Aida (sung in German)

~ Release by Giuseppe Verdi; Leonora Lafayette, Georgine von Milinkovic, Josef Gostic, Ferdinand Frantz, Gottlob Frick, Walter Berry, Clemens Krauss (see all versions of this release, 1 available)

Annotation

Broadcast performance, 1953, sung in german

Conductor - Clemens Krauss
Orchestra - Sinfonieorchester des Bayerischen Rundfunks
Chorus - Chor des Bayerischen Rundfunks

Aida - Leonora (Lenora) Lafayette
Radamès - Joseph Gostic
Amneris - Georgine von Milinkovic
Amonasro - Ferdinand Frantz
Ramphis - Gottlob Frick
Il Re di Egitto - Walter Berry
Una Sacerdotessa - Elisabeth Lindermeier
Un Messaggero - Karl Ostertag

Annotation last modified on 2020-03-16 01:02 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Aida: Akt I. Vorspiel
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida (German lyrics)
part of:
Aida
Giuseppe Verdi3:32
2Aida: Akt I. „Ja, hört die Kunde der Äthioper”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Ja, hört die Kunde der Äthioper” (Ramphis, Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès)
part of:
Aida: Akt I
Giuseppe Verdi1:39
3Aida: Akt I. „O wäre ich erkoren”
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „O wäre ich erkoren” (Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
part of:
Aida: Akt I
Giuseppe Verdi1:04
4Aida: Akt I. „Holde Aida, himmelentstammend”
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. Romanze „Holde Aida, himmelentstammend” (Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
part of:
Aida: Akt I
Giuseppe Verdi3:22
5Aida: Akt I. „In unnennbarer Freude”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „In unnennbarer Freude” (Amneris, Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès)
part of:
Aida: Akt I
Giuseppe Verdi3:26
6Aida: Akt I. „Komm, o Geliebte, nahe dich”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Komm, o Geliebte, nahe dich” (Amneris, Aida, Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès)
part of:
Aida: Akt I
Giuseppe Verdi2:54
7Aida: Akt I. „Ernste Gefahr versammelt euch”
bass-baritone vocals [Il re]:
Walter Berry (bass-baritone) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
tenor vocals [Un messagero]:
Karl Ostertag (german tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Ernste Gefahr versammelt euch” (Aida, Radames, Amneris, König, Bote, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
part of:
Aida: Akt I
Giuseppe Verdi3:15
8Aida: Akt I. „Zu des Niles heil’gem Ufer”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
bass-baritone vocals [Il re]:
Walter Berry (bass-baritone) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
tenor vocals [Un messagero]:
Karl Ostertag (german tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Zu des Niles heil’gem Ufer” (Ramphis, Radames, Aida, Amneris, König, Bote, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
part of:
Aida: Akt I
Giuseppe Verdi3:06
9Aida: Akt I. „Als Sieger kehre heim!”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Als Sieger kehre heim!” (Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida)
part of:
Aida: Akt I
Giuseppe Verdi6:01
10Aida: Akt I. „Allmächt’ger Fthà”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
soprano vocals [Una sacerdotessa]:
Elisabeth Lindermeier (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Allmächt’ger Pthà” (Priesterin, Chor, Ramphis) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
part of:
Aida: Akt I
Giuseppe Verdi6:42
11Aida: Akt I. „Gott, der du Beschützer bist”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
soprano vocals [Una sacerdotessa]:
Elisabeth Lindermeier (soprano) (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt I. „Gott, der du Beschützer bist” (Ramphis, Radames, Priesterin, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
part of:
Aida: Akt I
Giuseppe Verdi4:02
12Aida: Akt II. „Wer steigt beim Klang der Hymnen”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Wer steigt beim Klang der Hymnen” (Amneris, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
part of:
Aida: Akt II
Giuseppe Verdi5:19
13Aida: Akt II. „Kein Wort mehr, Aida seh’ ich dort”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. Duett „Kein Wort mehr, Aida seh’ ich dort” (Amneris, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida)
part of:
Aida: Akt II
Giuseppe Verdi5:59
14Aida: Akt II. „Empfinde Mitleid mit einem Schmerz”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Empfinde Mitleid mit einem Schmerz” (Amneris, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida)
part of:
Aida: Akt II
Giuseppe Verdi4:26
15Aida: Akt II. „Heil dir, Ägypten, Isis heil”
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Heil dir, Ägypten, Isis heil” (Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
part of:
Aida: Akt II
Giuseppe Verdi3:22
16Aida: Akt II. Triumphmarsch und Ballett
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi6:43
17Aida: Akt II. „Komm, unser Rächer, komm, o Held”
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Komm, unser Rächer, komm, o Held” (Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
part of:
Aida: Akt II
Giuseppe Verdi2:16
18Aida: Akt II. „Wir grüßen in dir den Retter”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
bass-baritone vocals [Il re]:
Walter Berry (bass-baritone) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Wir grüßen in dir den Retter” (König, Radames, Ramphis, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti)
part of:
Aida: Akt II
Giuseppe Verdi2:02
19Aida: Akt II. „Was seh’ ich, er ist’s, mein Vater!”
baritone vocals [Amonasro]:
Ferdinand Frantz (baritone) (in 1953)
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
bass-baritone vocals [Il re]:
Walter Berry (bass-baritone) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Was seh' ich, er ist's, mein Vater!” (Aida, Amneris, Amonasro, König, Ramfis, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
part of:
Aida: Akt II
Giuseppe Verdi2:07
20Aida: Akt II. „Doch, du Herr, dem die Macht”
baritone vocals [Amonasro]:
Ferdinand Frantz (baritone) (in 1953)
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
bass-baritone vocals [Il re]:
Walter Berry (bass-baritone) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt II. „Doch, du Herr, dem die Macht” (Alle) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
part of:
Aida: Akt II
Giuseppe Verdi3:55
▼ CD 2
#TitleArtistRatingLength
1Aida: Akt III. „O Fürst, bei allen Göttern”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „O Fürst, bei allen Göttern” (Chor, Ramphis, Amneris) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris)
part of:
Aida: Akt III
Giuseppe Verdi5:22
2Aida: Akt III. „Göttin, die heißt Osiris”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Göttin, die heißt Osiris” (Chor, Ramphis, Amneris) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris)
part of:
Aida: Akt III
Giuseppe Verdi5:03
3Aida: Akt III. „Hierher kommt Radames!”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. Arie „Hierher kommt Radames!” (Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
version of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
part of:
Aida: Akt III
Giuseppe Verdi1:33
4Aida: Akt III. „Azurne Himmelbläue”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Azurne Himmelsbläue” (Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
part of:
Aida: Akt III
Giuseppe Verdi3:48
5Aida: Akt III. „Weh’! Mein Vater!”
baritone vocals [Amonasro]:
Ferdinand Frantz (baritone) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Wehe, mein Vater!” (Aida, Amonasro) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
part of:
Aida: Akt III
Giuseppe Verdi4:01
6Aida: Akt III. „Wohlauf denn, erhebt euch”
baritone vocals [Amonasro]:
Ferdinand Frantz (baritone) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Wohlauf denn, erhebt euch” (Aida, Amonasro) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
part of:
Aida: Akt III
Giuseppe Verdi4:03
7Aida: Akt III. „Ich seh’ dich wider, meine Aida”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. Duett „Ich seh’ dich wieder, meine Aida” (Radames, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
part of:
Aida: Akt III
Giuseppe Verdi1:26
8Aida: Akt III. „Auf’s neue wird der Streit”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Auf’s neue wird der Streit” (Radames, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida)
part of:
Aida: Akt III
Giuseppe Verdi1:49
9Aida: Akt III. „Entflieh’n aus diesem Lande wir”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Entflieh’n aus diesem Lande wir” (Aida, Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
part of:
Aida: Akt III
Giuseppe Verdi3:41
10Aida: Akt III. „Aida!”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Aida!” (Radames, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III. “Aida! Tu non m'ami. Va!” – “Ah no! Fuggiamo!” (Radamès, Aida)
part of:
Aida: Akt III
Giuseppe Verdi2:16
11Aida: Akt III. „Doch sage, welche Wege sind noch frei”
baritone vocals [Amonasro]:
Ferdinand Frantz (baritone) (in 1953)
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt III. „Doch sage, welche Wege sind noch frei” (Aida, Radames, Amonasro, Amneris, Ramphis) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
part of:
Aida: Akt III
Giuseppe Verdi3:19
12Aida: Akt IV. „Die verhaßte Rivalin ist entflohen”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Die verhaßte Rivalin ist entflohen” (Amneris) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris)
part of:
Aida: Akt IV
Giuseppe Verdi2:58
13Aida: Akt IV. „Schon sind die Priester all’ vereint”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Schon sind die Priester all’ vereint” … „Was hab’ ich leiden müssen” (Amneris, Radames) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
part of:
Aida: Akt IV
part of:
Aida: Akt IV
Giuseppe Verdi7:09
14Aida: Akt IV. „Weh’ mir, ich fühl, ich sterbe”
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Weh’ mir, ich fühl, ich sterbe” (Amneris) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
part of:
Aida: Akt IV
Giuseppe Verdi7:52
15Aida: Akt IV. „Wird lebend begraben”
bass vocals [Ramphis]:
Gottlob Frick (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Wird lebend begraben” (Amneris, Ramphis, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti)
part of:
Aida: Akt IV
Giuseppe Verdi3:04
16Aida: Akt IV. „Es hat der Stein sich über mir geschlossen”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Es hat der Stein sich über mir geschlossen” (Radames, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
part of:
Aida: Akt IV
Giuseppe Verdi3:05
17Aida: Akt IV. „Zu sterben! So rein und schön”
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Zu sterben! So rein und schön” (Radames, Aida) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
part of:
Aida: Akt IV
Giuseppe Verdi3:18
18Aida: Akt IV. „Leb wohl, o Erde”
choir vocals:
Chor des Bayerischen Rundfunks (in 1953)
mezzo-soprano vocals [Amneris]:
Georgine von Milinkovic (mezzo-soprano) (in 1953)
soprano vocals [Aida]:
Leonora Lafayette (in 1953)
tenor vocals [Radamès]:
Josef Gostic (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1953)
conductor:
Clemens Krauss (conductor) (in 1953)
recording of:
Aida: Akt IV. „Leb wohl, o Erde” (Aida, Amonasro, Amneris, Chor) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
part of:
Aida: Akt IV
Giuseppe Verdi4:47