!

~ Release by Bennie Green, Budd Johnson, Coleman Hawkins, Eddie “Lockjaw” Davis, Frank Wess, Cecil Payne, Cliff Smalls & Osie Johnson (see all versions of this release, 1 available)

Tracklist

▼ Enhanced CD 1
#TitleRatingLength
1Euphoria
recorded in:
New York, New York, United States (on 1949-01-06)
baritone saxophone and tenor saxophone:
Charlie Ventura (on 1949-01-06)
bass:
Kenny O'Brien (bass) (on 1949-01-06)
drums (drum set):
Ed Shaughnessy (on 1949-01-06)
piano:
Roy Kral (on 1949-01-06)
trombone:
Bennie Green (jazz trombonist) (on 1949-01-06)
trumpet:
Norman Faye (on 1949-01-06)
vocals:
Jackie Cain (on 1949-01-06) and Roy Kral (on 1949-01-06)
performer:
Charlie Ventura Septet (on 1949-01-06)
recording of:
Euphoria (on 1949-01-06)
writer:
Charlie Ventura
3:04
2F.Y.I.
baritone saxophone and tenor saxophone:
Charlie Ventura
bass:
Kenny O'Brien (bass)
drums (drum set):
Ed Shaughnessy
piano:
Roy Kral
trombone:
Bennie Green (jazz trombonist)
trumpet:
Norman Faye
vocals:
Jackie Cain and Roy Kral
performer:
Charlie Ventura Septet
recording of:
F.Y.I.
writer:
Charlie Ventura
3:02
3Oh, Lady Be Good
baritone saxophone and tenor saxophone:
Charlie Ventura
double bass:
Kenny O'Brien (bass)
drums (drum set):
Ed Shaughnessy
piano:
Roy Kral
trombone:
Bennie Green (jazz trombonist)
trumpet:
Norman Faye
vocals:
Jackie Cain and Roy Kral
performer:
Charlie Ventura Septet
recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:13
4Sweet Georgia Brown
baritone saxophone and tenor saxophone:
Charlie Ventura
bass:
Kenny O'Brien (bass)
drums (drum set):
Ed Shaughnessy
piano:
Roy Kral
trombone:
Bennie Green (jazz trombonist)
trumpet:
Norman Faye
vocals:
Jackie Cain and Roy Kral
performer:
Charlie Ventura Septet
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:12
5Birdland
recorded in:
New York, New York, United States (on 1949-08-29)
bass:
Nelson Boyd (on 1949-08-29)
drums (drum set):
Shadow Wilson (on 1949-08-29)
guitar:
John Collins (jazz guitarist) (on 1949-08-29)
piano:
Al Haig (on 1949-08-29)
tenor saxophone:
Coleman Hawkins (on 1949-08-29)
trombone:
Bennie Green (jazz trombonist) (on 1949-08-29)
performer:
Coleman Hawkins Quintet (on 1949-08-29)
3:03
6Platinum Love
recorded in:
New York, New York, United States (on 1950-08-13)
bass:
Tommy Potter (on 1950-08-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-08-13)
guitar:
John Collins (jazz guitarist) (on 1950-08-13)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-08-13)
tenor saxophone:
Budd Johnson (on 1950-08-13)
trombone:
Bennie Green (jazz trombonist) (on 1950-08-13)
recording of:
Platinum Love (on 1950-08-13)
writer:
Coleman Hawkins
3:25
7Our Very Own
recorded in:
New York, New York, United States (on 1950-08-13)
bass:
Tommy Potter (on 1950-08-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-08-13)
guitar:
John Collins (jazz guitarist) (on 1950-08-13)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-08-13)
tenor saxophone:
Budd Johnson (on 1950-08-13)
trombone:
Bennie Green (jazz trombonist) (on 1950-08-13)
recording of:
Our Very Own (on 1950-08-13)
lyricist:
Jack Elliott (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
composer:
Victor Young (American composer, arranger, violinist & conductor)
2:26
8Lowland Bounce (Lowland Shuffle)
engineered in:
New York, New York, United States (on 1950-08-13)
bass:
Tommy Potter
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
guitar:
John Collins (jazz guitarist)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
tenor saxophone:
Budd Johnson
trombone:
Bennie Green (jazz trombonist)
recording of:
Lowland Bounce (Lowland Shuffle)
writer:
Bennie Green (jazz trombonist)
2:38
9Green Junction
recorded in:
New York, New York, United States (on 1951-10-05)
baritone saxophone:
Rudy Williams (US jazz saxophonist) (on 1951-10-05)
bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Teddy Brannon (on 1951-10-05)
tenor saxophone:
