Tracklist

CD 1: Sacred Cantatas: BWV 1-3
CD 2: Sacred Cantatas: BWV 4-6
#TitleRatingLength
1Cantata, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (on 1970-12-01)
recorded at:
Casino Zögernitz in Wien, Austria (on 1970-12-01)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (on 1970-12-01)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:06
2Cantata, BWV 4 "Christ lag in Todesbanden": II. Verso I "Christ lag in Todes Banden"
choir vocals:
Chorus Viennensis (from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:18
3Cantata, BWV 4 "Christ lag in Todesbanden": III.Verso II "Den Tod niemand zwingen kunnt"
alto vocals:
Paul Esswood (countertenor) (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
3:41
4Cantata, BWV 4 "Christ lag in Todesbanden": IV. Verso III "Jesus Christus, Gottes Sohn"
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
2:18
5Cantata, BWV 4 "Christ lag in Todesbanden": V. Verso IV "Es war ein wunderlicher Krieg"
choir vocals:
Chorus Viennensis (from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
2:28
6Cantata, BWV 4 "Christ lag in Todesbanden": VI. Verso V "Hier ist das rechte Osterlamm"
bass vocals:
Max van Egmond (bass-baritone) (from 1970-12-01 until 1971-04-01)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04-01)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04-01)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 1970-12-01 until 1971-04-01)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
3:00
7Cantata, BWV 4 "Christ lag in Todesbanden": VII. Verso VI "So feiern wir das hohe Fest"
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
2:08
8Cantata, BWV 4 "Christ lag in Todesbanden": VIII. Verso VII "Wir essen und leben wohl"
choir vocals:
Chorus Viennensis (from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:19
9Cantata, BWV 5 "Wo soll ich fliehen hin": I. (Coro) "Wo soll ich fliehen hin"
choir vocals:
Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
3:53
10Cantata, BWV 5 "Wo soll ich fliehen hin": II. Recitativo "Der Sünden Wust hat mich nicht nur befleckt"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
1:03
11Cantata, BWV 5 "Wo soll ich fliehen hin": III. Aria "Ergieße dich reichlich"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
6:37
12Cantata, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo "Mein treuer Heiland tröstet mich"
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
1:47
13Cantata, BWV 5 "Wo soll ich fliehen hin": V. Aria "Verstumme, Höllenheer"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
7:49
14Cantata, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo "Ich bin ja nur das kleinste Teil der Welt"
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
0:48
15Cantata, BWV 5 "Wo soll ich fliehen hin": VII. Chorale "Führ auch mein Herz und Sinn"
choir vocals:
Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
0:58
16Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. (Coro) "Bleib bei uns, denn es will Abend werden"
choir vocals:
Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
5:33
17Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria "Hochgelobter Gottessohn"
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
3:45
18Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Chorale "Ach bleib bei uns, Herr Jesu Christ"
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
4:04
19Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo "Es hat die Dunkelheit an vielen Orten"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
0:40
20Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria "Jesu, laß uns auf dich sehen"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
4:07
21Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Chorale "Beweis dein Macht, Herr Jesu Christ"
choir vocals:
Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
0:43
CD 3: Sacred Cantatas: BWV 7-9
CD 4: Sacred Cantatas: BWV 10-12
CD 5: Sacred Cantatas: BWV 13, 14, 16
CD 6: Sacred Cantatas: BWV 17-19
CD 7: Sacred Cantatas: BWV 20-21
CD 8: Sacred Cantatas: BWV 22-25
CD 9: Sacred Cantatas: BWV 26-29
CD 10: Sacred Cantatas: BWV 30-31
CD 11: Sacred Cantatas: BWV 32-34
CD 12: Sacred Cantatas: BWV 35-36
CD 13: Sacred Cantatas: BWV 37-40
CD 14: Sacred Cantatas: BWV 41-43
CD 15: Sacred Cantatas: BWV 44-47

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
ASIN:US: B00001IV8B [info]
US: B00002DF3M [info]