Tracklist

| |
CD 1
#TitleArtistRatingLength
1Madama Butterfly: Atto I. “E Soffitto… e Pareti”
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:57
2Madama Butterfly: Atto I. “Sorride Vostro Onore?”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:25
3Madama Butterfly: Atto I. “Dovunque al mondo”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:46
4Madama Butterfly: Atto I. “America for ever!”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
partial recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:36
5Madama Butterfly: Atto I. “Ier l’altro, il Consolato”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:01
6Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendio”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:46
7Madama Butterfly: Atto I. “Gran ventura”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:38
8Madama Butterfly: Atto I. “L’Imperial Commissario”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
baritone vocals [Yakusidè]:
Leslie Fyson (baritone) (from 1978-02-26 until 1978-06-05)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
mezzo-soprano vocals [La madre]:
Gloria Jennings (from 1978-02-26 until 1978-06-05)
mezzo-soprano vocals [La zia]:
Jean Temperley (contralto) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [La cugina]:
Lynda Richardson (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:09
9Madama Butterfly: Atto I. “Vieni, amor mio!”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:54
10Madama Butterfly: Atto I. “Ieri son salita”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini1:55
11Madama Butterfly: Atto I. “Tutti zitti!”
bass vocals [Il Commissario Imperiale]:
Christopher Keyte (operatic bass) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:10
12Madama Butterfly: Atto I. “O Kami! O Kami!”
bass vocals [Bonzo]:
Malcolm King (operatic bass) (from 1978-02-26 until 1978-06-05)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini0:38
13Madama Butterfly: Atto I. “Cio‐Cio‐San!… Cio‐Cio San!”
bass vocals [Bonzo]:
Malcolm King (operatic bass) (from 1978-02-26 until 1978-06-05)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:45
14Madama Butterfly: Atto I. “Bimba, bimba, non piangere”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini1:55
15Madama Butterfly: Atto I. “Viene la sera”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:10
16Madama Butterfly: Atto I. “Vogliatemi bene”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:23
17Madama Butterfly: Atto II, scena 1. “E Izaghi ed Izanami”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini7:26
18Madama Butterfly: Atto II, scena 1. “Un bel dì, vedremo”
soprano vocals and soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1977)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:00
19Madama Butterfly: Atto II, scena 1. “C’è. Entrate”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
baritone vocals [Yamadori]:
Jonathan Summers (baritone) (from 1978-02-26 until 1978-06-05)
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:43
CD 2
#TitleArtistRatingLength
1Madama Butterfly: Atto II, scena 1. “Non lo sapete insomma”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:50
2Madama Butterfly: Atto II, scena 1. “Si sa che aprir la porta”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
baritone vocals [Yamadori]:
Jonathan Summers (baritone) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:03
3Madama Butterfly: Atto II, scena 1. “Udiste?”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
baritone vocals [Yamadori]:
Jonathan Summers (baritone) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:18
4Madama Butterfly: Atto II, scena 1. “Ora a noi”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:46
5Madama Butterfly: Atto II, scena 1. “Ebbene, che fareste”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Ebbene, che fareste, Madama Butterfly” … “Due cose potrei far” (Butterfly, Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:39
6Madama Butterfly: Atto II, scena 1. “E questo? E questo?”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “E questo? E questo?” (Butterfly, Sharpless) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:11
7Madama Butterfly: Atto II, scena 1. “Che tua madre dovrà”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:50
8Madama Butterfly: Atto II, scena 1. “Vespa! Rospo maledetto!”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Goro]:
Florindo Andreolli (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:54
9Madama Butterfly: Atto II, scena 1. “Una nave da guerra”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:24
10Madama Butterfly: Atto II, scena 1. “Scuoti quella fronda di ciliegio”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:54
11Madama Butterfly: Atto II, scena 1. “Or vienmi ad adornar”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:51
12Madama Butterfly: Atto II, scena 1. Coro a bocca chiusa (È notte; i raggi lunari illuminano dall’esterno lo shosi)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:09
13Madama Butterfly: Atto II, scena 2. Intermezzo
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Oh eh! Oh eh!” (Voci dei marinai) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
recording of:
Madama Butterfly: Atto III. Intermezzo (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini6:02
14Madama Butterfly: Atto II, scena 2. Intermezzo (Fischi d’uccelli dal giardino)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. Comincia l’alba (Orchestra; comes after "Oh eh! Oh eh!") (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:50
15Madama Butterfly: Atto II. “Già il sole!”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:19
16Madama Butterfly: Atto II. “Chi sia?”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:35
17Madama Butterfly: Atto II. “Lo so che alle sue pene”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:05
18Madama Butterfly: Atto II. “Non ve l’avevo detto?”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:04
19Madama Butterfly: Atto II. “Addio fiorito asil”
baritone vocals [Sharpless]:
Ingvar Wixell (baritone) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini3:02
20Madama Butterfly: Atto II. “Suzuki! Dove sei?”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:59
21Madama Butterfly: Atto II. “Tu, Suzuki, che sei tanto buona”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini4:39
22Madama Butterfly: Atto II. “Come una mosca prigioniera”
mezzo-soprano vocals [Suzuki]:
Gillian Knight (mezzo-soprano) (from 1978-02-26 until 1978-06-05)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:53
23Madama Butterfly: Atto II. “Con onor muore”
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1978-02-26 until 1978-06-05)
tenor vocals [Pinkerton]:
Plácido Domingo (tenor) (from 1978-02-26 until 1978-06-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-02-26 until 1978-06-05)
conductor:
Lorin Maazel (conductor) (from 1978-02-26 until 1978-06-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1978-02-26 until 1978-06-05)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1978-02-26 until 1978-06-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:19