"Big Nick" Nicholas (on 1951-10-05) and Eddie “Lockjaw” Davis (jazz saxophonist) (on 1951-10-05)
trombone:
Bennie Green (jazz trombonist) (on 1951-10-05)
recording of:
Green Junction (on 1951-10-05)
writer:
Bennie Green (jazz trombonist)
2:53
10Flowing River
recorded in:
New York, New York, United States (on 1951-10-05)
baritone saxophone:
Rudy Williams (US jazz saxophonist) (on 1951-10-05)
bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Teddy Brannon (on 1951-10-05)
tenor saxophone:
"Big Nick" Nicholas (on 1951-10-05) and Eddie “Lockjaw” Davis (jazz saxophonist) (on 1951-10-05)
trombone:
Bennie Green (jazz trombonist) (on 1951-10-05)
recording of:
Flowing River (on 1951-10-05)
writer:
Bennie Green (jazz trombonist)
2:41
11Whirl-A-Licks
recorded in:
New York, New York, United States (on 1951-10-05)
baritone saxophone:
Rudy Williams (US jazz saxophonist) (on 1951-10-05)
bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Teddy Brannon (on 1951-10-05)
tenor saxophone:
"Big Nick" Nicholas (on 1951-10-05) and Eddie “Lockjaw” Davis (jazz saxophonist) (on 1951-10-05)
trombone:
Bennie Green (jazz trombonist) (on 1951-10-05)
recording of:
Whirl-A-Licks (on 1951-10-05)
writer:
Bennie Green (jazz trombonist)
3:18
12Pennies from Heaven
recorded in:
New York, New York, United States (on 1951-10-05)
baritone saxophone:
Rudy Williams (US jazz saxophonist) (on 1951-10-05)
bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Teddy Brannon (on 1951-10-05)
tenor saxophone:
"Big Nick" Nicholas (on 1951-10-05) and Eddie “Lockjaw” Davis (jazz saxophonist) (on 1951-10-05)
trombone:
Bennie Green (jazz trombonist) (on 1951-10-05)
recording of:
Pennies From Heaven (on 1951-10-05)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
2:14
13Tenor Sax Shuffle
recorded in:
New York, New York, United States (on 1951-10-05)
baritone saxophone:
Rudy Williams (US jazz saxophonist) (on 1951-10-05)
bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Teddy Brannon (on 1951-10-05)
tenor saxophone:
"Big Nick" Nicholas (on 1951-10-05) and Eddie “Lockjaw” Davis (jazz saxophonist) (on 1951-10-05)
trombone:
Bennie Green (jazz trombonist) (on 1951-10-05)
recording of:
Tenor Sax Shuffle (on 1951-10-05)
writer:
"Big Nick" Nicholas
3:06
14Sugar Syrup
recorded in:
New York, New York, United States (on 1951-10-05)
baritone saxophone:
Rudy Williams (US jazz saxophonist) (on 1951-10-05)
bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Teddy Brannon (on 1951-10-05)
tenor saxophone:
"Big Nick" Nicholas (on 1951-10-05) and Eddie “Lockjaw” Davis (jazz saxophonist) (on 1951-10-05)
trombone:
Bennie Green (jazz trombonist) (on 1951-10-05)
recording of:
Sugar Syrup (on 1951-10-05)
writer:
Teddy Brannon
3:02
15Serenade to Love
recorded in:
Chicago, Illinois, United States (on 1952-05-13)
bass:
Tommy Potter (on 1952-05-13)
drums (drum set):
Osie Johnson (on 1952-05-13)
piano:
John Malachi (on 1952-05-13)
strings:
Adam Micevich (on 1952-05-13), Alan Lane (4) (on 1952-05-13), Autrey McKissack (on 1952-05-13), Max Waxler (on 1952-05-13), Harold Sonn (on 1952-05-13) and Donald White (on 1952-05-13)
trombone:
Bennie Green (jazz trombonist) (on 1952-05-13)
recording of:
Serenade to Love (on 1952-05-13)
writer:
Bennie Green (jazz trombonist)
2:56
16Embraceable You
recorded in:
Chicago, Illinois, United States (on 1952-05-13)
bass:
Tommy Potter (on 1952-05-13)
drums (drum set):
Osie Johnson (on 1952-05-13)
piano:
John Malachi (on 1952-05-13)
strings:
Adam Micevich (on 1952-05-13), Alan Lane (4) (on 1952-05-13), Autrey McKissack (on 1952-05-13), Max Waxler (on 1952-05-13), Harold Sonn (on 1952-05-13) and Donald White (on 1952-05-13)
trombone:
Bennie Green (jazz trombonist) (on 1952-05-13)
instrumental recording of:
Embraceable You (on 1952-05-13)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:00
17Stardust
recorded in:
Chicago, Illinois, United States (on 1952-05-13)
bass:
Tommy Potter (on 1952-05-13)
drums (drum set):
Osie Johnson (on 1952-05-13)
piano:
John Malachi (on 1952-05-13)
strings:
Adam Micevich (on 1952-05-13), Alan Lane (4) (on 1952-05-13), Autrey McKissack (on 1952-05-13), Max Waxler (on 1952-05-13), Harold Sonn (on 1952-05-13) and Donald White (on 1952-05-13)
trombone:
Bennie Green (jazz trombonist) (on 1952-05-13)
recording of:
Stardust (the jazz standard) (on 1952-05-13)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:16
18There's a Small Hotel
recorded in:
Chicago, Illinois, United States (on 1952-05-13)
bass:
Tommy Potter (on 1952-05-13)
drums (drum set):
Osie Johnson (on 1952-05-13)
piano:
John Malachi (on 1952-05-13)
strings:
Adam Micevich (on 1952-05-13), Alan Lane (4) (on 1952-05-13), Autrey McKissack (on 1952-05-13), Max Waxler (on 1952-05-13), Harold Sonn (on 1952-05-13) and Donald White (on 1952-05-13)
trombone:
Bennie Green (jazz trombonist) (on 1952-05-13)
recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1952-05-13)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:43
19Blues in Lament
recorded in:
New York, New York, United States (on 1953-07-23)
baritone saxophone:
Cecil Payne (on 1953-07-23)
bass:
Tommy Potter (on 1953-07-23)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1953-07-23)
drums (drum set):
Osie Johnson (on 1953-07-23)
piano:
Cliff Smalls (on 1953-07-23)
tenor saxophone:
Frank Wess (on 1953-07-23)
trombone:
Bennie Green (jazz trombonist) (on 1953-07-23)
recording of:
Blues in Lament (on 1953-07-23)
writer:
Bennie Green (jazz trombonist) and Osie Johnson
3:05
20Blow Your Horn
recorded in:
New York, New York, United States (on 1953-07-23)
baritone saxophone:
Cecil Payne (on 1953-07-23)
bass:
Tommy Potter (on 1953-07-23)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1953-07-23)
drums (drum set):
Osie Johnson (on 1953-07-23)
piano:
Cliff Smalls (on 1953-07-23)
tenor saxophone:
Frank Wess (on 1953-07-23)
trombone:
Bennie Green (jazz trombonist) (on 1953-07-23)
recording of:
Blow Your Horn (on 1953-07-23)
writer:
Bennie Green (jazz trombonist)
2:42
21Takin' My Time
recorded in:
New York, New York, United States (on 1953-07-23)
baritone saxophone:
Cecil Payne (on 1953-07-23)
bass:
Tommy Potter (on 1953-07-23)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1953-07-23)
drums (drum set):
Osie Johnson (on 1953-07-23)
piano:
Cliff Smalls (on 1953-07-23)
tenor saxophone:
Frank Wess (on 1953-07-23)
trombone:
Bennie Green (jazz trombonist) (on 1953-07-23)
recording of:
Takin' My Time (on 1953-07-23)
writer:
Bennie Green (jazz trombonist)
3:06
22I Wanna Blow
recorded in:
New York, New York, United States (on 1954-04-13)
bass:
Ike Isaacs (bassist) (on 1954-04-13)
drums (drum set):
Jerry Seagle (on 1954-04-13)
piano:
Cliff Smalls (on 1954-04-13)
tenor saxophone:
Billy Root (jazz saxophonist) (on 1954-04-13)
trombone:
Bennie Green (jazz trombonist) (on 1954-04-13)
recording of:
I Wanna Blow (on 1954-04-13)
composer:
Bennie Green (jazz trombonist) and Osie Johnson
2:22
23People Will Say We're in Love
recorded in:
New York, New York, United States (on 1954-04-13)
bass:
Ike Isaacs (bassist) (on 1954-04-13)
drums (drum set):
Jerry Seagle (on 1954-04-13)
piano:
Cliff Smalls (on 1954-04-13)
tenor saxophone:
Billy Root (jazz saxophonist) (on 1954-04-13)
trombone:
Bennie Green (jazz trombonist) (on 1954-04-13)
recording of:
People Will Say We’re in Love (on 1954-04-13)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:50
24Rhumblues
recorded in:
New York, New York, United States (on 1954-04-13)
bass:
Ike Isaacs (bassist) (on 1954-04-13)
drums (drum set):
Jerry Seagle (on 1954-04-13)
piano:
Cliff Smalls (on 1954-04-13)
tenor saxophone:
Billy Root (jazz saxophonist) (on 1954-04-13)
trombone:
Bennie Green (jazz trombonist) (on 1954-04-13)
recording of:
Rhumblues (on 1954-04-13)
composer:
Jane Feather
2:50

Credits

Release

sound engineer:Lluis Cuadrench
Victor Gonzalez
executive producer:Pablo Salvat
producer:Esteban Sánchez (producer)
design:Oscar Font